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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Music Conference in Rome (September 2018)

Fr. David Friel · July 7, 2018

HE VATICAN’S Pontifical Council for Culture (PCC) has announced that it is organizing another conference on sacred music this fall, in collaboration with the Pontifical Athenaeum Sant’Anselmo and the Pontifical Institute of Sacred Music. The PCC, which also organized a conference in March 2017, will host this event at Lumsa University in Rome.

The upcoming conference, scheduled for 13–15 September 2018, is entitled Church and Composers, Words and Sounds. The stated objective of this gathering is to consider the role of the composer in the life of the Church.

The announced program presents a wide range of speakers and topics, including:

“You heard the sound of words but saw no form:
there was only a voice (Dt 4:12)”

— Gianfranco Cardinal Ravasi
(President of the Pontifical Council for Culture)

“Historical Excursus: The Composing Style
of the Sistine Chapel for Papal Celebrations”

— Msgr. Massimo Palombella
(Director, Cappella Musicale Pontificia “Sistina”)

“Translations, Music and Composition”
— Archbishop Arthur Roche (Secretary, CDW)

“Composing for Christian Communities Today”
— John Rutter (Composer)

“Music and Philology”
— Thomas Forest Kelly
(Morton B. Knafel Research Professor of Music, Harvard University)

“Music and Formation” — Msgr. Vincenzo De Gregorio
(Head, Pontifical Institute of Sacred Music)

“‘I saw and heard the voices of many
around the throne’: the Pipe Organ”

— Simon Johnson
(Organist, St. Paul’s Cathedral, London)

“‘Praise him with the harp and . . . with the tambourine . . . ’
(Ps 150:3): Liturgical Inculturation and Musical Instruments”

— Fr. Olivier-Marie Sarr, OSB
(Liturgist, Pontifical Athenaeum Sant’Anselmo)

These proceedings are principally aimed at representatives of episcopal conferences and religious orders, musicians, curators of liturgical music, associations, and movements.

The three-day event will conclude with a concert in the Basilica Superiore at Assisi, within the context of the Francesco Siciliani Prize, an international competition for sacred music composition.

The March 2017 PCC conference was entitled Music and Church: Cult and Culture 50 Years after Musicam Sacram and included such speakers as Cardinal Ravasi, Michele Dall’Ongaro, Paul Inwood, Fr. Fergus Ryan, OP, and Fr. Jordi-A. Piqué, OSB. The acta of this conference have been published (Musica e Chiesa a 50 anni dalla Musicam Sacram) and are available here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pontifical Institute Sacred Music Rome Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

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  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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