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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mutuality vs. Male Headship within Marriage

Fr. David Friel · January 7, 2018

LENTY OF discussion has taken place within the Church over recent years on the topic of marriage. Some of this discussion was occasioned by the new English translation of the marriage ritual (published in 2016). Certainly much of the conversation has also been prompted by the 2014-2015 extraordinary synod on the family and Pope Francis’ post-synodal apostolic exhortation, Amoris laetitia (2016).

Recently, my research interests took me in the direction of marriage, also. I decided to study a host of liturgical rites for marriage throughout history in order to assess their approach to the relationship between husband and wife. In particular, I looked for evidence of rites that stress mutuality between spouses versus rites that stress the headship of the husband.

The result of my research is an article published in Antiphon: A Journal for Liturgical Renewal (vol. 21, no. 3, 252-289; full article available here). Antiphon is the journal of the Society for Catholic Liturgy, which bills itself as a multidisciplinary association of Catholic scholars, teachers, pastors, and professionals (including architects, musicians, etc.) that promotes scholarly study and practical renewal of the Church’s liturgy in the Anglophone world.

The title of my article is Mutuality and Male Headship: Liturgical Evidence from Marriage Rituals throughout History. It begins with consideration of the marriage rituals of the Roman Empire and Judaism before proceeding to those of the Christian East and West.

Summarizing the findings of this research is quite difficult, on account of the number of rites consulted and the widely disparate approaches they take. Nevertheless, the following paragraph from the article’s conclusion helps to convey some of what I discovered in concise fashion:

Generalizing quite broadly, the earliest Christian rites could be characterized by their ability to accept differentiation of roles together with equality. The rites of the middle period tend to stress the differences of roles to the exclusion of equality. Finally, in the more modern rites, there is a propensity toward the rejection of role differentiation in the name of total equality.1

As I have noted elsewhere, the marriage rite has historically proven itself to be very adaptable. This exploration of so many marriage rituals revealed to me anew the great richness of the Church’s liturgical theology on marriage.

The same issue of Antiphon also features:

1. An important analysis of Magnum principium by Msgr. Maurizio Barba, S.L.D. (“The Motu Proprio Magnum Principium on the Edition of Liturgical Books in the Vernacular Languages”)

2. An interesting argument for restoring proper order to the Sacraments of Initiation by Joshua Madden, Ph.D. (“‘Circa Aetatem Discretionis’: A Proposal in Favor of Restored Order Confirmation”)

3. A scriptural-liturgical approach to St. John’s Apocalypse by Ian G. Coleman, M.A. (“The Rubrics of Revelation: A Liturgical Reading”)

Access the full articles by becoming a subscriber to Antiphon or by requesting single issues of the journal here.




NOTES FROM THIS ARTICLE:

1   David M. Friel, “Mutuality and Male Headship: Liturgical Evidence from Marriage Rituals throughout History” Antiphon 21, no. 3 (2017): 287.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Antiphon Journal, Marriage Synod, Nuptial Mass Last Updated: January 22, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

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“The cemeteries are full of people who thought they were indispensable.”

— Fr. Alan Heet, OFM

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