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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Join a Choir! Now!

Richard J. Clark · August 31, 2018

RJC_FaureRequiem R. ALFRED CALABRESE hit the nail on the head this week when he published Saving the Church, One Choir at a Time. Read his article before you read mine (below), especially his three wonderful suggestions on what musicians can do. He also states, “Do not be fooled into thinking there is nothing we can do, lowly church musicians that we may be. We have the power because we’re on the ground, in the parishes. We have credibility…Now is the time for action.”

If you are thinking about singing in a choir, now is the time to join one! Join your local parish choir. Just sing. The camaraderie and endorphin rush alone is worth it!) If you are already in a choir, know that your sense of purpose is greater than you know.

Having served in the Archdiocese of Boston in 2002 when the crises hit, I recall that as we made music each week, we made music more fervently. It was a deeply profound prayer that brought us closer to God in time of pain and, yes, anger. It was a prayer no one could take away from us, nor from the faithful who continued to pray at Mass despite frustration, anger and despair.

When you sing in a choir, know that you will impact people’s lives in ways you cannot imagine and likely in ways you will never know. There is no line between sacred music and prayer. Music IS prayer. Preparation is prayer. Do it with love because God is love and God is a prayer.

Join a choir! Rehearsals are the prayer that bond musicians together as one with God.

Y NOW, MANY OF YOU ARE AWARE of my other recent professional developments. Soon I will begin a new role as Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. As a new position in Boston, the Director of Music of the Archdiocese is not a position of power or prestige but of service. Nor is it to micromanage 280+ parishes in the Archdiocese, but to offer guidance and support—liturgical, musical, and pastoral. There will be more about this later at an appropriate time.

While I go with joy to serve in this new role, truth be told, I am in no celebratory mood at this time. My heart breaks, and words cannot describe the unspeakable harm and pain suffered by too many for too long. Fury, anger, and exasperation barely begin to describe the mood of the faithful today.

However, these circumstances only punctuate a call to serve. Giving of ourselves in service is why we do what we do.

IF YOU LIVE AROUND BOSTON, consider joining your parish choir, the Archdiocesan Choir or the Cathedral Choir:

• THE CATHEDRAL OF THE HOLY CROSS CHOIR WELCOMES NEW SINGERS! (11:30 a.m. Mass.) Ability to read is necessary, but it doesn’t have to be stellar at first. It will improve greatly over time. Ability to sing straight tone when called upon is a huge help. If interested click here to email me.

My first Sunday at the Cathedral of the Holy Cross is Sunday, September 16th. Most fittingly the Cathedral will celebrate the Feast of the Exaltation of the Holy Cross. (The Introit Chant Nos autem gloriari is in order!) As it is the Titular Feast of the Cathedral, the celebration is moved to the nearest Sunday. (Sept. 14)

• THE ARCHDIOCESAN CHOIR WELCOMES NEW SINGERS! Singers from all over the Archdiocese are welcome to sing at special Archdiocesan events.

Coming up soon: Permanent Diaconate Ordination, Saturday, September 29th at 10 a.m. With the Cathedral still under renovation, it will take place at the beautiful Holy Name Parish in West Roxbury. If interested click here to email me.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

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