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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

John the Baptist and the Meaning of Marriage

Fr. David Friel · August 29, 2017

ODAY’S liturgical feast, in both the Ordinary and Extraordinary Forms, is the Beheading of Saint John the Baptist. This is one of the more intriguing feasts for people who are just becoming familiar with the liturgical year and celebration of the saints. Even for those who are very familiar with the Church’s liturgy, today’s feast prompts a timely question: why was the Baptist killed?

It began with Herod, who decided to take his brother’s wife as his own. John the Baptist rightfully didn’t approve of that, and he said to Herod: “It is not lawful for you to have your brother’s wife.” Needless to say, that opposition did not put John in Herod’s good graces. So John the Baptist was killed for his defense of marriage.

It’s so very much like the story of Sir Thomas More. Thomas was asked by Henry VIII to give approval to the king’s divorce from Catherine of Aragon. As a matter of conscience, Thomas More refused to give his approval. And so he, too, suffered death for his defense of marriage.

In our own day, marriage is under siege in numerous ways. Society asks us to accept that marriage means whatever we want it to mean. Society asks us to view marriage as a mere business arrangement—as simply a legal construct. But that is not what marriage is.

Marriage is a Sacrament, instituted by Christ, for the fostering of family life. We need the moral courage—the fortitude—to call evil evil and good good. We may never be put to death for raising opposition to modern trends. But, then again, maybe we will.

We need the intercession of Saints John the Baptist and Thomas More to strengthen us in this fight. Let’s ask for their heartfelt prayers so that the world might rediscover the authentic meaning of Holy Matrimony.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

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