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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sing Everything From the Viewpoint of the Resurrection

Richard J. Clark · April 7, 2017

T IS QUITE POSSIBLE the best thing to happen to me is to understand my own mortality. Birthdays at my age will do that. The physical, mental, and emotional challenge of caring for young children will do that. Failure and uncertainty will do that. We are but dust and to dust we shall return. For me at least, it is way past time to repent and believe in the Gospel. This is a gift of Ash Wednesday.

Facing mortality may wake us up to what God wishes for us: The gift of Christ’s sacrifice is the ultimate show of love, for he wants us to share in his eternal life—where death has no dominion. “…the love of God doesn’t end in death. It goes beyond it. Death is no hindrance to the love of God.” (Peter G. van Breemen, SJ, As Bread That Is Broken, pg.169)

OLY WEEK is upon us. Now, in these last days of Lent, the tension in the daily Gospels is palpable. There is no question Jesus will suffer horrifically and die. Peter van Breemen states, “The Gospel should be read from the viewpoint of the resurrection because that is the way it was written.“ (As Bread That Is Broken, pg.167) Central to our faith is the Resurrection. We know this intellectually. We profess this. But music has has power to describe the indescribable and speak the ineffable. That is what our choirs must do this Holy Week.

Most especially during Holy Week, sacred song and prayer become indistinguishable (although this is always our goal!) How does this happen? The period of Lent prepares us in unexpected ways. Take for example, Jesus’ Transfiguration on the second Sunday of Lent. God shows us as he really is—something beyond our human comprehension. Christ’s revelation in the Transfiguration is echoed in the communion antiphon on August 6th—the Feast of the Transfiguration: “When Christ appears, we shall be like him, for we shall see him as he is.”

This is truly God’s wish for us—to see him as he IS, which in turn reveals just how much God truly loves us. From the familiar text of John 3:16: “For God so loved the world that he gave his only Son, so that everyone who believes in him might not perish but might have eternal life.”

HIS HOLY WEEK especially, we must sing everything from the viewpoint of the resurrection, of God’s overpowering love. This includes the emotional roller coaster of Palm Sunday. This includes the confusion the disciples feel of Christ’s example in washing their feet. This includes the suffering of Good Friday, for Good Friday brings us the greatest hope of all. For death has no power over God, and God wants the same for us.

Your choir’s preparation for Holy Week has been a great prayer. This week, your song and prayer will be indistinguishable. Sing with great joy and hope. Christ’s love is more than you can bear.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“If he converses with the learned and judicious, he delights in their talent—if with the ignorant and foolish, he enjoys their stupidity. He is not even offended by professional jesters. With a wonderful dexterity he accommodates himself to every disposition. As a rule, in talking with women (even with his own wife) he is full of jokes and banter.”

— ‘Erasmus on St. Thomas More (England’s 1st lay Chancellor)’

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