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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Introducing the Wethersfield Institute Chant Workshop

Fr. David Friel · April 16, 2017

UMMER 2017 has several excellent sacred music programs on offer. Within a span of just two weeks in late June, there will be three outstanding programs offered on the East Coast, on the West Coast, and in the Midwest.

First up is the 27th annual CMAA Sacred Music Colloquium, to be held in St. Paul, MN from June 19-24, 2017. More details available here.

Second is the second annual Sacred Music Symposium hosted by the FSSP parish in Los Angeles, CA. Dates for the symposium are June 26-30, 2017, and information can be found here.

Third is the inaugural Wethersfield Institute Chant Workshop, which runs from June 27-30, 2017. This event, to be held at Wethersfield house, Amenia, NY, will be led by two Dominicans: Fr. Vincent Ferrer Bagan, O.P. and Fr. Innocent Smith, O.P. This event is billed as an intensive course on Gregorian chant that will feature instruction in singing, teaching, and directing Gregorian chant. Both Mass and the Divine Office will be sung daily. Further details are available from the workshop website here.

June promises to be a wonderful month for the advancement of sacred music. These three conferences, together with Sacra Liturgia Milano earlier in the month (June 6-9, 2017), will introduce the treasury of the Church’s music to many new people. These workshops will also deepen the knowledge and experience of many folks already working with chant in their parishes and institutions.

The placement of these opportunities across the country is very good news for the renewal of sacred music. It is simple evidence that there is a widespread need being met. May the Lord bring forth much fruit from each of these events!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorian Chant, Sacred Music Colloquium, Sacred Music Symposium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

Recent Posts

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