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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Things that Inform the Work of Every Parish: Hospitality, Catechesis, Evangelization

Richard J. Clark · September 9, 2016

OSPITAILITY and catechesis ultimately lead to evangelization. They are concepts that appear intangible. Often they are. However, they inform us of our very concrete work. They permeate most everything we do in service of God and the faithful.

The list of concrete elements that embody all three is endless. Two simple examples are the production of worship aids and the use of qualitative hymnals. A worship aid takes on much time and expense for a Parish on a limited budget. Producing worship aids can turn a part-time job into a full-time one, and they cost money to print. Hymnals are a large one-time expense. However, what is the long-term benefit? What is the spiritual gain?


HOSPITALITY
The people have in their hands everything they need to sing in one place or a reference to where to find music in hymnals. They can also include music from multiple sources, opening up a treasure of sacred music the Church has to offer. Reprint licenses are relatively inexpensive. Many resources are free. (E.g., Corpus Christi Watershed, Church Music Association of America (CMAA), Illuminare Publications). In short, this simple form of hospitality means offering our best to God while in service to the faithful.


CATECHESIS
A worship aid can contain texts and translations of antiphons, choral works, references to preludes and postludes (which are often connected to the liturgical calendar), and any music that fosters internal meditation. It can outline the liturgy so that young and old may learn the elements of the Mass. Importantly, the connections of the music we sing to the scriptures, the feast, or the season are more easily seen and ultimately taken to heart.


EVANGELIZATION
This is the outgrowth of hospitality and catechesis. Those who not only feel welcomed, but are nourished with dignified substance, will also be far more likely to return. But it is not just about putting people in the pews. It is about helping people to pray. And that is what a solid hymnal and worship aids accomplish.

The liturgy is also usually the first interaction most people have with a parish. We are ready not only to make positive first impressions, but also maintain a standard as best as possible to help parishioners, new and old, be nourished and rooted in prayer. Never forget: the Mass is the greatest form of evangelization.

HESE THREE CONCEPTS extend to many other concrete forms. Another important and often overlooked example is a well designed, easy to navigate, and informative website. This is not always easy to accomplish quickly. It may take time to develop and grow, but this is necessary for any parish today. In a parish website, the possibilities of hospitality, catechesis, and therefore evangelization, are endless.

The role of architecture in evangelization deserves volumes of commentary. From the worship space to parish space of various use, few elements are more influential in how a person feels and interacts with God and with others. Maintaining old buildings is the nightmare of every pastor—one of the most difficult aspects of being a pastor. But there are great rewards when any improvements can be made.

Outreach and social justice programs are fundamental part of hospitality and living out the Gospel. Understanding why we must do these things is an element of catechesis. The fruit is evangelization.

T IS IMPORTANT to remember that evangelization is not something we do for our personal gain or for a parish’s advancement or prestige. It is what we must do as God calls us. These three concepts are born from Lex orandi, lex credendi, lex Vivendi – the law of prayer is the law of belief, which points to the law of how Christians must live.

My words here are but a beginning of something much, much larger. I have barely scratched the surface. But you have much to offer. God is calling.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

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