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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Things that Inform the Work of Every Parish: Hospitality, Catechesis, Evangelization

Richard J. Clark · September 9, 2016

OSPITAILITY and catechesis ultimately lead to evangelization. They are concepts that appear intangible. Often they are. However, they inform us of our very concrete work. They permeate most everything we do in service of God and the faithful.

The list of concrete elements that embody all three is endless. Two simple examples are the production of worship aids and the use of qualitative hymnals. A worship aid takes on much time and expense for a Parish on a limited budget. Producing worship aids can turn a part-time job into a full-time one, and they cost money to print. Hymnals are a large one-time expense. However, what is the long-term benefit? What is the spiritual gain?


HOSPITALITY
The people have in their hands everything they need to sing in one place or a reference to where to find music in hymnals. They can also include music from multiple sources, opening up a treasure of sacred music the Church has to offer. Reprint licenses are relatively inexpensive. Many resources are free. (E.g., Corpus Christi Watershed, Church Music Association of America (CMAA), Illuminare Publications). In short, this simple form of hospitality means offering our best to God while in service to the faithful.


CATECHESIS
A worship aid can contain texts and translations of antiphons, choral works, references to preludes and postludes (which are often connected to the liturgical calendar), and any music that fosters internal meditation. It can outline the liturgy so that young and old may learn the elements of the Mass. Importantly, the connections of the music we sing to the scriptures, the feast, or the season are more easily seen and ultimately taken to heart.


EVANGELIZATION
This is the outgrowth of hospitality and catechesis. Those who not only feel welcomed, but are nourished with dignified substance, will also be far more likely to return. But it is not just about putting people in the pews. It is about helping people to pray. And that is what a solid hymnal and worship aids accomplish.

The liturgy is also usually the first interaction most people have with a parish. We are ready not only to make positive first impressions, but also maintain a standard as best as possible to help parishioners, new and old, be nourished and rooted in prayer. Never forget: the Mass is the greatest form of evangelization.

HESE THREE CONCEPTS extend to many other concrete forms. Another important and often overlooked example is a well designed, easy to navigate, and informative website. This is not always easy to accomplish quickly. It may take time to develop and grow, but this is necessary for any parish today. In a parish website, the possibilities of hospitality, catechesis, and therefore evangelization, are endless.

The role of architecture in evangelization deserves volumes of commentary. From the worship space to parish space of various use, few elements are more influential in how a person feels and interacts with God and with others. Maintaining old buildings is the nightmare of every pastor—one of the most difficult aspects of being a pastor. But there are great rewards when any improvements can be made.

Outreach and social justice programs are fundamental part of hospitality and living out the Gospel. Understanding why we must do these things is an element of catechesis. The fruit is evangelization.

T IS IMPORTANT to remember that evangelization is not something we do for our personal gain or for a parish’s advancement or prestige. It is what we must do as God calls us. These three concepts are born from Lex orandi, lex credendi, lex Vivendi – the law of prayer is the law of belief, which points to the law of how Christians must live.

My words here are but a beginning of something much, much larger. I have barely scratched the surface. But you have much to offer. God is calling.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

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