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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Things that Inform the Work of Every Parish: Hospitality, Catechesis, Evangelization

Richard J. Clark · September 9, 2016

OSPITAILITY and catechesis ultimately lead to evangelization. They are concepts that appear intangible. Often they are. However, they inform us of our very concrete work. They permeate most everything we do in service of God and the faithful.

The list of concrete elements that embody all three is endless. Two simple examples are the production of worship aids and the use of qualitative hymnals. A worship aid takes on much time and expense for a Parish on a limited budget. Producing worship aids can turn a part-time job into a full-time one, and they cost money to print. Hymnals are a large one-time expense. However, what is the long-term benefit? What is the spiritual gain?


HOSPITALITY
The people have in their hands everything they need to sing in one place or a reference to where to find music in hymnals. They can also include music from multiple sources, opening up a treasure of sacred music the Church has to offer. Reprint licenses are relatively inexpensive. Many resources are free. (E.g., Corpus Christi Watershed, Church Music Association of America (CMAA), Illuminare Publications). In short, this simple form of hospitality means offering our best to God while in service to the faithful.


CATECHESIS
A worship aid can contain texts and translations of antiphons, choral works, references to preludes and postludes (which are often connected to the liturgical calendar), and any music that fosters internal meditation. It can outline the liturgy so that young and old may learn the elements of the Mass. Importantly, the connections of the music we sing to the scriptures, the feast, or the season are more easily seen and ultimately taken to heart.


EVANGELIZATION
This is the outgrowth of hospitality and catechesis. Those who not only feel welcomed, but are nourished with dignified substance, will also be far more likely to return. But it is not just about putting people in the pews. It is about helping people to pray. And that is what a solid hymnal and worship aids accomplish.

The liturgy is also usually the first interaction most people have with a parish. We are ready not only to make positive first impressions, but also maintain a standard as best as possible to help parishioners, new and old, be nourished and rooted in prayer. Never forget: the Mass is the greatest form of evangelization.

HESE THREE CONCEPTS extend to many other concrete forms. Another important and often overlooked example is a well designed, easy to navigate, and informative website. This is not always easy to accomplish quickly. It may take time to develop and grow, but this is necessary for any parish today. In a parish website, the possibilities of hospitality, catechesis, and therefore evangelization, are endless.

The role of architecture in evangelization deserves volumes of commentary. From the worship space to parish space of various use, few elements are more influential in how a person feels and interacts with God and with others. Maintaining old buildings is the nightmare of every pastor—one of the most difficult aspects of being a pastor. But there are great rewards when any improvements can be made.

Outreach and social justice programs are fundamental part of hospitality and living out the Gospel. Understanding why we must do these things is an element of catechesis. The fruit is evangelization.

T IS IMPORTANT to remember that evangelization is not something we do for our personal gain or for a parish’s advancement or prestige. It is what we must do as God calls us. These three concepts are born from Lex orandi, lex credendi, lex Vivendi – the law of prayer is the law of belief, which points to the law of how Christians must live.

My words here are but a beginning of something much, much larger. I have barely scratched the surface. But you have much to offer. God is calling.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“From six in the evening, his martyrdom had continued through the ghastly night until nine o’clock in the morning. After fifteen hours of torture rarely if ever surpassed in the bloody annals of the Iroquois, the soul of Gabriel Lalemant was freed from its charred and mutilated prison and summoned to join his comrade Jean de Brébeuf in the radiant splendor of God. March 17th, 1649, was the date; for Brébeuf it had been the sixteenth.”

— ‘Fr. John A. O’Brien, speaking of St. Gabriel Lalemant’

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