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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Francis to Cardinal Sarah: Investigate an Official Reform of the Reform

Fr. David Friel · July 6, 2016

368 Robert Cardinal Sarah AST SUMMER’S Sacra Liturgia conference in New York City began with special interest as attendees were read a welcome letter from Robert Cardinal Sarah, Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments. In that letter, the Cardinal revealed that, upon accepting his post at the CDW, Pope Francis asked him to continue the good work of Pope Benedict XVI on the liturgy.

At the Sacra Liturgia proceedings presently underway in London, no letter was necessary, as Cardinal Sarah was present to speak at the opening session and offer Mass on the second day of the conference. Again this year, Cardinal Sarah said some very important things. Before offering a more detailed summary of his talk, allow me to present the two most important points, which will be very interesting to those who work closely with the liturgy:

1. Cardinal Sarah said that we cannot discount the possibility of an official “reform of the reform.” Amplifying this point, his Eminence revealed that, in an April 2015 audience with Pope Francis, the Holy Father requested that he investigate this possibility with a view toward formalizing the “mutual enrichment” encouraged by Summorum Pontificum. He spoke of this as “a delicate work,” requiring careful study, clarity, and prudence.

2. Speaking about urgent liturgical priorities, Cardinal Sarah approached the topic of the orientation of worship. He said that it is important that we return, as soon as possible, to the practice of offering Mass ad orientem (or at least toward the apse of the church). This he described as a “perfectly legitimate” option and “a necessary step toward making sure the Lord is at the center” of our worship. Priests who exercise this option, he said, should do so with the confidence that this is something good for the Church. The cardinal asked priests to implement this reform whenever possible, after suitable catechesis, suggesting even a potential starting date: the First Sunday of Advent this year.

These were the two most significant remarks from Cardinal Sarah, but there was much more content also worthy of our consideration. Here I shall present a general overview of his other points.

PENING HIS remarks with a rich reflection on the first paragraph of Sacrosanctum Concilium, Cardinal Sarah stated that much remains to be done for the full assimilation of the council’s Constitution on the Liturgy. He further stressed that, as we become further and further removed from the time of the Second Vatican Council, it is more and more necessary to seek out the true intentions of the council Fathers. The cardinal warned against doing eisegesis with Sacrosanctum Concilium, imputing to it things that it does not, in fact, say. Reading the document in this way, one discovers that the council Father desired a liturgical evolution, not a revolution.

His Eminence spoke briefly about enculturation. “I am an African,” he said, adding that the liturgy is not the place to glorify his culture. The liturgy, rather, is the place where all cultures are baptized and taken up into the divine.

Turning to a historical consideration, Cardinal Sarah spoke about a faction of priests who rejected the post-conciliar reformed rite and continued to celebrate the traditional rite without authorization. It was never the intention of the council Fathers, however, to coopt the liturgy into “a tool of division.” This unintended effect was lamentable. The cardinal argued that the freedom offered to the Church in 2007 through Summorum Pontificum has provided the solution to this tension, since it is now possible to respect and rejoice in legitimate liturgical diversity.

Attention was given also to the formation of the clergy. “We cannot talk about liturgical reform,” the cardinal observed, “without liturgical formation.” Notably, the cardinal directed his remarks equally to seminarians studying for the priesthood and candidates for the permanent diaconate. Candidates for the permanent diaconate were highlighted as needing a profound immersion in liturgical formation over a prolonged period of time (a need that is frequently not met in the contemporary life of the Church). For seminarians, moreover, an important part of their formation should be the usus antiquor. Cardinal Sarah asked, “How can we begin to comprehend or celebrate the reformed rites with the spirit of continuity if we have never experienced” the beauty of the rites that the council Fathers knew so well?

In speaking about the real possibility of an official reform of the reform, Cardinal Sarah made reference to a “learned study” given by Fr. Thomas Kocik at Sacra Liturgia USA 2015 in New York City. In his presentation, Fr. Kocik proposed practical ideas for what such a reform might look like. Some of his specific suggestions are reported here.

These remarks from Cardinal Sarah were a wonderful beginning to this Sacra Liturgia conference. His presentation included many important points that I have not included above. Readers will be happy to know, then, that the full text of Cardinal Sarah’s lecture will be available early next week on the Sacra Liturgia Facebook page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Authentic Liturgical Renewal Reform, Pope Francis, Robert Cardinal Sarah, Sacra Liturgia, Summorum Pontificum Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Even after 1600 A.D.—despite major changes in musical taste—the compositions of Father Cristóbal de Morales were reprinted at Venice. Indeed, and as late as 1619 A.D. one Venetian publisher found his magnificats still in sufficient demand to make a profitable commercial venture out of issuing a new transcribed version for equal voices.”

— Dr. Robert Murrell Stevenson (d. 2012)

Recent Posts

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  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
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