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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Phrasing of the Sanctus

Fr. David Friel · February 7, 2016

E DISCUSS the Propers of the Mass often on these pages. Today’s first reading in the Ordinary Form, though, draws our special attention to part of the ordinary of the Mass: the Sanctus.

The reading is from Isaiah, chapter 6, wherein we read about Isaiah’s call to become a prophet. The story is recounted in terms of a vision that Isaiah experiences, which places God upon “a high and lofty throne.” In the midst of this sight, the Seraphim begin crying out to one another: “Holy, holy, holy Lord God of hosts!” This vision from the 8th century before Christ has been part of Jewish and Catholic worship ever since.

The grammar of this sentence is important, and it is one of the 2011 Roman Missal’s numerous improvements over the former Sacramentary. The Roman Missal gives this for the text of the Sanctus:

Holy, holy, holy Lord God of hosts.

Formerly, the Sacramentary had given the text as follows:

Holy, holy, holy Lord, God of power and might.

Leaving aside the imprecision of the translation, “God of power and might,” the more important correction in this text concerns the comma. Take note that there is no comma between “Lord” and “God of hosts.” This is not by accident. The Hebrew original is: Kadosh Kadosh Kadosh Adonai Tz’vaot. While the Hebrew language does not include punctuation such as commas, it is clear from context that the words Adonai Tz’vaot constitute a single title for God.

The comma between “Lord” and “God” in the Sacramentary, therefore, changes the sense of what is being prayed in the Hebrew original. On the rendering of the Sacramentary, “holy” is reduced to a mere adjective, describing “Lord.”

In the new missal, however, “Lord God of hosts” is understood as a unit, a single appellation for the Mighty One. The word “holy,” then, can also be understood not just as an adjective, but also as a sort of proclamation of God’s intrinsic otherness. It is a statement that the Lord God of hosts is sacred, sacred, sacred.

This understanding is also reflected in the NABRE Scripture translation: “Holy, holy, holy is the LORD of hosts.” The inclusion of the verb to be brings out more fully the proclamational nature of the triple “holy” and the sense of “LORD God of hosts” as a single unit.

Attention should be given to the grammar of this statement by any composer who sets out to write music for the Sanctus. The musical phrasing should treat “Holy, holy, holy” as a unit distinct from “Lord God of hosts.” The same attention should be paid by singers, who should take the grammar of this sentence into consideration for proper phrasing and breathing.

This was not done in many of the published Mass settings that were quickly (and often clumsily) reworked to fit the 2011 re-translation of the Missal. Music directors, therefore, should be careful to consider this point when evaluating which setting of the Sanctus to sing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: ICEL New Translation of the Roman Missal, Propers, Roman Missal Third Edition Last Updated: December 6, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“It is most important that when the faithful assist at the sacred ceremonies … they should sing alternately with the clergy or the choir, as it is prescribed.”

— ‘Pope Pius XI, Divini Cultus (20 Dec 1928) §9’

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