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Views from the Choir Loft

Communion Antiphons for Advent & Christmas • NEW • World Library Publications

Richard J. Clark · August 26, 2016

ORLD LIBRARY Publications, the music and liturgy division of J. S. Paluch Company, Inc. has recently released my collection of Communion Antiphons for Christmas. These nine antiphons are set to the English translation of the Roman Missal, Third Edition, with verses according to the Graduale Romanum.

• You may also learn about and listen to my Communion Antiphons for Advent here.

Scores are available in hard copies or for digital download:

Order • View sample pages and order PDF or Octavo:
Octavo • “Communion Antiphons for Christmas” (for SATB Choir, Cantor, Assembly, Organ, Trumpet)

• All are chant based including quotes of Puer natus est nobis and the Mode I Ave Maria.
• May be sung with cantor or unison schola or optional SATB
• Several include optional vocal and trumpet descants.

BE SURE TO LISTEN to recordings here directed by Paul French, Director of the William Ferris Chorale and Music Director of Our Lady of Mt. Carmel Church in Chicago. You can hear six of the nine antiphons here. (Each antiphon has several more verses than are recorded here.)

*Note the two options for the Solemnity of Mary, Mother of God: Rejoice, O Daughter Zion (Exsulta fiIia Sion) is prescribed for the Mass at Dawn in the Roman Missal. It is also is prescribed also for the Solemnity of Mary in the Graduale Romanum.

HY SING THE PROPERS AT ALL? Forget GIRM 87 that gives singing the antiphons from the Roman Missal or Grandulae Romanum the highest preference. Forget the tradition of the propers being integral to the Roman Rite for well over a millennium. Forget that Sing to the Lord: Music In Divine Worship (SttL) gives singing the antiphons and psalms very high priority.

But remember the wisdom of the faithful who came before us. What matters most is that the antiphons and psalms we sing during communion most always point us back to the Gospel. Often they are from the Gospel itself or another reading. The psalms, which are just as important as the antiphons, shed deeper light upon the sacred mysteries and the Gospel. These scriptures amplify our prayer while receiving the Bread of Life.

I could go on for many pages, but I leave you with this simple story:

The best note I ever received on this topic came from a woman who probably knows nothing about the antiphons, the GIRM, or the rubrics. But she knows prayer and she knows her heart. She said “Isn’t it wonderful to sing the Gospel while receiving the Eucharist!”

This kind of intuitive understanding is born of the wisdom of the ages—from many faithful who came before us. This above all is why we sing the Mass.

Consciously or not, the scriptures sung in the antiphons and psalms touch the heart. Live daily with the Word, and we will be transformed.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers, World Library Publications Last Updated: December 4, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Pope Gelasius in his 9th Letter to the Bishops of Lucania condemned the evil practice which had been introduced of women serving the priest at the celebration of Mass. Since this abuse had spread to the Greeks, Innocent IV strictly forbade it in his letter to the Bishop of Tusculum: “Women should not dare to serve at the altar; they should be altogether refused this ministry.” We too have forbidden this practice in the same words in Our oft-repeated constitution “Etsi Pastoralis” (§6, #21)

— Pope Benedict XIV • Encyclical “Allatae Sunt” (26 July 1755)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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