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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Importance of Uniforms

Fr. David Friel · September 6, 2015

EVERAL SUMMERS AGO, I underwent training at the Naval Chaplains School in Newport, RI. It was a terrific experience (and Newport is not a shabby place to spend the summer). Over that summer, I learned about the traditions of the Navy, did a lot of PT, and became friends with a rabbi & an imam. I am forever grateful for the formation I received during those months.

One thing that many people don’t know about Navy chaplains is that they serve not only the Navy, but also the Marines and the Coast Guard. So we learned about those branches, also, during our training. For a two-week period, we focused exclusively on the Marine component, and we were taken off-site for special field exercises.

We spent most of our time on NAVSTA Newport wearing Navy uniforms—khaki’s mostly, with the occasional need for summer whites. The day we left for the field exercises, however, we all dressed in Marine uniforms. I will never forget looking in the mirror that morning and seeing myself decked in woodland camouflage. My interior response was strong, immediate, and multi-faceted. I felt unworthy, honored, and humbled to wear this particular uniform; the sight produced within me a tangible sense of duty; my mind was consumed with the thought of so many Marines who have died wearing the very same uniform. To be honest, the experience was a bit overwhelming. The question, “Who am I?” repeated itself quietly but firmly in my mind.

HE CASSOCK can be something of a lightning rod. I have yet to forget the occasion when I first wore one, about two months into my first year of seminary life. The feeling was very similar to my experience with the Marine woodlands. I felt unworthy, coupled with a sense of duty and the insistent question of identity.

A great portion of my life has been spent in uniform. Whether it’s been a Catholic school uniform or a baseball uniform or a Scout uniform or a Navy uniform or my current uniform of black, I’ve always enjoyed the feeling of being part of something larger. There are real benefits to wearing a uniform (beyond the freedom of not worrying what to wear).

An article published two weeks ago by Esquire writer-at-large, Tom Chiarella, has some fascinating insights into the effect a cassock can have on the one who wears it and those who see it worn. Though not a priest, Chiarella undertook a mission to wear a cassock around downtown Chicago for a day, observing how it affected him and those he encountered. He continued the experiment by dressing on other days as a security guard, a mechanic, and a doctor. I won’t rehash all of his insights, because the article is worth reading for yourself.

In large part, Chiarella recounts being met with pleasant-to-positive encounters during his day-in-the-life. After four years as a priest, myself, that surprised me a bit. While I am typically met with great warmth in the neighborhood where I live & work, a casual walk through Center City dressed as a priest elicits mostly disinterest. There are, of course, occasional unpleasant encounters that largely stem from the scandals of the last decade, but I would say that the majority of people pay little mind to a passing priest.

That being said, I could not begin to list the many wonderful encounters I have had with strangers who have approached me simply because I was dressed as a priest. Many prayers have been requested, blessings have been offered, and questions have been asked. Without a doubt, wearing priestly attire is good for the priest, since it is a reminder of his vocation and an encouragement to his priestly identity. But it is also good for those around him.

The Esquire article reminded me of William Riccio’s reflection upon the Eucharistic procession held in NYC at the conclusion of Sacra Liturgia back in June. The effect of that procession was a profound spirit of peace felt by participants, police officers, and passers-by alike. The sight of a priest, like the sight of that procession, can have incalculable effects.

Chiarella’s observations, I believe, are valid and important. They are evidence of humanity’s innate desire to connect with God. This desire is written in the hearts of all men, including those who otherwise live in the mire of secularism. If we are serious about the New Evangelization, it is incumbent upon priests to capitalize on simple opportunities to engage modern man. It would seem that wearing priestly garb in public settings is such an opportunity. Doing so often serves as an entre for conversation and prayer—even confession.

HETHER A PRIEST wears a cassock or a black suit, the witness of clerical garb is essential in the modern age. The world needs the witness of priests in ordinary life, not just inside the church building. Our brothers & sisters in the streets and in all of society need to be reminded of the presence of God. We priests should be humbled and honored to be that reminder.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Collar Distinctive Garb Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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