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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bill Belichick and the Liturgy

Richard J. Clark · May 1, 2015

HE NEW ENGLAND Patriots are universally hated in forty-four of the fifty United States. Furthermore, there is no head coach in the NFL more hated than Bill Belichick. There are many reasons that range from that little “Spygate” incident to Gisele. Furthermore, we still await with bated breath the results of Ted Wells’ investigation on the national tragedy that is “Deflategate.”

Bishop Christopher J. Coyne, a Massachusetts native and former Auxiliary Bishop of the Archdiocese of Indianapolis, is known for his playful sense of humor. He once joked at a Presbyteral Convocation in Boston (and I paraphrase), “What do Payton Manning and I have in common? We both only have one ring.” That gets big laughs around here. Not so much anywhere else. (Did I mention how much people hate N. E. Patriots fans? Andrew Motyka likely knows this pain.)

So what can we learn from Bill Belichick? Darrelle Revis, arguably the greatest cornerback to ever play the game, recently told the New York Daily News: “I think I’m better than I was before. I’m smarter and way more intelligent at the game. I had a great learning experience last year with Bill…” If the best can learn from him, so can we.


“DO YOUR JOB.”

Probably the most important liturgical advice we can get from Bill Belichick is his simple mantra: “Do your job.” Wow. That’s it? That’s perfectly obvious, isn’t it? It’s not to everyone.

A visiting priest once asked me how I know so much about the liturgy. Perhaps he was surprised that a musician would know certain minutia of the Roman Missal or a particular Rite. I was taken aback by the question because it’s a fundamental part of my job. Furthermore, if I don’t know something, it’s my job to know where to look it up or whom to ask. This happens frequently enough.

I recently wrote about five things that help the liturgy come together. In short, it is teamwork and everyone fulfilling their respective roles. As such, doing your job also means “it’s not about you or me.” It is about humility. It’s about God and serving the people. It’s requires humility to not take over the liturgy. Musicians, priests, and liturgists are guilty of this. I’ve been guilty of this.

Furthermore, when the priest and musician each do their jobs, it often appears that they collaborated all week. They probably didn’t as much as one might think. Both are focused on the scriptures (another reason to sing the propers.) Both know the rubrics and know what is coming next. Both put Christ at the center. As such, so do the people. It requires focus to worry about one’s own responsibility, and trust that others are doing the same.


PREPARATION

The most successful of athletes talk over and over about one thing: Preparation. The best catchers in baseball spend as much time studying the weaknesses of opposing hitters as they do on the playing field.

Even with preparation, things still may go wrong. No one is perfect. But fewer problems will arise. Without preparation, the liturgy appears sloppy. While this may not concern some, the liturgy becomes out of balance with emphasis or focus in the wrong areas. Reverent music seems out of place with a game-show style celebrant. Less than reverent music with problematic theology will be out of place with a well prepared celebrant and homilist.


“DISAPPEAR”

A very wise Deacon recently told me, that when preaching, it is his job to edify and then to disappear. Likewise, if I am playing a hymn or an accompaniment, it is my job to not draw attention to myself. This is not the same as being boring. There will be changes of registration, subtle reharmonization, and perhaps soloing of the melody to keep multiple verses interesting. But my job is to be at the service of worship—and then disappear.

Finally, the most important thing to remember is to do our work with humility and love. Do your job. Do it in the spirit of service. Do it with love.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“It will not be Rome to tell you what you should do, no: because you have the charism. …you have the Holy Spirit for this. If Rome were to begin to make the decisions it would be a blow to the Holy Spirit, who works in the particular Churches.”

— Pope Francis (27 March 2023)

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