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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The American Idolization of Liturgy

Andrew R. Motyka · January 7, 2015

EOPLE WHO KNOW ME won’t be surprised to hear that I’m a pretty opinionated person. My mother-in-law has said before that I have opinions about things that she never even considered having opinions about. What I’m trying to say is that I’m a big fat raging hypocrite for what I’m about to write.

When American Idol premiered in 2002, it was a wild sensation, a new way for people to get involved in selecting the winners of talent competitions. My main objection, as a snobby music major in college, was that it was the hoi polloi choosing the winners instead of people that knew anything at all about music (yes, I’m still a little miffed about Taylor Hicks). Obviously, the entire point of the public voting system was getting the public to select the artist that they thought was the best, and hence which singer from whom they would purchase the most albums when they made it big.

It annoyed me, though, that sometimes better singers were passed over for better looking ones, or ones that slickly packaged themselves, or just sang a song that everyone liked better. Shouldn’t people who know a little bit about music and singing be the ones whose opinions count? Why did everyone hate Simon Cowell (okay, he was a jerk, but the dude knew what he was talking about, for the most part)?

If you spend any more than 0.75 seconds on the Catholic blogosphere, you are bound to wade into liturgical issues. Whether it’s people complaining about the Evil Cardinal Burke and his weaponized Cappa Magna, or the elusive Clown Mass that everyone seems to have suffered through yet no one has ever attended, the rhetoric gets heated, and every single person, from the musician to the priest to the average lay person, has an opinion about the liturgy. Some want it to be silent, some want the traditional music of the Church, and some want something “more upbeat and modern.” Everyone has an opinion.

My gut reaction to all of this is the same as Snobby College Andy. Why does everyone need to have an opinion, especially when so few people actually know a single thing as to what they’re talking about? Even when I agree with so many commentators, the sheer number of them drowns out the articulate voices that can actually make a difference. Hook all of that noise up to the internet microphone and it’s a cacophony of opinion, each shouting down the opposition and frequently bayoneting their own allies. We have priests and musicians trying to do their best to render glory to God in the liturgy, and many people in the pews ready to text their vote to the number that best criticizes anything in their local Mass. It can be maddening.

he other day, though, I had a truly great conversation with a close friend about our faith. He has gone back and forth on the Catholic Church for some time, and is working out his faith the best he can (would that we could all be as self critical and honest). One thing he mentioned to me was that, the last time he attended Mass, he was bothered by how few people seemed to really grasp the importance of what was happening in front of them, like they weren’t taking it very seriously at all. They were going through the motions without any idea of what they were doing. I think his frustration touches on something very real, and much more important than our conversations over one song versus another.

Liturgy, like music, has a direct impact on us personally, emotionally, and spiritually. Even though the average person can’t readily articulate what it is that makes him like his favorite American Idol contestant, he knows that he connects in some way to the performance. In the same way, liturgy affects each of us, even if don’t quite know why. We have opinions about our local Mass because we know what we like, and even more importantly, we know that we need to be fed.

Of course, the sacramental presence of Jesus Christ in the Eucharist is enough, from a strictly grace-viewed standpoint, to fill us completely. But as I’ve said before, disposition is important when receiving the sacraments. Of people leaving the Church today, most of them say it’s because they aren’t being spiritually fed, a figure echoed in the tremendously important book on evangelization, Forming Intentional Disciples. While there are many avenues that need to be traveled to help feed people, we aren’t doing any favors by cheapening the liturgy. A sacramental grace that falls on a poorly disposed heart can die quickly, and a dead heart has a difficult time evangelizing. And if we aren’t evangelizing, we’re doing something wrong.

So maybe it’s not a bad thing that everyone has an opinion about liturgy. Maybe it’s that our frustrations with worship are symptomatic of something more: that we’re not being fed properly. We aren’t being drawn into a relationship with Jesus Christ first, which comes before any liturgical expression, musical or otherwise. If we can enrich that relationship, the liturgical pieces will come much easier. Remember that without that interior reality first, the exterior expression is just a show, subject to the text message voting and Nielson Family Ratings that turn the liturgical experience into just another consumer product.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

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