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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The American Idolization of Liturgy

Andrew R. Motyka · January 7, 2015

EOPLE WHO KNOW ME won’t be surprised to hear that I’m a pretty opinionated person. My mother-in-law has said before that I have opinions about things that she never even considered having opinions about. What I’m trying to say is that I’m a big fat raging hypocrite for what I’m about to write.

When American Idol premiered in 2002, it was a wild sensation, a new way for people to get involved in selecting the winners of talent competitions. My main objection, as a snobby music major in college, was that it was the hoi polloi choosing the winners instead of people that knew anything at all about music (yes, I’m still a little miffed about Taylor Hicks). Obviously, the entire point of the public voting system was getting the public to select the artist that they thought was the best, and hence which singer from whom they would purchase the most albums when they made it big.

It annoyed me, though, that sometimes better singers were passed over for better looking ones, or ones that slickly packaged themselves, or just sang a song that everyone liked better. Shouldn’t people who know a little bit about music and singing be the ones whose opinions count? Why did everyone hate Simon Cowell (okay, he was a jerk, but the dude knew what he was talking about, for the most part)?

If you spend any more than 0.75 seconds on the Catholic blogosphere, you are bound to wade into liturgical issues. Whether it’s people complaining about the Evil Cardinal Burke and his weaponized Cappa Magna, or the elusive Clown Mass that everyone seems to have suffered through yet no one has ever attended, the rhetoric gets heated, and every single person, from the musician to the priest to the average lay person, has an opinion about the liturgy. Some want it to be silent, some want the traditional music of the Church, and some want something “more upbeat and modern.” Everyone has an opinion.

My gut reaction to all of this is the same as Snobby College Andy. Why does everyone need to have an opinion, especially when so few people actually know a single thing as to what they’re talking about? Even when I agree with so many commentators, the sheer number of them drowns out the articulate voices that can actually make a difference. Hook all of that noise up to the internet microphone and it’s a cacophony of opinion, each shouting down the opposition and frequently bayoneting their own allies. We have priests and musicians trying to do their best to render glory to God in the liturgy, and many people in the pews ready to text their vote to the number that best criticizes anything in their local Mass. It can be maddening.

he other day, though, I had a truly great conversation with a close friend about our faith. He has gone back and forth on the Catholic Church for some time, and is working out his faith the best he can (would that we could all be as self critical and honest). One thing he mentioned to me was that, the last time he attended Mass, he was bothered by how few people seemed to really grasp the importance of what was happening in front of them, like they weren’t taking it very seriously at all. They were going through the motions without any idea of what they were doing. I think his frustration touches on something very real, and much more important than our conversations over one song versus another.

Liturgy, like music, has a direct impact on us personally, emotionally, and spiritually. Even though the average person can’t readily articulate what it is that makes him like his favorite American Idol contestant, he knows that he connects in some way to the performance. In the same way, liturgy affects each of us, even if don’t quite know why. We have opinions about our local Mass because we know what we like, and even more importantly, we know that we need to be fed.

Of course, the sacramental presence of Jesus Christ in the Eucharist is enough, from a strictly grace-viewed standpoint, to fill us completely. But as I’ve said before, disposition is important when receiving the sacraments. Of people leaving the Church today, most of them say it’s because they aren’t being spiritually fed, a figure echoed in the tremendously important book on evangelization, Forming Intentional Disciples. While there are many avenues that need to be traveled to help feed people, we aren’t doing any favors by cheapening the liturgy. A sacramental grace that falls on a poorly disposed heart can die quickly, and a dead heart has a difficult time evangelizing. And if we aren’t evangelizing, we’re doing something wrong.

So maybe it’s not a bad thing that everyone has an opinion about liturgy. Maybe it’s that our frustrations with worship are symptomatic of something more: that we’re not being fed properly. We aren’t being drawn into a relationship with Jesus Christ first, which comes before any liturgical expression, musical or otherwise. If we can enrich that relationship, the liturgical pieces will come much easier. Remember that without that interior reality first, the exterior expression is just a show, subject to the text message voting and Nielson Family Ratings that turn the liturgical experience into just another consumer product.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The union of Christians can only be promoted by promoting the return to the one true Church of Christ of those who are separated from it, for in the past they have unhappily left it.

— Pope Pius XI (6 January 1928)

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