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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

World Day for Consecrated Life and Leadership from the Laity

Richard J. Clark · February 6, 2015

LL TOO CLOSE to World Day for Consecrated Life (Feb. 2nd), the Archdiocese of Boston suffered great loss in the passing of two faithful and active pastors: Msgr. Richard Mehm, Pastor of Immaculate Conception in Malden, Massachusetts and Fr. John W. Gentleman, pastor of both Sacred Heart Church, Manchester by the Sea and John the Baptist Church in Essex, Massachusetts. The sadness is made more difficult by their relatively young ages. Rev. Mehm was 66. Rev. Gentleman was 55.

Msgr. Mehm was an avid supporter of sacred music. His Director of Music and Organist, Rosalind Mohnsen, is an extraordinarily accomplished organist and recording artist. But she also had Msgr. Mehm’s support in bringing truly reverent sacred music to this suburban parish; they have been singing the propers for years. Furthermore, I was deeply honored when Msgr. Mehm backed a commission for an organ work for Rosalind Mohnsen’s twenty-fifth anniversary at Immaculate Conception Parish. Based on the Introit for the Feast of the Immaculate Conception, Gaudens Gaubedo was most fitting for his parish. This was an unusually supportive pastor and a great loss.

While I never met Fr. Gentleman, I have witnessed the outpouring of grief from fellow priests upon his passing. We shall keep them in our prayers for the repose of their souls as well as for thanksgiving for their humble service to God and his people.

HEIR PASSINGS UNDERSCORE the frailty of human life. One would have expected both to serve the Archdiocese for many more years. We not only needed them, but depended upon them. The Archdiocese of Boston, like many dioceses around the United States, faces a large number of priests retiring and not enough to take their place. While the seminary in Boston has rebounded dramatically in the last decade, there remains a relatively smaller population of diocesan priests to serve the people.

As such, a similar reality has faced much of the country: Priests and pastors are responsible for multiple parishes. (Even parochial vicars sometimes split time between parishes.) This requires a greater reliance upon lay leadership, recognized with authority or not. There is nothing new here. But it is becoming the new normal everywhere.

HIS WEEKEND, PARISHES ARE CELEBRATING the World Day for Consecrated Life. With the best and most effective priests being stretched thinner and thinner, musicians and priests must be mutually supportive. Both are immersed in the work of the liturgy, the celebration of which Geofreddo Boselli calls, the “most important act of evangelization.” (pg. 209, The Spiritual Meaning of the Liturgy) Furthermore, lay leaders need their volunteers. (I am nothing without mine.) We are all responsible for the spiritual growth and well being of our parishes.

For music directors, the pastoral nature of one’s job demands that one be a servant leader. This usually entails leadership without authority, as ultimately a pastor will always have canonical authority in a parish.

But sometimes leadership without authority is the most effective kind. It is teaching by example. It is serving by giving those in our charge the tools and therefore the ability to succeed. It is leadership by keeping the spiritual well being of an entire parish in mind, meeting them where they are at and then challenging them to move forward. (This is far different from making everyone happy and also far more important.)

Leadership without authority keeps one humble and keeps others’ best interests in one’s heart. During difficult times in the Church, let us pray for vocations and pray for our priests who need additional strength to carry out God’s work. Furthermore, pray for the lay leaders of the Church who will be carrying more and more weight in serving the Church. Pray always, and be grateful for the opportunity to serve God and his people.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Servant Leader Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The main place should be given, all things being equal, to gregorian chant, as being proper to the roman Liturgy. Other kinds of sacred music, in particular polyphony, are in no way excluded, provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful.”

— ‘2011 GIRM, §41 (Roman Missal, 3rd Edition)’

Recent Posts

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  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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