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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Death and Rebirth of Monastic Life

Dr. Peter Kwasniewski · October 9, 2014

0319_MC T GIVES ME JOY to recall a visit I made many years ago in France to a Benedictine monastery whose monks were living the monastic life to the hilt—chanted solemn liturgy, a demanding horarium, fasting and abstinence, much study and lectio divina, manual labor, the whole nine yards. They were living, in essence, a life indistinguishable from that of the earliest monks, in the days when water wheels represented the height of technology, quite as if the modern world, with its ever-multiplying complexities and ever-deeper confusion, simply had nothing to say to them. And they were right: it could have only spoken to them at lurid length of the world, the flesh, and the devil, when they were seeking heaven, grace, and God. They did not have a need to be up to date, rushing around with all the other people rushing around in a frantic desire to be noticed, to be relevant, to be on the cutting edge. In reality, it is the world that so desperately needs these monks and their timelessness, prayer, and peace. By being utterly irrelevant and unnoticed in their daily round of song and silence, they came to possess a medicine that heals the victims of our times.

As I participated from the sidelines in the life of these modern-day desert fathers, for whom the Eucharist was truly the font and apex of their entire being, I began to think and feel that the death of the traditional monastic life was probably, all things considered, the single worst thing that happened after the Second Vatican Council, even if it is not nearly as obvious or widespread as the general doctrinal, moral, and liturgical chaos and the ensuing wasteland. In monasteries and religious houses, observances going back for centuries were suddenly thrown off; habits were modified or discarded; the daily round of prayer was severely cut back or even replaced with novel practices; the Holy Mass lost its contemplative spirit and degraded itself in arbitrary and subjective experiments. Places that had been epicenters of devotion for towns, provinces, and countries could no longer offer thirsty laymen the concentration of prayer and purity of vision they longed for. Those who have seen the statistics know what happened: within a few years, the monastic life collapsed almost everywhere, as thousands gave up their vocations. Whole congregations and orders disappeared off the face of the earth.

Although a vastly larger number of the faithful were harmed by innovations and dissent at the parish and diocesan level, the loss of the fullness of Christian life as it is uniquely lived in convents and monasteries was a devastating blow struck to the very heart of the Mystical Body of Christ on earth. If prayer is the oxygen of the soul, as Padre Pio once said, the collapse of monastic life was like a deoxygenation of the blood and a weakening of the entire circulation throughout the body. It has often been said that the external and missionary vitality of the Church is in direct proportion to the vitality of the hidden contemplative life within her—one of the reasons a cloistered Carmelite, St. Thérèse of Lisieux, was declared co-patron of the missions with St. Francis Xavier.

We are fortunate to be alive right now in the very earliest preliminary phase of recovery, as the number of authentic monasteries of men and women very slowly grows by the mercy of God. May the Lord who loves the fruitfulness of the hidden life, the jewel of heavenly contemplation, the burning sun of interior righteousness, have mercy on us and save us, for He is gracious and loves mankind, and to Him we render glory, Father, Son, and Holy Spirit, now and always and for ever and ever, Amen.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Goupil deserves the name of martyr not only because he has been murdered by the enemies of God and His Church while laboring in ardent charity for his neighbor, but most of all because he was killed for being at prayer and notably for making the Sign of the Cross.

— St. Isaac Jogues (after the martyrdom of Saint René Goupil)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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