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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dogma as the Servant of Mystery

Dr. Peter Kwasniewski · May 15, 2014

HRISTIANITY LIBERATES the intellect through revealing what is true about God, Christ, man, the world. As such, Christian revelation enables the mind to know absolute truth, even if incompletely, and enables the mind to express these truths propositionally, as all the Councils from Nicea to Trent succeeded in doing.

Credal or conciliar statements are icons that reveal and conceal, signposts that cannot signify the fullness of what they target but are, for all that, in no way deceptive or false. Theology certainly has a propositional and therefore a “scientific” side to it, which must not be allowed to become totally dominant but which cannot be suppressed without damaging the fabric of revealed doctrine. As a modern theologian notes, the intention of proclaiming a dogmatic definition “aims at protecting the mystery which is the object of faith, which is not totally accessible to reason. This is possible because human reason can always see if some assertion curtails the totality or catholicity of the mystery. Thus the definitions surround the mystery like cherubs armed with swords of flame.” Theology cannot be a true spiritual exercise unless it is also episteme, that is, certain knowledge that can be grasped but not ever exhausted by the intellect. St. Thomas’s distinction between apprehension and comprehension, or Gabriel Marcel’s distinction between “problem” and “mystery,” are germane here.

In her formal and systematic theology the Catholic Church is not detracting from or ossifying a living faith but, on the contrary, drawing further riches from its inner mysteries, in order that faith may put its roots still more deeply into revelation and shield itself from the narrowness of error. In this way, dogmatic theology or the dogmatic impulse undergirds the life of prayer, mystical ascent, and communion; without it, these other things could not prosper, or prospering, would begin to deviate like a plant untended by the gardener. Each age seems to spawn its own diseases that bid fair to overtake and kill the garden; no age finds the Church unprepared to extirpate them.

Formulas intensify and clarify just what the mystery is. The mystery is amplified in its very character as mystery when it is defined, because it is no longer “floating out there” but is tied to a definite affirmation about glorified reality as revealed to us by God, even though we can never reach the bottom of this affirmation. The difference between “Christ is somehow present here in the Eucharist” and the definite idea that “the glorified Christ is truly and really present here, body, blood, soul, and divinity, under the appearances of bread and wine which are no longer substantially bread and wine,” is worthy of consideration. The former is a vague, though nicely suggestive, idea. The latter is definite, a strong triumphant proclamation of a supernatural truth that we can never comprehend but can definitely and clearly believe.

From this follow many consequences for liturgy, worship, and prayer. The Scholastics were able to be ultraconceptual because of their transconceptual love of God, their great love of His glory and honor and sublimity. This is how they could work so superhumanly hard and accomplish so much. Because we moderns, in contrast, have such an anemic spiritual life, afflicted by Cartesian intellectualism, we project this cold-bloodedness back onto the medievals. But the spiritual life of the medievals was ecstatic, mystical, enveloped in prayer and liturgy. The great scholastics, such as Bonaventure, Albert, and Thomas, were holy fools, knight-errants of crucified eros. That is the only explanation of their almost divine concentration, comprehension, and devotion. Where did Albert get the strength and apostolic fervor to visit every diocese of Germany on foot, in addition to writing what will occupy some 40 folio volumes in the critical edition of his works, in addition to his constant preaching, teaching, and praying? If one reads about the life of Thomas the accomplishments are no less miraculous. The pope who said Tot miracula, quot articula―as many articles as he wrote, so many miracles did he perform―was not merely engaging in verbal wit.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Night Office—Nocturns or Matins—except for Holy Week, Easter Octave, and Christmas, has never appeared in the Vatican edition. The larger part of the mediaeval repertory for the Office thus remains still unpublished in the Vatican edition, and is likely to remain so, for the obvious reason that almost no cathedral chapters or monastic choirs sing the Night Office regularly today.”

— John Merle Boe (1968)

Recent Posts

  • PDF Download • “2-Voice Hymn” (Holy Name)
  • Music List • (5th Sund. Ordinary Time)
  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families

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