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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dogma as the Servant of Mystery

Dr. Peter Kwasniewski · May 15, 2014

HRISTIANITY LIBERATES the intellect through revealing what is true about God, Christ, man, the world. As such, Christian revelation enables the mind to know absolute truth, even if incompletely, and enables the mind to express these truths propositionally, as all the Councils from Nicea to Trent succeeded in doing.

Credal or conciliar statements are icons that reveal and conceal, signposts that cannot signify the fullness of what they target but are, for all that, in no way deceptive or false. Theology certainly has a propositional and therefore a “scientific” side to it, which must not be allowed to become totally dominant but which cannot be suppressed without damaging the fabric of revealed doctrine. As a modern theologian notes, the intention of proclaiming a dogmatic definition “aims at protecting the mystery which is the object of faith, which is not totally accessible to reason. This is possible because human reason can always see if some assertion curtails the totality or catholicity of the mystery. Thus the definitions surround the mystery like cherubs armed with swords of flame.” Theology cannot be a true spiritual exercise unless it is also episteme, that is, certain knowledge that can be grasped but not ever exhausted by the intellect. St. Thomas’s distinction between apprehension and comprehension, or Gabriel Marcel’s distinction between “problem” and “mystery,” are germane here.

In her formal and systematic theology the Catholic Church is not detracting from or ossifying a living faith but, on the contrary, drawing further riches from its inner mysteries, in order that faith may put its roots still more deeply into revelation and shield itself from the narrowness of error. In this way, dogmatic theology or the dogmatic impulse undergirds the life of prayer, mystical ascent, and communion; without it, these other things could not prosper, or prospering, would begin to deviate like a plant untended by the gardener. Each age seems to spawn its own diseases that bid fair to overtake and kill the garden; no age finds the Church unprepared to extirpate them.

Formulas intensify and clarify just what the mystery is. The mystery is amplified in its very character as mystery when it is defined, because it is no longer “floating out there” but is tied to a definite affirmation about glorified reality as revealed to us by God, even though we can never reach the bottom of this affirmation. The difference between “Christ is somehow present here in the Eucharist” and the definite idea that “the glorified Christ is truly and really present here, body, blood, soul, and divinity, under the appearances of bread and wine which are no longer substantially bread and wine,” is worthy of consideration. The former is a vague, though nicely suggestive, idea. The latter is definite, a strong triumphant proclamation of a supernatural truth that we can never comprehend but can definitely and clearly believe.

From this follow many consequences for liturgy, worship, and prayer. The Scholastics were able to be ultraconceptual because of their transconceptual love of God, their great love of His glory and honor and sublimity. This is how they could work so superhumanly hard and accomplish so much. Because we moderns, in contrast, have such an anemic spiritual life, afflicted by Cartesian intellectualism, we project this cold-bloodedness back onto the medievals. But the spiritual life of the medievals was ecstatic, mystical, enveloped in prayer and liturgy. The great scholastics, such as Bonaventure, Albert, and Thomas, were holy fools, knight-errants of crucified eros. That is the only explanation of their almost divine concentration, comprehension, and devotion. Where did Albert get the strength and apostolic fervor to visit every diocese of Germany on foot, in addition to writing what will occupy some 40 folio volumes in the critical edition of his works, in addition to his constant preaching, teaching, and praying? If one reads about the life of Thomas the accomplishments are no less miraculous. The pope who said Tot miracula, quot articula―as many articles as he wrote, so many miracles did he perform―was not merely engaging in verbal wit.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

If they protest and want, for example, to retain at least the familiar chants of the ordinary Mass in Latin, they are told that their protest is worthless. They are not “trained.” There is no reason to take account of what they say!

— Father Louis Bouyer (1968)

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