• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

A Triple Cord: Liturgy, Aquinas, and CST

Dr. Peter Kwasniewski · May 1, 2014

0319_Bosco_two-2-pillars Famous dream of St. John Bosco. HAT IS THE CENTER of the Catholic’s existence? The Holy Eucharist. “He who eats my flesh and drinks my blood has eternal life…” And this means that the Mass, above all other prayers, will be the activity that defines a Catholic as such. As the Mass is, so will the Catholic be. Weak, anemic, bland, and trendy liturgy will produce weak, anemic, bland, and trendy Catholics, many of whom will fall away for sheer boredom, distracted by the allurements of consumerism. Those who remain will be shaped by the ars celebrandi like clay in the potter’s hands. But if the Mass is potent, weighty, full of spiritual salt, and defiantly countercultural, so will its participants be: fed on Light, they are ready to oppose the rulers of this present darkness. They are ready to enthrone Christ as King in their souls―and as King of the universe, of every nation, people, government, and culture, including America’s. And they are ready to listen to the Popes who, over the past 700 years, have singled out St. Thomas Aquinas as the theologian par excellence of the Catholic Church, the teacher from whose heavenly wisdom all may freely drink, the servant of truth who will humbly lead them to the feet of the one and only Teacher, Jesus Christ.

The traditional liturgy, with its archaic wisdom, noble pageantry, and sublime beauty; the avid study of St. Thomas Aquinas, teacher of the universal church; Catholic social doctrine in its fullness, based on the social kingship of Christ: these three things stand or fall together. Is it really coincidental that these three all at once nearly disappeared after Vatican II and even became the object of bitter enmity and persecution? It is not for me to say what came first or what caused what. All I see is that they did stand together, and they have fallen together. Is it any surprise that, after their fall, the Church is in a state of almost total chaos, liturgically, doctrinally, socially, in spite of the superficial “signs of hope” that we hear so much about?

A true, heart-felt adherence to tradition is expressed in reverence for all the Fathers and Doctors, especially St. Thomas; reverence for the sacred liturgy they prayed and handed down to us with an observant love that extended to the tiniest details; reverence for the kind of Christian society they aspired to build and, once built, defended to the hilt. Take away any one of these things, and you take away the basis for the others.

And what of devotion to the Blessed Virgin Mary? Such devotion is the foundation on which true ecclesial reform can and must be built. Where there is true devotion to our Lady, there is also a deep love of the Church, a total commitment to the spread of the Gospel, and hence, an openness to the social dimension of the faith as well as to its theological inheritance. A Marian Catholic is, in the social realm, a supporter of the kingship of Christ; a Marian Catholic is, in the academic realm, a disciple of St. Thomas Aquinas, because Holy Mother Church has declared him her Common Doctor, and Mary is the model of obedience to authority; a Marian Catholic is, in the liturgical realm, a lover of silence, contemplation, and beauty, as was the Virgin of Nazareth. In this sense, one who would give himself entirely in prayer and praise to the Blessed Virgin Mary would necessarily be moving towards this triad of goods, and thus, be advancing the reign of the great King over all the earth.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

Recent Posts

  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!
  • Bach’s Psychotically Awesome Walking Bassline
  • A Simple Way to Utilize Handbells
  • Fulton J. Sheen • “24-Hour Catechism”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.