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Ordained in 2011, Father Friel served for five years as Parochial Vicar at St. Anselm Parish in Northeast Philly. He is currently studying toward an STL in sacred liturgy at The Catholic University of America in Washington, D.C.
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“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”
— Robert Cardinal Sarah, 23 May 2016

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Colloquium Update III
published 5 July 2014 by Fr. David Friel

FAN FAVORITE at each year’s Colloquium is the breakout session on organ improvisation, entitled “Minding the Gap.” The class is led by the incomparable David Hughes, who is adept not only at improvising himself, but also in helping other organists to improve their approach.

As in previous years, Friday’s session began with David laying out a general framework for how to conceive of an improvisation. He then took volunteers to sit at the console and provide an improvisation based on the introit or offertory chant of the day to fill a certain length of time. After some critique, the volunteers received another chance or two, sometimes with an added assignment. For example, in addition to a required length of forty-five seconds, the organist might be required to modulate to a certain key or develop a certain motif. In one case, the volunteer was limited to using only two chords for his improvisation!

At the close of the one-hour session, Hughes made a few summary statements concerning how to approach the art of improvisation. It was at this point that he made what I think is a brilliant observation. This is not an exact quote, but a very close paraphrase, of what he said: “The goal of improvisation is to exploit, explore, and expand a musical idea.”

Another observation that I was very glad to hear David make is this: when considering how to “mind the gap” with improvisation, one ought not to forget the need for silence. In other words, when we think of the periods after the introit, offertory, and communion chants, they should not be considered simply vacuums to be filled. Occasionally, plain silence will be what is best for a particular moment in a particular liturgy, and sacred musicians need to be comfortable with that.

Colloquium Update I

Colloquium Update II

Colloquium Update IV