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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Name To Remember

Aurelio Porfiri · July 1, 2014

IFE IS NOT EASY. We say this so often that it becomes a platitude. Sometimes we hate to be alive because we cannot face the many problems and situations happening to us. But there are also things that makes us love our life. One thing for sure, is when we meet great people.

I have to say I was blessed in this regard. I have come in contact with some incredible people in my life. One of them, I may say with all certainty, was Divo Barsotti. This year we are celebrating 100 years since his birth (1914-2006). Who was Divo Barsotti? If you don’t know who he is, it will be like exploring a continent for the first time.

He was a priest and a writer of hundreds of books, but most of all, he was a mystic. An extraordinary man. How did I come to know him? I never met him in person because at the time he was already very sick. I came into contact with him through one of his assistants when I was asked to write a review of one of his books. He sent me some autographed copies of his books (on my request) and his assistant assured me of the interest Father Barsotti had for my work on him. From that time on I became very interested in his work and read his books one after the other. I have written two books on the studies of this great man: Abisso di Luce (Divo Barsotti and Liturgy) and Educare alla Vera Realta (Divo Barsotti and Education). These two books are intended to be part of a trilogy I want to dedicate to him. I hope to have the strength and time to achieve this.

His insights on liturgy were also extraordinary, of which I will offer two for reflection:

“The word has to create something because the word of God is creating word: the word of man has to obtain something, because the word of man is plea; and what the man obtains, and what God creates is the Sacrifice, act of supreme love, total answer to the love divine: Jesus sacrifice” (La Messa, pg. 65, my translation).

And:

“It is laughable to think that Christianity was exchanged for an Institute that protects the established order. Christian goes to God looking at Him and not seeing than Him” (La Fuga Immobile, Pg. 62, my translation).

Divo Barsotti is almost unknown in the Anglo-Saxon world and it is really a pity. He was one of the giants of Christianity of our times.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The chants of the Proper of the Mass—that is, the Introit, Gradual, Offertory, Communion—in sung Masses may be chanted in the vernacular to melodies legitimately approved.”

— Statement (20 April 1964) by the Consilium, the group Paul VI put in charge of inventing the New Mass

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