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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gregorian Propers at a Nuptial Mass in “Southie”?

Richard J. Clark · January 17, 2014

OUTH BOSTON, KNOWN around here as “Southie” is a section of Boston most familiar to many around the country from the films “Good Will Hunting” and “The Departed.” It is also infamous for the convicted murderer and gangster, James “Whitey” Bulger, who inspired the latter of the two films. Yes. Glorious Gregorian Propers, polyphony, and hymnody at a Nuptial Mass in “Southie.”

South Boston (nowhere near the “South End” where the Cathedral of the Holy Cross is located…Boston geography is complicated…) is a colorful neighborhood, but forget what you know from TV and film. Historically a neighborhood of Irish immigrants, it is a deeply proud and Catholic neighborhood and a world unto itself. Once you go over the bridge into “Southie,” be certain you have entered a different realm.

This unique realm is where the wedding of Nori Elisabeth Pifer and Stephen David Fahrig enters, celebrated at the beautiful and historic Gate of Heaven Church, established in 1863. (Church musicians’ weddings are often extraordinary and unusual. We all might have our own wonderful stories. Please share them in the combox!)

O WHEN A GREAT PROPONENT OF GREGORIAN CHANT marries a Professor of Sacred Scripture at both St. John Seminary and Blessed John XXIII National Seminary, one is treated to a liturgical delight of joy, reverence, and catechesis. Not only was the Word of God sung in the propers, but the level of congregational singing was astounding, evident in the singing of the dialogues, the responsorial psalm and the glorious hymns.

Perhaps a model wedding in the Ordinary Form, it was also a model of catechesis. In the beginning of the wedding program, the couple offered no less than four pages of beautiful and fully accessible commentary on the Nuptial Mass. You can download the entire program (sans copyrighted material) here. Some excerpts:

“As our wedding ceremony begins, some of you might be asking yourselves, “Where are the bridesmaids? Where are the groomsmen? Why are the bride and groom walking down the aisle together instead of meeting at the altar?” Others might be wondering, “What’s with all the rituals? Incense, candles, Latin chant—I’ve never seen any of this at a wedding, and I’ve been to plenty of weddings!

“These are all excellent questions. While it is entirely permissible for Catholic couples to incorporate such traditions as bridesmaids and flower girls into their ceremony, these customs are actually rooted in royal and secular traditions that have little to do with the Catholic nuptial Mass. In fact, the rubrics (ritual instructions) of the present-day Catholic Rite of Marriage call for the nuptial Mass to begin with a procession of altar servers and clergy followed by the bride and groom, who walk down the aisle together…”

Take note that the procession included the hymn “Alleluia! Sing to Jesus!” followed by the Introit, Deus Israel during the incensing of the altar. Listen to the recording and you can almost smell the incense!

The couple writes further:

“Because we believe that Jesus is truly present in the Holy Eucharist, it is deeply fitting that our wedding vows should be celebrated within the context of the Mass…How appropriate it is then, that we begin our married life together by being united with one another and with our Lord in the sacrament of the Eucharist.”

Notable too was the large number of clergy and seminarians present:

”The elaborate ritual gestures – precessions, incense, involvement of many deacons and priests – is not for the sake of pomp or show, but to give glory to God. In a particular way, we hope to glorify God through the beauty of the sacred music that we have selected for our nuptial Mass….”

HE CHANT AND HYMNS were exquisitely directed by composer, tenor, and founder of the Blackstone Valley Catholic Youth Choir, Michael Olbash. The greatly acclaimed virtuoso organist Mark Husey and rising star Ryan Lynch played the hymns with soaring dignity and transcendence. A beautiful Responsorial Psalm by Brian Michael Page was cantored by Sarah Rogevich. The incomparable Emily Lau cantored the the Gregorian Alleluia. Such remarkable voices graced the choir: Amanda White, Camilia Paris, Clare MacNamara, Erin Seaver Blazek, Patricia Almond, Sarah Mitchell, Matthew Stansfield, and longtime CMAA friend, Richard Chonak.

While I had the privilege of conducting two works by Victoria, these singers were so wonderful, I could have waved my arms like a chicken (I most assuredly did at times) and they still would have sounded beautiful.

UESTS AT A WEDDING USUALLY bring gifts for the bride and groom. But I felt as though the couple had given us a gift with such a profoundly prayerful experience. This experience uplifts and fortifies the soul, strength that we can take with us for a long time to come. Mark Husey put it best when he said of his experience, “I was so blessed to be a part of this. Such a rich harvest of grace was gleaned from this extraordinarily spirited celebration…we couldn’t help but be moved to greater love and joy.”

Congratulations, Nori and Stephen! Thank you for the gift!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: congregational singing, Nuptial Mass, Propers, Singing the Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

Bishops have a duty towards both wise and foolish. They have to rouse the devotion of the carnal people with material ornament, since they are incapable of spiritual things.

— St. Bernard of Clairvaux (†1153)

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