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Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.
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Far from dreading an encounter with the Iroquois, Fr. Garnier often told us he would be quite content to fall into their hands and remain their prisoner if—while they were torturing him—he at least had a chance of instructing them as long as his torments lasted. If they allowed him to live, it would afford him a golden opportunity to work for their conversion, which was now impossible, since the gateway to their country was closed as long as they were our enemies.
— Father Ragueneau (Jesuit Relations)

The Young and the Extremely Young
published 19 February 2014 by Andrew R. Motyka

HINGS HAVE BEEN pretty crazy in the Motyka household for the last couple of weeks, what with my wife delivering our first born son, Thomas, as seen looking surly to the right. Because of that, it’s been a couple of weeks since I last contributed anything. I wrote this piece last week, but never got around to posting it. Here goes:

While speaking with my friend Mike on the phone yesterday, I was reminded of something I’m constantly harping about: the average Catholic in the pew just isn’t aware of the Church’s norms on liturgy in general and music in particular.

Mike is a professional musician, and he was telling me that despite being baptized Catholic, attending Catholic schools, and attending Mass regularly, he never knew about the Church’s musical heritage until the last few years. Now, he takes pride in the Requiem Mass, thinking “that’s our music” whenever his chorus sings a Requiem Mass. Even after many years of singing in choirs and performing sacred music, he never understood its proper place in the liturgy until fairly recently. I can sympathize with this view. Until I experienced sacred music in its proper context, it didn’t quite “click.”

One thing my parish is trying this year is the inauguration of an Archdiocesan Honors Choir, a select choir of high school students from the archdiocese to participate in major liturgies during the year. Their first experience in this choir will be on Holy Thursday, a perfect opportunity to expose the singers to the Church’s musical heritage. Holy Thursday is a perfect opportunity since it is glutted with ritual music. I hope to impart exactly what Mike described: show the students the inherent connection between music and the liturgical act. Forming connections with the local high schools to find quality singers is one way to put this kind of special group together, and we intend to make a big deal out of it; the singers will even receive invitations from the Archbishop.

One way the liturgical life of the Church will improve is through education. The constant cries for “catechesis” are easily tuned out, however, since opportunities and open minds are hard to come by. The Church’s youth are a good place to start. They have no idea what heritage they’re even missing, and it gives them an opportunity to be counter-cultural. Youth choirs are a great chance to feed that desire and develop the future of Catholic music.