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Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).
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“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”
— Pope Benedict XVI (2012)

The Semiologist And The Unbeliever
published 5 August 2014 by Aurelio Porfiri

NCE UPON A TIME there was a man, an Italian man, a musician, making music for God. This musician liked Gregorian chant. He thought he knew how this famous chant should be performed and was always very suspicious of the so called “semiologists”.

Who are they? They promulgate an understanding of Gregorian chant which traces back to the work of the Solesmes Monk Eugene Cardine and his followers. Dom Eugene Cardine (1905–1988), a monk of the Abbey of Solesmes, shed a new light on the interpretation of the medieval neumes, showing that these neumes have not only a value for the reconstruction of the melodies but also shed a great light on the correct interpretation. But the musician, full of his knowledge, mocked these new interpreters of Gregorian chant. Not that he was really into Mocquerau either, having already considered those theories of interpretation worthy of being confined to the recesses of history. But semiology, please!

One day this unbelieving musician was invited to a concert in a beautiful roman church called Sant’Agostino, very near to Piazza Navona, one of the most popular tourist attractions of Rome. It was a chant concert, the choir was the female choir of the Pontifical Institute of Sacred Music, and the conductor was Professor Nino Albarosa, a student of Cardine himself. The musician really did not want to go, but one of his friends sang in that choir and insisted he go. So when he sat in that beautiful church he was just hoping that this boring concert would finish as soon as possible, so he could attend to more worthy business.

But when Professor Albarosa moved his hand to give the cue for the first piece, it was like the angels themselves had gathered to sing together with an international choir that was voicing the praise of God in that very place. It was like the daily time, the Chronos, was suspended to make everyone enter in the time of eternity, the Aion. From that moment on the musician, like a new Saint Paul on the road to Damascus, converted wholeheartedly; understanding that if the angels themselves are singing, this theory cannot be wrong at all. And from that time on that musician, which you guessed, is me, and all present understood that chant is a gift from God; that dom Cardine was a great man and that Professor Albarosa is a great chant conductor; and all lived happily ever after. Alleluia. Amen.

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