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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Patron Saint of Artists

Fr. David Friel · October 18, 2013

HE PATRON SAINT of butchers, brewers, bookbinders, and bachelors. Also of lacemakers, notaries, and Hermersdorf, Germany. But, most importantly for our purposes, Saint Luke the Evangelist is the patron saint of artists, painters, and sculptors.

Tradition holds that St. Luke painted this image of our Lady around AD 60, when Mary had gone to live with St. John the Evangelist. Luke supposedly made a visit and wrote the icon on a cedar plank from a table Jesus had built for the Holy Family’s home in Nazareth.

Had he not authored the third Gospel and the Acts of the Apostles, St. Luke would likely be a little-known figure to us. He is mentioned only three times in the New Testament (Philemon 24; Col 4:14; 2 Tim 4:11). We know that Luke was born of a pagan family in Syria and that he was a doctor with medical training. It is also clear from the Scriptures that St. Luke never met Jesus Christ in person. Luke apparently came to faith through the preaching of St. Paul, with whom he traveled.

This makes Luke, I think, a great model for us moderns, who are all in the same boat. Sure, we have the Real Presence of Christ with us in the Eucharist. But none of us had the opportunity to walk the roads of Galilee with Jesus of Nazareth. We have all come to faith through another person—perhaps our parents, or a friend, or an inspiring preacher.

Although St. Luke never saw the Lord face-to-face, he also never used that as an excuse to be less of a disciple. Sometimes, we feel like the Apostles had an advantage. We think it would be easier to have faith if we could spend three years traveling around the Holy Land with our Lord, watching him perform miracles and healings. But Luke seemed not to consider himself at a disadvantage.

Luke accepted his call to be an Evangelist, writing icons and even a Gospel that became one of the four major means by which all of history would come to know Jesus Christ. We must do the same. We must become evangelists for those around us, testifying with joy to the faith we have in Christ.

Perhaps we may evangelize through the written word, or even through artistry, painting, or sculpture. St. Luke, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

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  • “Adeste Fideles” • Too Many Translations!

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