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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Round Yon Virgin

Fr. David Friel · May 12, 2013

URELY, YOU HAVE SEEN the painting of two arms outstretched toward one another, with the fingertips not quite touching each other. That scene is one of the centerpieces of the ceiling artwork in the Sistine Chapel. One of the two arms in the fresco is the right arm of God the Father, and the other is the arm of Adam, the first man. The artist rather dramatically depicts through those arms the passionate love of God, Who, ever since creating man, has constantly been reaching out to us.

Where is God’s other arm? We usually only see a cropped image of the two hands, but have you ever looked at the fuller panel to see what God the Father is doing with His left hand? What we see is this: God’s left arm is around the shoulder of a mother holding her child. That’s a remarkable detail! Michelangelo is teaching us that, even as God creates mankind and reaches out to us, He has already thought of, and in fact is embracing, the mother & child.

Motherhood is one of the great ideas God had for the world when He fashioned it, and every one of us has been the beneficiary. There is no way into this world without a mother—not even for the Son of God, Himself. The topic of motherhood makes me think of the long prayer Jesus prayed the night before He died, on the first Holy Thursday. I have a favorite line from that prayer. Jesus, speaking to His Father about us, says this: “Father, they are your gift to Me. I wish that where I am they also may be with me.” That is the way Jesus honestly thinks about us, His children, His sheep, His people. He considers us a gift!

Can’t you hear that line being spoken by your mother? Whether you’re an only child or one of 10, every mother worthy of the name would say the same thing about her children: “Father, they are your gift to me. I wish that where I am they also may be with me.” In so many ways, our society no longer sees children as a gift, and that is tragic. We need to reclaim the sense that children are pure gift—not an entitlement, not a burden, not something to be avoided, not to be taken advantage of or mistreated, and certainly not a choice. We also need to reclaim a healthy veneration for the role of mothers, since nothing could ever replace a good mother—no man, no machine, and no government program. Mothers are indispensable because of the love they bring into the world. Is there any warmer image—any image that better captures love & peace & joy—than the image of a mother holding her child?

The universal Church places just such an image before us. Today, the secular world celebrates Mother’s Day, which is a good & worthy celebration. But, in the Church, every year throughout the month of May, we honor the one great Mother whom we all mutually share. In so many statues and images of the Blessed Mother, we recognize the innate beauty of the Mother holding her Child. In my home parish growing up, our statue of Mary also showed her holding the brown scapular. For me personally, I wear the brown scapular as a daily reminder to me that Mary is, in fact, my Mother, and that I am a child in her arms. If you have never worn the scapular, I encourage you to be invested in it.

Some people think we Catholics focus too much on Mary. Many of our Protestant brothers & sisters think we are Mary worshippers. But those charges don’t make sense. For the same reason the world today recognizes natural mothers, the Church every May (and all year long) celebrates the gift of supernatural motherhood. In the words of St. Maximilian Kolbe: “ Do not be afraid to love the Immaculata too much, because we could never equal the love that Jesus has for her.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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