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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Round Yon Virgin

Fr. David Friel · May 12, 2013

URELY, YOU HAVE SEEN the painting of two arms outstretched toward one another, with the fingertips not quite touching each other. That scene is one of the centerpieces of the ceiling artwork in the Sistine Chapel. One of the two arms in the fresco is the right arm of God the Father, and the other is the arm of Adam, the first man. The artist rather dramatically depicts through those arms the passionate love of God, Who, ever since creating man, has constantly been reaching out to us.

Where is God’s other arm? We usually only see a cropped image of the two hands, but have you ever looked at the fuller panel to see what God the Father is doing with His left hand? What we see is this: God’s left arm is around the shoulder of a mother holding her child. That’s a remarkable detail! Michelangelo is teaching us that, even as God creates mankind and reaches out to us, He has already thought of, and in fact is embracing, the mother & child.

Motherhood is one of the great ideas God had for the world when He fashioned it, and every one of us has been the beneficiary. There is no way into this world without a mother—not even for the Son of God, Himself. The topic of motherhood makes me think of the long prayer Jesus prayed the night before He died, on the first Holy Thursday. I have a favorite line from that prayer. Jesus, speaking to His Father about us, says this: “Father, they are your gift to Me. I wish that where I am they also may be with me.” That is the way Jesus honestly thinks about us, His children, His sheep, His people. He considers us a gift!

Can’t you hear that line being spoken by your mother? Whether you’re an only child or one of 10, every mother worthy of the name would say the same thing about her children: “Father, they are your gift to me. I wish that where I am they also may be with me.” In so many ways, our society no longer sees children as a gift, and that is tragic. We need to reclaim the sense that children are pure gift—not an entitlement, not a burden, not something to be avoided, not to be taken advantage of or mistreated, and certainly not a choice. We also need to reclaim a healthy veneration for the role of mothers, since nothing could ever replace a good mother—no man, no machine, and no government program. Mothers are indispensable because of the love they bring into the world. Is there any warmer image—any image that better captures love & peace & joy—than the image of a mother holding her child?

The universal Church places just such an image before us. Today, the secular world celebrates Mother’s Day, which is a good & worthy celebration. But, in the Church, every year throughout the month of May, we honor the one great Mother whom we all mutually share. In so many statues and images of the Blessed Mother, we recognize the innate beauty of the Mother holding her Child. In my home parish growing up, our statue of Mary also showed her holding the brown scapular. For me personally, I wear the brown scapular as a daily reminder to me that Mary is, in fact, my Mother, and that I am a child in her arms. If you have never worn the scapular, I encourage you to be invested in it.

Some people think we Catholics focus too much on Mary. Many of our Protestant brothers & sisters think we are Mary worshippers. But those charges don’t make sense. For the same reason the world today recognizes natural mothers, the Church every May (and all year long) celebrates the gift of supernatural motherhood. In the words of St. Maximilian Kolbe: “ Do not be afraid to love the Immaculata too much, because we could never equal the love that Jesus has for her.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“Angularis fundamentum” is typically sung at the dedication or consecration of a church and on church anniversaries. For constructions too numerous to list in recent generations, it would be more appropriate to sing that Christ had been made a temporary foundation. A dispirited generation built temporary housing for its Lord, and in the next millnenium, the ease of its removal may be looked back upon as its chief virtue.

— Fr. George Rutler (2016)

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