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Views from the Choir Loft

Dom Gregory Murray’s People’s Mass & Holy Week

Jeff Ostrowski · March 24, 2013

OR YEARS, I’ve heard about Dom Gregory Murray’s People’s Mass. At the moment, I won’t reveal too much, since later on I will be posting several rare documents by Dom Murray, but suffice it to say he loved to brag about this Mass. Written first in Latin, later in English, he would brag, saying, “It may not be musically rewarding, but I sold more copies than anybody else.” I have no way to verify his statement one way or the other, but allegedly both versions sold millions and millions of copies.

I have a lot of respect for Dom Gregory Murray’s compositions. At a later date, I hope to post online (for free) his beautiful “organ preludes for manuals only” which he started writing in the 1930s. I’ve played these for a decade and love them. However, when I finally saw his People’s Mass, I was very disappointed. I found it very predictable and uninspired. However, several of the sections are growing on me a bit.

Anyway, here’s the Latin version. Somebody could make a lot of money by “plugging in” the New Translation of the Roman Missal and selling it:

      * *  Dom Gregory Murray’s “People’s Mass” (Latin version) [pdf]

I found this in a fascinating collection that we posted in 2008 by Eugene Lapierre:

      * *  Accompaniment to the Music of Holy Week [pdf]

By the way, Dr. Eugene Lapierre was the one who encouraged Roger Wagner to complete his doctorate “in absentia.” I believe Wagner’s dissertation was on the music of Josquin Des Prez. Anyway, we’ve posted many Gregorian accompaniments by Lapierre, but that book is probably the most exceptional one, because of the interesting things he included. I hope you enjoy it!

It has been in the Lalande Online Library since 2008. As some of you know, in 2008, Corpus Christi Watershed released about 25,000 pages of Sacred music for free and instant download:

      * *  St. Jean de Lalande Website [url]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
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  • (Rehearsal Clips) • Sacred Music Symposium 2025
  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”

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