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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

How Do I Get Them to Sing? Part 2 of 2

Andrew R. Motyka · March 13, 2013

hat do you do when the congregation just won’t sing? Here are a few more practical tips to encourage reluctant singers.

CLICK HERE to read Part 1 of this article.

4. Sing a cappella from time to time. Sometimes the best accompaniment for congregational singing is none at all. Once you’ve started down the road to making your parish responsible for communal song, try a verse of a hymn a cappella. Learn a plainchant Mass ordinary. A cappella singing adds a layer of reverence in the liturgy that is simple yet underutilized. When you do use the organ, however,

5. Choose appropriate registrations. You want to support the singing, not bury it. In my experience, though, congregations aren’t avoiding singing because the organ is too loud, but because it isn’t loud enough. Singing is an act of responsibility, but very few people like feeling exposed while they sing. They like to be surrounded with other sound. For this reason, a congregation that sings well is, to some degree, self-supporting. It’s easy to join in singing when the people around you help cover your less-than-confident voice, and that cycle continues. Unfortunately, the converse is also true: fewer people singing means people will be uncomfortable singing. No one wants to be the first. For this reason, a robust organ registration can help bridge the gap between wimpy and confident song.

6. Choose singable keys and tempos. Your congregational literature has to be in a middle-of-the-road tessitura. Extremely high or low keys will cause people to drop out, especially very high ones. That said, don’t let your parish get lazy, either. A congregation can sing as high as a D (although I wouldn’t push them further except with some very popular hymns that they’ll sing anyway. I’m looking at you, Jesus Christ is Risen Today). Do not choose music or keys that hang in that high register, but don’t avoid it entirely, either. A congregation that never sings D’s will never be able to, either.
Tempos are even more critical. Practice singing while you play. You don’t have to sing while you play at Mass, but singing while practicing is a good way to understand the phrasing that the singers will need to have. Too fast, and they’ll be hyperventillating; too slow, they’ll never make it to the end of reasonable phrases. Be sure that your organ playing breathes with the singers. Using lifts, be extremebly clear and obvious at the ends of phrases where breathing is necessary. If you just slur right through them, congregations will unconsciously receive the message that they never get to breathe.

7. Be consistent with repertoire and sparing with new hymns. This doens’t mean that you can never introduce new music. Don’t go overboard, though. 2 or 3 brand new hymns a year is plenty. You can get away with quite a bit more in the realm of responsorial-style music, where repeating a short phrase or antiphon is the only new information, and with the “same tune, different text” approach (Tip: learn to use the Metrical Index in your hymnal). With psalms and mix-and-match hymnody, your repertoire can increase exponentially without actually “teaching” a thing.

8. Be patient. Even if you were to implement all of this advice and more tomorrow, it will still take time for your parish to start singing well. Singing is a cultural thing, and it will take patience and, most of all, consistency to get a good result. In the end, it might have nothing to do with the music. Some people are sticks-in-the-mud and won’t sing under any circumstances. It’s unlikely that your entire parish is made up of these people, though, and if it is, I’ll pray for you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Although the Mass contains much instruction for the faithful, it has nevertheless not seemed expedient to the fathers that it be celebrated everywhere in the vernacular. The holy synod commands pastors and everyone who has the care of souls to explain frequently during the celebration of the Masses, either themselves or through others, some of the things that are read in the Mass, and among other things to expound some mystery of this most Holy Sacrifice, especially on Sundays and feastdays.”

— ‘Council of Trent, XII:8 (1562)’

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