About this blogger:
Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and five children.
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The Vatican Gradual cheered our hearts by restoring the authentic form of the hymns therein. But there are very few hymns in the Gradual. We looked forward to the continuation of the same work, where it was so much more needed, in the Vesperal, and then in the new Breviary. Alas, the movement, for the present, has stopped. The new Vesperal and then the Breviary contain Urban VIII’s versions. So at present we have the odd situation that in the Gradual the old form of the hymns is restored; but when the same hymn (for instance “Vexilia regis”) comes again in the Vesperal, we must sing the seventeenth-century mangling.
— Adrian Fortescue (25 March 1916)

As easy as (G)ABC
published 1 June 2013 by Veronica Brandt

HEN explaining square notes people are stumped by these notes stacked one on top of the other. It takes a little while for singers to automatically start at the bottom of the stack. The notation came from what worked writing with a broad nibbed pen on vellum. It didn’t translate easily to lead type, or computer software.

Then Elie Roux appeared suggesting we could simplify the code with something like ABC notation. It seemed a mad idea. Gregorian notation is not like modern music. There are all those different neumes: punctum, podatus, torculus, climacus. How would you hope to specify the pitch and shape of each note as well as the fine gradations of spaces.

After a while he came up with GABC and Gregorio. This used a markup language with similarities to ABC plus a processor to typeset the music using TeX. This was very exciting to those already familiar with TeX and old fashioned text based software, but most of the musical population would smile and nod with a slightly glazed expression.

Then there was the idea to share GABC files at the Caecilia Project, but the interface was clunky until recently when Olivier Berten released Gregobase. Now you have the editable GABC for the geeks alongside handsome pdf, eps and png files ready to paste into the desktop publishing program of your choice. There are also scans of the original music for proofreading purposes.

I might have to leave the GABC transcriber for another post. Go check out Gregobase.

Image from British Library Catalogue of Illuminated Manuscripts Arundel 130