• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Little Christmas

Fr. David Friel · January 7, 2013

S A STUDENT in grade school & high school, I always “brown-bagged” my lunch. Every day of first through twelfth grades, I ate a peanut butter & jelly sandwich and some type of granola bar. In grade school, I would have a Capri Sun to drink, and in high school I switched to bottled water. So the contents of my brown bag were usually exactly the same. On a few select days, though, my mom would sneak something extra into my lunch. One of those days was always my birthday, and another one was January 6th, the Epiphany—what she would always call “Little Christmas.” Each year, I would discover a little wrapped present in my lunch bag on January 6th. That was my mom’s way of celebrating the Epiphany with us.

Why do people give gifts? What is the point of gift-giving? It’s certainly about more than just transferring items from one person to another. Most people give gifts to people they care about, which tells us something about the meaning of gift giving. We give gifts to recognize the value—the intrinsic worth—of the person to whom we’re giving the gift. So, when we give someone a gift, we are saying that we value that person.

The feast of the Epiphany recalls the day on which the three kings brought gifts to the newborn Baby Jesus. They brought gifts because they valued, respected, & appreciated this Baby. Each of their gifts represents something about Whom they believed this Child to be.

The first king brought gold. Gold was a precious metal, reserved only for use in the palace and jewelry of a king. So, by bringing Jesus gold, the first wise man professed his faith that Jesus was his true King.

The second king brought frankincense. There was only one use for frankincense in the culture of the Jews. It was burned around-the-clock in the Temple at the “Altar of Incense.” So, just as we still use incense today, even then it was something reserved for the worship of God. By bringing Jesus frankincense, the second wise man professed his faith that Jesus was his God.

The third king brought myrrh. What is myrrh? Myrrh is a sort of perfume, and it had one major purpose in ancient cultures. It was the perfume used to anoint the body of someone who died. By bringing Jesus myrrh, the third wise man professed his faith that Jesus was his Savior. As Bishop Sheen put it, most people come into this world to live, whereas Jesus was born to die.

The three wise men brought gold, frankincense, & myrrh because they knew that He was a King, that He was God, and that He would one day die to set all men free. What gift are we bringing to Jesus right now? Perhaps we value the mercy God has shown us, so we’ll give Him the gift this week of being merciful to someone who bothers us. Maybe we value God’s peace, so we’ll give Him the gift of working toward peace in our family. When we assist at Mass, we offer to God bread and wine, which become His Sacred Body & Precious Blood.

It’s easy to give someone socks or a video game or a gift card. But, can we go so far as to give God our very hearts, entrusting everything to Him? It is hard, but it is necessary. After all, at Christmas, Jesus gave us the gift of Himself. Can we return the favor?

Giving a gift to someone is a sign that we care about the other person—that we value them. Those little wrapped gifts my mom would throw in my lunch bag might have been little, but they meant an awful lot. How pleased God would be with even the small gift of our entire lives!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.