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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reflections On Playing The Piano At Church

Jeff Ostrowski · January 14, 2013

In my experiences as a Catholic Church musician, the following conversation has often occurred:

    “Jeff, why don’t you ever play the piano at Mass? Why do you play only the pipe organ?”
    “Because the piano is too much of an emotional, sentimental instrument.”
    “But the piano can be very beautiful.”
    “I agree that the piano can be very beautiful, but the correct musical instruments ought to be used in the correct
    places at the correct times.”

    “OK, Jeff, you agree the piano is beautiful. Well, God is beautiful. Why not play piano at Mass? It moves me.”
    “When it comes to the Church’s public worship of Almighty God and the reënactment of the sacrifice of
    Calvary, we have to make sure that the music is of a certain seriousness, loftiness, and dignity.”

    “You probably just don’t like the piano, Jeff.“

In conversations like these, I’ve never had any success convincing people that I love the piano. I keep saying, “I love the piano, but it is not a sacred instrument.” And the other person keeps saying, “You probably don’t like the piano. That’s why you don’t think it belongs in Church.” To “prove” I love the piano, I would like to share with you two recordings I made while still a sophomore in high school (1998). You can tell these are “live” recordings (no editing) because towards the end of the MacDowell, you can hear members of my family talking and then slamming the door.

                          •    
                    Edward MacDowell Etude de Concert    •        Nikolai Medtner Fairy Tale

Pope St. Pius X wrote in an official Church document (1903): “The employment of the piano is forbidden in church, as is also that of noisy or frivolous instruments such as drums, cymbals, bells and the like.” Although the piano is one of the most beautiful instruments, I do agree with Pope Pius X. It is a highly emotional percussive instrument not suited for the public worship of Almighty God. I love the piano, but not in Church.

“Music is to be heard, not seen”

EOPLE who didn’t like children very much used to say, “Children are to be seen not heard.” In other words, children were to keep their mouths shut. In my mind, however, music is to heard not seen. I think watching people make music distracts from the pure joy that comes from listening. I’m sure others will disagree strongly with this opinion of mine. Below are video versions the same two recordings (from above). I simply cannot focus on the music as well when my eyes are “watching” something: do you agree?

      


Incidentally, I also think there are many reasons why the choir or cantor at Mass should not become a “center of attention.” Pius X seems to agree, when he said: “It will also be fitting that singers while singing in church wear the ecclesiastical habit and surplice, and that they be hidden behind gratings when the choir is excessively open to the public gaze.”

Piano Culture

Not only was the piano a huge part of my life for many years, but the whole culture of the “golden age pianists” played a huge role in my life. I drew many sketches of the great pianists, and here are some examples:

When all was said and done, I think I must have drawn about forty (40) great pianists total: Ignaz Friedman, Josef Lhevinne, Leopold Godowski, Wiktor Labunski, and many others. However, my sketches were nothing compared to those of my mother, who has a natural talent for art:

My mother drew that picture of the great Anton Rubinstein in about twenty minutes — what amazing talent!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

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