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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reflections On Playing The Piano At Church

Jeff Ostrowski · January 14, 2013

In my experiences as a Catholic Church musician, the following conversation has often occurred:

    “Jeff, why don’t you ever play the piano at Mass? Why do you play only the pipe organ?”
    “Because the piano is too much of an emotional, sentimental instrument.”
    “But the piano can be very beautiful.”
    “I agree that the piano can be very beautiful, but the correct musical instruments ought to be used in the correct
    places at the correct times.”

    “OK, Jeff, you agree the piano is beautiful. Well, God is beautiful. Why not play piano at Mass? It moves me.”
    “When it comes to the Church’s public worship of Almighty God and the reënactment of the sacrifice of
    Calvary, we have to make sure that the music is of a certain seriousness, loftiness, and dignity.”

    “You probably just don’t like the piano, Jeff.“

In conversations like these, I’ve never had any success convincing people that I love the piano. I keep saying, “I love the piano, but it is not a sacred instrument.” And the other person keeps saying, “You probably don’t like the piano. That’s why you don’t think it belongs in Church.” To “prove” I love the piano, I would like to share with you two recordings I made while still a sophomore in high school (1998). You can tell these are “live” recordings (no editing) because towards the end of the MacDowell, you can hear members of my family talking and then slamming the door.

                          •    
                    Edward MacDowell Etude de Concert    •        Nikolai Medtner Fairy Tale

Pope St. Pius X wrote in an official Church document (1903): “The employment of the piano is forbidden in church, as is also that of noisy or frivolous instruments such as drums, cymbals, bells and the like.” Although the piano is one of the most beautiful instruments, I do agree with Pope Pius X. It is a highly emotional percussive instrument not suited for the public worship of Almighty God. I love the piano, but not in Church.

“Music is to be heard, not seen”

EOPLE who didn’t like children very much used to say, “Children are to be seen not heard.” In other words, children were to keep their mouths shut. In my mind, however, music is to heard not seen. I think watching people make music distracts from the pure joy that comes from listening. I’m sure others will disagree strongly with this opinion of mine. Below are video versions the same two recordings (from above). I simply cannot focus on the music as well when my eyes are “watching” something: do you agree?

      


Incidentally, I also think there are many reasons why the choir or cantor at Mass should not become a “center of attention.” Pius X seems to agree, when he said: “It will also be fitting that singers while singing in church wear the ecclesiastical habit and surplice, and that they be hidden behind gratings when the choir is excessively open to the public gaze.”

Piano Culture

Not only was the piano a huge part of my life for many years, but the whole culture of the “golden age pianists” played a huge role in my life. I drew many sketches of the great pianists, and here are some examples:

When all was said and done, I think I must have drawn about forty (40) great pianists total: Ignaz Friedman, Josef Lhevinne, Leopold Godowski, Wiktor Labunski, and many others. However, my sketches were nothing compared to those of my mother, who has a natural talent for art:

My mother drew that picture of the great Anton Rubinstein in about twenty minutes — what amazing talent!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

Religious worship supplies all our spiritual need, and suits every mood of mind and variety of circumstance.

— John Henry Cardinal Newman

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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