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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Two Lenten Passages

Fr. David Friel · February 24, 2013

HERE ARE TWO STORIES in the Gospel of Luke that are closely related. They both have the same characters: Jesus, and the Apostles Peter, James, & John. They both take place at decisive moments in our Lord’s life. In both stories, Jesus is praying, while Peter, James, & John fall asleep. Both scenes take place on mountains—one on Mount Tabor, and the other on the Mount of Olives. And both of these stories are passages we encounter in the Lectionary during Lent. What are these stories?

The first is the Gospel for the 2nd Sunday of Lent: the Transfiguration of our Lord. Jesus takes His closest three friends up a high mountain to pray. True to form, they fall asleep! When they wake up, Saint Luke tells us that “they saw His glory” (Luke 9:32). Our Lord’s face “changed in appearance and His clothing became dazzling white” (Luke 9:29). Then they hear a voice from the cloud, saying, “This is my chosen Son; listen to Him” (Luke 9:35).

The second, very similar story, is the First Sorrowful Mystery: the Agony in the Garden. The scene takes place on Holy Thursday evening, immediately after the Last Supper. Fearful for the suffering He knows He must undergo, our Lord goes to the Garden of Gethsemane to pray. He again takes Peter, James, & John with Him, but they cannot stay awake. Luke writes that “He was in such agony and He prayed so fervently that His sweat became like drops of blood falling on the ground” (Luke 22:44).

These two scenes are similar in so many details, and I propose that their ultimate meaning is also the same. What is the shared meaning of these events? Both on Mount Tabor and on the Mount of Olives, Jesus gives us an example of One Who has given Himself up completely to the will of God. The Transfiguration could only happen because God the Father was revealing His glory through God the Son. Jesus, at that moment, is accepting His identity as the “chosen Son” of the Father. And, in the Agony in the Garden, the strength and peace of God are again being revealed by the Father through the Son. Jesus, in the garden, accepts the Passion He must undergo for the salvation of the world.

It would be hard to underestimate the effect that the Transfiguration and the Agony in the Garden had on Peter, James, & John. They were the sole witnesses to both events, but those sacred moments changed the course of their lives. Having seen our Lord both in glory and in agony, those three men were empowered to give themselves up to the will of God. They spent their lives spreading the Gospel message throughout the world. Peter & James eventually gave even their lives for the Gospel. In doing God’s will, they became light for the world.

These two scenes, which we encounter every Lent, provide the perfect message for our Lenten pilgrimage. When we give ourselves up to the will of God, we give testimony to the Gospel. When we give ourselves up to the will of God, we receive strength to endure our suffering. When we give ourselves up to the will of God, we, like Jesus, become radiant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“It was amusing to read in our papers that German Catholics were now using the vernacular at High Mass. In some parts of Germany they have been doing just that for well-nigh four hundred years! The cathedral in Osnabruck has solemn High Mass every Sunday with the whole chapter present, and the introit Gloria, Credo, Sanctus and Agnus Dei are sung … in German. Imagine, for four hundred years almost!”

— Hans Ansgar Reinhold (Dec. 1944)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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