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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Queen of May

Fr. David Friel · May 16, 2012

Here in Pennsylvania (or “PA,” as we call it), we have many places of historical importance. As one of the original thirteen colonies, many significant things happened here early in (and even before) our nation’s history.

One of the local ways we remember major historical people/places/events/etc. is by Pennsylvania Historical Markers—wrought-iron blue signs with gold lettering that explain the person/place/event/etc. being commemorated.

I love these signs, and I always enjoy reading them. There’s an interesting one downtown. It stands on the sidewalk between City Hall and the Wanamaker Building (home of the world’s largest pipe organ!). It says, in part: “Mother’s Day: Founded by Anna Jarvis of Philadelphia. First officially observed in 1908. An early supporter was John Wanamaker. Mother’s Day was given federal recognition, 1914.” That sign caught my attention enough to make me look into things a bit more, and I found the original House resolution from 1914 recognizing the celebration. It describes Mother’s Day as “a public expression of love and reverence for the mothers of our country.”

Long before 1914 or 1908, however—and long before Anna Jarvis or John Wanamaker—this time of year, May, was already devoted to our Mother. For centuries, Christians have set aside this entire month to honor Mary, the Blessed Mother of us all. May crownings and other special devotions have long been “public expression[s] of [our] love and reverence” for the Blessed Mother.

It’s good and wonderful and praiseworthy to honor our human mothers on this day. But our celebration of these mothers would be lacking—it would be incomplete—if it were detached from our celebration of Mary. For whatever is good and loveable in our human mothers is a reflection of what is good and loveable in Mary. In fact, our human mothers are “good” mothers only insofar as they are good reflections of the Blessed Mother. Aren’t the best mothers honest, pure, loving, merciful, sweet, beautiful, grateful, compassionate, and gentle? And is that not the perfect description of Mary?

Mary is the ideal Mother and the ideal woman. Bishop Sheen once observed: “[Mary] is the one whom every man loves when he loves a woman, whether he knows it or not. She is what every woman wants to be, when she looks at herself. . . . She is the secret desire every woman has to be honored and fostered.”

Mary’s life, of course, was defined by her Child. It was Jesus for Whom Mary spent so much of herself, from the home at Nazareth to the Cross on Calvary. It was Jesus for Whom Mary willingly embraced suffering. It is for her Child, first and foremost, that Mary is remembered and honored. I suspect that every mother would have it the same way. Ask a mother who has found success in her profession. Ask a mother who holds some high-ranking position. Ask any mother who has reached any measure of worldly accomplishment. I suspect they will be most proud—before all else—of the children they have sent into the world.

The blue & gold historical marker that stands at Market & Juniper Streets in Philadelphia reminds us of the history of this Mother’s Day holiday. All the more, our own wonderful mothers should remind us of Mary, clothed in blue and wearing a golden crown. Celebrating motherhood without celebrating the very prototype would be futile. So, today—and throughout this month of May—we honor the Blessed Mother. We renew our love for her, and we ask for her guidance in our family life.

O Virgin most tender,
Our homage we render,
Thy love and protection,
Sweet Mother, to win;
In danger defend us,
In sorrow befriend us,
And shield our hearts
From contagion and sin.

O Mary! we crown thee with blossoms today, Queen of the Angels, Queen of the May!

(Bring Flowers of the Rarest, Traditional)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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