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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Queen of May

Fr. David Friel · May 16, 2012

Here in Pennsylvania (or “PA,” as we call it), we have many places of historical importance. As one of the original thirteen colonies, many significant things happened here early in (and even before) our nation’s history.

One of the local ways we remember major historical people/places/events/etc. is by Pennsylvania Historical Markers—wrought-iron blue signs with gold lettering that explain the person/place/event/etc. being commemorated.

I love these signs, and I always enjoy reading them. There’s an interesting one downtown. It stands on the sidewalk between City Hall and the Wanamaker Building (home of the world’s largest pipe organ!). It says, in part: “Mother’s Day: Founded by Anna Jarvis of Philadelphia. First officially observed in 1908. An early supporter was John Wanamaker. Mother’s Day was given federal recognition, 1914.” That sign caught my attention enough to make me look into things a bit more, and I found the original House resolution from 1914 recognizing the celebration. It describes Mother’s Day as “a public expression of love and reverence for the mothers of our country.”

Long before 1914 or 1908, however—and long before Anna Jarvis or John Wanamaker—this time of year, May, was already devoted to our Mother. For centuries, Christians have set aside this entire month to honor Mary, the Blessed Mother of us all. May crownings and other special devotions have long been “public expression[s] of [our] love and reverence” for the Blessed Mother.

It’s good and wonderful and praiseworthy to honor our human mothers on this day. But our celebration of these mothers would be lacking—it would be incomplete—if it were detached from our celebration of Mary. For whatever is good and loveable in our human mothers is a reflection of what is good and loveable in Mary. In fact, our human mothers are “good” mothers only insofar as they are good reflections of the Blessed Mother. Aren’t the best mothers honest, pure, loving, merciful, sweet, beautiful, grateful, compassionate, and gentle? And is that not the perfect description of Mary?

Mary is the ideal Mother and the ideal woman. Bishop Sheen once observed: “[Mary] is the one whom every man loves when he loves a woman, whether he knows it or not. She is what every woman wants to be, when she looks at herself. . . . She is the secret desire every woman has to be honored and fostered.”

Mary’s life, of course, was defined by her Child. It was Jesus for Whom Mary spent so much of herself, from the home at Nazareth to the Cross on Calvary. It was Jesus for Whom Mary willingly embraced suffering. It is for her Child, first and foremost, that Mary is remembered and honored. I suspect that every mother would have it the same way. Ask a mother who has found success in her profession. Ask a mother who holds some high-ranking position. Ask any mother who has reached any measure of worldly accomplishment. I suspect they will be most proud—before all else—of the children they have sent into the world.

The blue & gold historical marker that stands at Market & Juniper Streets in Philadelphia reminds us of the history of this Mother’s Day holiday. All the more, our own wonderful mothers should remind us of Mary, clothed in blue and wearing a golden crown. Celebrating motherhood without celebrating the very prototype would be futile. So, today—and throughout this month of May—we honor the Blessed Mother. We renew our love for her, and we ask for her guidance in our family life.

O Virgin most tender,
Our homage we render,
Thy love and protection,
Sweet Mother, to win;
In danger defend us,
In sorrow befriend us,
And shield our hearts
From contagion and sin.

O Mary! we crown thee with blossoms today, Queen of the Angels, Queen of the May!

(Bring Flowers of the Rarest, Traditional)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    During Good Friday there are a series of prayers for various needs and various parties such as the pope, church leaders, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This was not unusual; ‘headers’ for everything is a modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone ever counted the total amount of ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

They were not ashamed to lay their hands on Sedulius, on Prudentius, on St. Ambrose himself. Only in one or two cases does some sense of shame seem to have stopped their nefarious work. They left “Ave maris stella,” “Jam lucis orto sidere,” and St. Thomas Aquinas’s hymns alone (they would have made pretty work of “Sacris solemniis”). In 1629 their mangled remnants were published.

— Rev’d Adrian Knottesford Fortescue (25 March 1916)

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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