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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Queen of May

Fr. David Friel · May 16, 2012

Here in Pennsylvania (or “PA,” as we call it), we have many places of historical importance. As one of the original thirteen colonies, many significant things happened here early in (and even before) our nation’s history.

One of the local ways we remember major historical people/places/events/etc. is by Pennsylvania Historical Markers—wrought-iron blue signs with gold lettering that explain the person/place/event/etc. being commemorated.

I love these signs, and I always enjoy reading them. There’s an interesting one downtown. It stands on the sidewalk between City Hall and the Wanamaker Building (home of the world’s largest pipe organ!). It says, in part: “Mother’s Day: Founded by Anna Jarvis of Philadelphia. First officially observed in 1908. An early supporter was John Wanamaker. Mother’s Day was given federal recognition, 1914.” That sign caught my attention enough to make me look into things a bit more, and I found the original House resolution from 1914 recognizing the celebration. It describes Mother’s Day as “a public expression of love and reverence for the mothers of our country.”

Long before 1914 or 1908, however—and long before Anna Jarvis or John Wanamaker—this time of year, May, was already devoted to our Mother. For centuries, Christians have set aside this entire month to honor Mary, the Blessed Mother of us all. May crownings and other special devotions have long been “public expression[s] of [our] love and reverence” for the Blessed Mother.

It’s good and wonderful and praiseworthy to honor our human mothers on this day. But our celebration of these mothers would be lacking—it would be incomplete—if it were detached from our celebration of Mary. For whatever is good and loveable in our human mothers is a reflection of what is good and loveable in Mary. In fact, our human mothers are “good” mothers only insofar as they are good reflections of the Blessed Mother. Aren’t the best mothers honest, pure, loving, merciful, sweet, beautiful, grateful, compassionate, and gentle? And is that not the perfect description of Mary?

Mary is the ideal Mother and the ideal woman. Bishop Sheen once observed: “[Mary] is the one whom every man loves when he loves a woman, whether he knows it or not. She is what every woman wants to be, when she looks at herself. . . . She is the secret desire every woman has to be honored and fostered.”

Mary’s life, of course, was defined by her Child. It was Jesus for Whom Mary spent so much of herself, from the home at Nazareth to the Cross on Calvary. It was Jesus for Whom Mary willingly embraced suffering. It is for her Child, first and foremost, that Mary is remembered and honored. I suspect that every mother would have it the same way. Ask a mother who has found success in her profession. Ask a mother who holds some high-ranking position. Ask any mother who has reached any measure of worldly accomplishment. I suspect they will be most proud—before all else—of the children they have sent into the world.

The blue & gold historical marker that stands at Market & Juniper Streets in Philadelphia reminds us of the history of this Mother’s Day holiday. All the more, our own wonderful mothers should remind us of Mary, clothed in blue and wearing a golden crown. Celebrating motherhood without celebrating the very prototype would be futile. So, today—and throughout this month of May—we honor the Blessed Mother. We renew our love for her, and we ask for her guidance in our family life.

O Virgin most tender,
Our homage we render,
Thy love and protection,
Sweet Mother, to win;
In danger defend us,
In sorrow befriend us,
And shield our hearts
From contagion and sin.

O Mary! we crown thee with blossoms today, Queen of the Angels, Queen of the May!

(Bring Flowers of the Rarest, Traditional)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“As often as possible they gathered together the children of the village and sat them down in the cabin. Father Brébeuf would put on a surplice and biretta and chant the Our Father, which Father Daniel had translated into Huron rhymes, and the children would chant it after him. Next, he taught them the sign of the cross, the Hail Mary, the Apostles’ Creed, and the Commandments.”

— Biography of St. Jean de Brébeuf

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  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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