• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

St. Joseph Triduum — Installment No. 2

Fr. David Friel · March 19, 2012

In the first part of this series, we considered Joseph of Egypt, the character from the end of Genesis. Today, we turn our attention to one of the New Testament Josephs.

What do we know about Joseph of Arimathea? He was evidently a wealthy man, since he could afford to have a tomb hewn out of rock for himself. He was from a placed called Arimathea, which was a town of Judah (c.f., Luke 23:51). According to a description in the third Gospel (Luke 23:50), he may have been a member of the Sanhedrin. He is, furthermore, described as “a disciple of Jesus,” but, notably, “a secret one, for fear of the Jews” (John 19:38). So he was a man of faith, but a man, in some ways, ashamed of his faith.

Although we don’t know a great deal about him, what we do know is very telling. In the mind of the Gospel writers, the early life of Joseph of Arimathea is totally inconsequential. All that matters is the scene immediately following the death of Jesus. This single afternoon defined his entire character. It is, in fact, the only day of his life for which history remembers him.

There are two major things Joseph of Arimathea did on this particular day that are worthy of our special attention. The first is described in the Gospel of Luke: “He went to Pilate and asked for the Body of Jesus” (Luke 23:52). That word, “asked,” really catches my attention. In Greek, it’s a very strong word (ᾐτήσατο). It can mean to ask, or beg, or desire, or crave, or even demand.

Imagine that: Joseph of Arimathea desired, even craved the body of Jesus. Don’t you imagine Joseph of Nazareth felt that same way as Mary was pregnant with Jesus? Don’t you think he craved to see Who this little Child would be? The initiative of Joseph to go to Pilate and ask for the Body of Jesus is simply amazing.

The second major thing that Joseph of Arimathea did that day is described in the Gospel of John: “In the place where [Jesus] had been crucified there was a garden, and in the garden a new tomb, in which no one had yet been buried. . . . So they laid Jesus there” (John 19:41-42). Had it not been for this one great act of generosity, in which he gave our Lord a tomb, the name “Joseph of Arimathea” would have been forgotten centuries ago. But, instead, because of his generosity, he is well remembered. It is also significant that it was not just any tomb, but “a new tomb, in which no man had yet been buried.” As Bishop Sheen famously said, Jesus was “born of a virgin womb [and] buried in a virgin tomb, . . . ‘and a Joseph did betroth them both’” (Life of Christ, Chapter 53). He goes on to add, “Born in a stranger’s cave [at Bethlehem, Jesus was] buried in a stranger’s grave” near Calvary.

And it all came to pass because a man named Joseph—Joseph of Arimathea—gave of his wealth to perform a corporal work of mercy for his Lord. We could consider it the first memorial contribution in the history of the Church, but I don’t think he had a nameplate put on the tomb (!). By giving Jesus a tomb, of course, Joseph was not consigning Him to death. Quite the contrary in fact. By giving Him a tomb, Joseph gave the Lord a place to come to life again.

There is a tremendous beauty in these two great acts of Joseph of Arimathea—the acts whereby he “asked for the Body of Jesus” and offered Him a tomb. Joseph the Carpenter did something similar. He “craved” for the Body of Jesus in the stable at Bethlehem. Then, by many hidden acts of generosity in Nazareth, he offered Jesus a place—a home—to come to fullness of life.

Now, in our own day, each one of us is called to repeat these same very acts. Whenever we come to Mass or adoration or benediction, we are called to “desire,” to “crave” for the Body of Jesus in the Eucharist. Then, as we receive Him physically into our bodies, we are called to give Jesus a place within ourselves to come to life again.

Do we truly crave after the Lord? Are we generous enough to give Him a place in our hearts? May our craving lead us to the Eucharist, and may the Eucharist bring Jesus to life within us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

Recent Posts

  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.