Views from the Choir Loft

Nuptial Blessings • Practice Videos • Order of Celebrating Matrimony

Richard J. Clark · January 13, 2017

R. JONATHAN GASPAR of the Archdiocese of Boston has kindly recorded the Nuptial Blessings of The Order of Celebrating Matrimony. The new English translation is according to the Second Latin Typical Edition, 1991.

This revised rite has been mandatory for use as of December 30, 2016, the Feast of the Holy Family of Jesus, Mary, and Joseph—a most fitting beginning!

Each Nuptial Blessing is comprised of a short invitation and a prayer. Whether sung or spoken, the rubric calls for silent prayer in between. (For the purposes of these practice recordings, there is simply a quick pause.) After the silent prayer, the chant elevates into a Preface-like reciting tone, marking a distinct transition in the blessing.

The rubrics also indicate the following:

205. In the invitation, if one or both of the spouses will not be receiving Communion, the words in parenthesis are omitted. In the prayer, the words in parenthesis may be omitted if it seems that circumstances suggest it, for example, if the bride and bridegroom are advanced in years.

FR. GASPAR ELOQUENTLY emphasis key words and phrases, underscoring the beauty of the sacrament. Note especially how he sings in Nuptial Blessing A, “May her husband entrust his heart to her, so that, acknowledging her as his equal and his joint heir to the life of grace, he may show her due honor and cherish her always with the love that Christ has for his Church.” I found this to be deeply moving.

Nuptial Blessing A is sung here in a higher key. B and C are in slightly lower keys. A is the longest (4:30). B is much shorter (3:40). C is by far the shortest (2:40):

* * YouTube • Nuptial Blessing A

* * Mp3 Download • Nuptial Blessing A

* * YouTube • Nuptial Blessing B

* * Mp3 Download • Nuptial Blessing B

* * YouTube • Nuptial Blessing C

* * Mp3 Download • Nuptial Blessing C

PLAYLIST:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Music Director Job • $80,000 per year

Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!

—Jeff Ostrowski

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed