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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Communion Antiphons for Advent & Christmas • NEW • World Library Publications

Richard J. Clark · August 26, 2016

ORLD LIBRARY Publications, the music and liturgy division of J. S. Paluch Company, Inc. has recently released my collection of Communion Antiphons for Christmas. These nine antiphons are set to the English translation of the Roman Missal, Third Edition, with verses according to the Graduale Romanum.

• You may also learn about and listen to my Communion Antiphons for Advent here.

Scores are available in hard copies or for digital download:

Order • View sample pages and order PDF or Octavo:
Octavo • “Communion Antiphons for Christmas” (for SATB Choir, Cantor, Assembly, Organ, Trumpet)

• All are chant based including quotes of Puer natus est nobis and the Mode I Ave Maria.
• May be sung with cantor or unison schola or optional SATB
• Several include optional vocal and trumpet descants.

BE SURE TO LISTEN to recordings here directed by Paul French, Director of the William Ferris Chorale and Music Director of Our Lady of Mt. Carmel Church in Chicago. You can hear six of the nine antiphons here. (Each antiphon has several more verses than are recorded here.)

*Note the two options for the Solemnity of Mary, Mother of God: Rejoice, O Daughter Zion (Exsulta fiIia Sion) is prescribed for the Mass at Dawn in the Roman Missal. It is also is prescribed also for the Solemnity of Mary in the Graduale Romanum.

HY SING THE PROPERS AT ALL? Forget GIRM 87 that gives singing the antiphons from the Roman Missal or Grandulae Romanum the highest preference. Forget the tradition of the propers being integral to the Roman Rite for well over a millennium. Forget that Sing to the Lord: Music In Divine Worship (SttL) gives singing the antiphons and psalms very high priority.

But remember the wisdom of the faithful who came before us. What matters most is that the antiphons and psalms we sing during communion most always point us back to the Gospel. Often they are from the Gospel itself or another reading. The psalms, which are just as important as the antiphons, shed deeper light upon the sacred mysteries and the Gospel. These scriptures amplify our prayer while receiving the Bread of Life.

I could go on for many pages, but I leave you with this simple story:

The best note I ever received on this topic came from a woman who probably knows nothing about the antiphons, the GIRM, or the rubrics. But she knows prayer and she knows her heart. She said “Isn’t it wonderful to sing the Gospel while receiving the Eucharist!”

This kind of intuitive understanding is born of the wisdom of the ages—from many faithful who came before us. This above all is why we sing the Mass.

Consciously or not, the scriptures sung in the antiphons and psalms touch the heart. Live daily with the Word, and we will be transformed.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers, World Library Publications Last Updated: December 4, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The idea that the Roman basilica is the ideal design for a Christian church building because it made it possible for the priest and the people to face one another is complete nonsense. That would have been the last thing that the early Christians had in mind.”

— Father Louis Bouyer

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