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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Changing the Culture: Progress, Not Perfection

Richard J. Clark · January 31, 2014

NLY GOD IS PERFECT and we are not. As theologian Fr. Michael Himes is often fond of saying, “God is God and we are not.” This seems like a ridiculously obvious point. Strangely, it is a point worthy of reinforcement.

Musicians and liturgists are something of a perfectionist lot. We often berate ourselves for lack of perfection and are highly critical when liturgy falls short of rubrics or expectations. This is understandable for myriad reasons and a topic for another day.

“God is God and we are not” bears repetition. Yet, God loves us in our brokenness and frailty. Humanity is by definition, flawed and weak. Should this bring us discouragement or joy? That God holds us in our weakness should be a constant occasion for joy. That notion also bears repeating every day.

So what does this have to do with liturgy? Quite a bit actually. For progress is not an excuse to not give our best or strive for the ideal. In fact, achieving progress is very difficult. Very difficult. It requires vigilance. It requires years of slow and incremental change. It requires years of consistency.

Having been in my current position for over nearly twenty-five years (gulp) a colleague once mentioned, “It takes that long to get something done.” Perhaps hyperbole, perhaps not, there is truth to this statement regarding the arc of progress and the arc of changing the culture.

No one likes change. I don’t like it. But progress only takes root if the culture or system is changed. This is the hardest thing of all, and one must not become discouraged. This will take a lifetime.

R. WILLIAM MAHRT DISTILLED THIS POINT simply and gently at the close of the Sacred Music Colloquium in 2013. What he said was striking because we had all been fully immersed in sacred music and chant. After such an intense experience, we heard him directly concluded the following (I am paraphrasing): that upon returning to our parishes, one perhaps might find that one can only add one piece of chant in the liturgy. But by doing so, beauty and dignity have been added to the liturgy. In short, his emphasis was on progress in the light of the reality that the ideal is not immediately possible.

Nor should it be immediately possible. Fifty years after Sacrosanctum Concilium, changing the culture that took root all this time will not be easy. One may find it possible to expose congregations to chant and polyphony while still offering some of what is still in their comfort zone. This is not easy. This is why progress is perhaps even harder than insisting upon perfection (not to be confused with shoddy performance). For progress brings along the entire community—or at least as much of the community as possible. Perfection makes demands that require an immediate decision to stay or go, i.e., let the chips fall where they may.

I have barely scratched the surface on this important topic and it will require more discussion and follow-up.

N THE MEANTIME, I WANT TO EXPRESS MY GRATITUDE to the readers of “View from the Choir Loft.” (This quite related to the ideas of progress.) I have been writing for “Views from the Choir Loft” for a little more than a year. When I began I absolutely did not have the time, between two jobs and children. However, the discipline of writing something every week has been a blessing far greater for me than perhaps for anyone else. It helps keep me focused on prayer and mission. This is made possible by the readers. I hope that what is presented here helps make progress despite my personal emotional baggage or perhaps wrong assumptions. I hope that my weekly “bloviations” assist in some small way. I hope we can make progress together. The readers have helped me make progress in my own professional and personal life.

Thank you!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Legitimate and necessary concern for current realities in the concrete lives of people cannot make us forget the true nature of the liturgical actions. It is clear that the Mass is not the time to “celebrate” human dignity or purely terrestrial claims or hopes. It is rather the sacrifice which renders Christ really present in the sacrament.

— Pope Saint John Paul II (20 March 1990)

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