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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Silence (Part 2 of 3)

Dr. Peter Kwasniewski · July 18, 2013

660 Window N 2003, Blessed John Paul II reminded the Church:

One aspect that we must foster in our communities with greater commitment is the experience of silence. We need silence if we are to accept in our hearts the full resonance of the voice of the Holy Spirit and to unite our personal prayer more closely to the Word of God and the public voice of the Church. In a society that lives at an increasingly frenetic pace, often deafened by noise and confused by the ephemeral, it is vital to rediscover the value of silence.

These words reminded me of these poignant lines in T. S. Eliot:

Where shall the word be found, where will the word

Resound? Not here, there is not enough silence

Not on the sea or on the islands, not

On the mainland, in the desert or the rain land,

For those who walk in darkness

Both in the day time and in the night time

The right time and the right place are not here

No place of grace for those who avoid the face

No time to rejoice for those who walk among noise and deny the voice.

Three things are packed into that last verse: no time to rejoice—for those who walk among noise—and deny the voice. An essential condition for man to be sane and rational and joyful is that he must, at times, let go of his everyday concerns, the whirling wheels of his calculating and planning, the burdens and cares of this life, and enter into the presence of the eternal and infinite God whom he cannot grasp, cannot dictate to, cannot manipulate, but only adore and love.

It is a paradox: we will not find time for rejoicing unless we sacrifice time to “do nothing,” to make a burnt offering of our life and our time before the Lord. This is not quite the same thing as going to Mass or performing a particular pious work. I am speaking strictly of simple silence, without props, without scripts or safe paths. Only by making a choice for inactivity, as it were, will we habituate ourselves to stop walking among noise and stop denying the voice. Perhaps this is why the prophet Isaiah says: Cultus iustitiae silentium—the worship of justice is silence (Is 32:17, Vulg.), as if to say, we owe everything to God, in whom we live and move and have our being, and it is justice to worship Him in the silence of recollection.

Gabriel Marcel, a perceptive philosopher of the interior life, had this to say about the relationship between recollection and mystery:

Not only am I in a position to impose silence upon the strident voices which usually fill my consciousness, but also, this silence has a positive quality. Within the silence, I can regain possession of myself. It is in itself a principle of recovery. I should be tempted to say that recollection and mystery are correlatives.

Is this not another way of saying: “He who loses his life for my sake will find it”? We lose possession of what is more exterior to us and gain possession of the innermost reality—God closer to me than myself, and yet higher than the highest in me. If the conditions for recollection are never present in our lives, if we do not fight to create and guard such conditions, we will lose our awareness of divine mystery, as refreshing as springtime rains, and wander in a desert of superficiality.

The passage quoted earlier from John Paul II continues with a specific recommendation directed to the pastors of the Church:

The spread, also outside Christian worship, of practices of meditation that give priority to recollection is not accidental. Why not start with pedagogical daring a specific education in silence within the coordinates of personal Christian experience? Let us keep before our eyes the example of Jesus, who “rose and went out to a lonely place, and there he prayed” (Mk 1: 35). The Liturgy, with its different moments and symbols, cannot ignore silence.

(Read Part 1 here.)

Photo courtesy Fr. Lawrence Lew

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

— Professor László Dobszay

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