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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I’m tired of tribalism.

Richard J. Clark · September 29, 2025

N THE 1970s and 1980s there existed among musicians a distinct tribalism in popular music. As an adolescent, I most definitely sided with the “disco-(stinks)-rock-rules” clan. Forget about rap! That was out of the question. Today I listen to all of it and admire the best of the best — albeit much has been vetted by time and discernment. In sports the mentality is called “rooting for laundry.” It doesn’t matter who is playing for one’s team. As long as they wear the preferred colors, they represent all that is good, right, and worthy. Everyone else is the enemy. Much the same can be said for politics with no room for nuance, moderation, or reason.

Forgive this recounting of my personal background: Difficult to discern from my cherry-picked online profile (never believe everything you read on the internet!), I have an unusually broad background in music. I was heavily involved in pop song writing for decades. It still holds influence. I was deep in jazz, classical, and pop all at once. This is part of what drew me to the Berklee College of Music in the late 1980s. Bach fugues in one class, Thelonius Monk and John Coltrane in another, Stravinsky and Bartok in yet another. Sometimes these topics arose all in the same day. I loved it.

Eventually the pipe organ and Gregorian chant sucked me in for good and for life. But my feet remained simultaneously in many musical worlds.

This taught me to appreciate diverse and sometimes unconventional approaches to the creative process. While insanely passionate about the pipe organ, chant, and traditional liturgy, (I don’t apologize for that) my vantage point is disparate; my journey circuitous. Where some draw boundaries and refuse to explore, I encounter multiple vantage points. My hope is that this experience has been somewhat beneficial in serving God.

Saint Paul Warns Us

“I MEAN THAT EACH of you is saying, ‘I belong to Paul,’ or ‘I belong to Apollos,’ or ‘I belong to Cephas,’ or ‘I belong to Christ.’ Is Christ divided? Was Paul crucified for you? Or were you baptized in the name of Paul?” (1 Corinthians 12-13)


Tribalism found its way into the Church from the very beginning, hence a few letters from Saint Paul! Among many controversies in the Church, music is not immune. In principle, we can agree there is no “traditional” vs. “contemporary” in that there is no “versus.” There is only “one Lord, one faith, one baptism.” (Ephesians 4:5)

Keys to the Kingdom

THERE IS A DIFFICULT lesson, and it is one of manipulation. This sadly manifests in music, liturgy, politics, and the Church. It is not prayer or service. It’s tearing us apart, and a cause for great anxiety and sadness. And quite likely, we are being played like a fiddle.

Let me explain with a story I call the “keys to the kingdom.” In 1990 or 1991 I attended the “New Music Seminar” held in Times Square in Manhattan. It was for pop artists, record company executives, song writers, and a lot of “wanna-be” pop-star musicians.

At one session, several artists and song writers expressed their dismay to a panel of radio and record company executives about what they perceived as the poor quality of music being played on mainstream radio. Maybe they were mad their music wasn’t being played. Who knows.

One radio executive on this panel in front of maybe 1,000 people exploded everyone’s minds. He dropped the veil with some harsh truth. And it was one of the most valuable lessons I ever learned. What he said shocked many musicians. But now it’s embarrassingly obvious.

He stated without a trace of compassion: “I need to remind you that in radio, we are not in the music business. We are in the business of selling advertising.”

What sells the most advertising dollars is what gets aired. Nothing personal. It’s business. And this explains much — if not all — of our polarized world, one perhaps divided by design. Division and anger — especially self-righteous anger — is good for business. Very good, especially in our click-bait world. It is also good for control. No middle ground. No Venn diagram. No dialogue. No kindness and courtesy especially. Extremes, once the outliers, become normative.

Thy kingdom come. Thy will be done.

KEEP YOUR EYES wide open. Do not allow yourself to be manipulated. Think for yourself. Be mindful of visceral reactions whether one’s own or of others, especially responses caused by “rooting for laundry.” Do not get sucked into the vortex of tribalism, no matter how ingrained in humanity’s DNA.

More importantly, give oneself over to the service of God. Thy kingdom come. Thy will be done. One must rise above, forgo power, and serve the mission.

I write these things to remind myself. Stay grounded in God. The promise of truth outside of God is all a lie.

I, then, a prisoner for the Lord, urge you to live in a manner worthy of the call you have received,
with all humility and gentleness, with patience, bearing with one another through love,
striving to preserve the unity of the spirit through the bond of peace:
*one body and one Spirit, as you were also called to the one hope of your call;
one Lord, one faith, one baptism;
one God and Father of all, who is over all and through all and in all.
Ephesians 4: 1-6

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 30, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The replies to this committee (of which Mgr Bugnini was the secretary) reveal a desire to reform the liturgy. In what sense? Out of 2,109 responses from bishops, just three expressed the desire to restore Communion under both kinds. There was a sizable demand for limited use of the vernacular, but only one French bishop wanted the entire Mass in French.”

— Fr. Dominic Allain (2019)

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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