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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I’m tired of tribalism.

Richard J. Clark · September 29, 2025

THE 1970s and 1980s there existed among musicians a distinct tribalism in popular music. As an adolescent, I most definitely sided with the “disco-(stinks)-rock-rules” clan. Forget about rap! That was out of the question. Today I listen to all of it and admire the best of the best — albeit much has been vetted by time and discernment. In sports the mentality is called “rooting for laundry.” It doesn’t matter who is playing for one’s team. As long as they wear the preferred colors, they represent all that is good, right, and worthy. Everyone else is the enemy. Much the same can be said for politics with no room for nuance, moderation, or reason.

Forgive this recounting of my personal background: Difficult to discern from my cherry-picked online profile (never believe everything you read on the internet!), I have an unusually broad background in music. I was heavily involved in pop song writing for decades. It still holds influence. I was deep in jazz, classical, and pop all at once. This is part of what drew me to the Berklee College of Music in the late 1980s. Bach fugues in one class, Thelonius Monk and John Coltrane in another, Stravinsky and Bartok in yet another. Sometimes these topics arose all in the same day. I loved it.

Eventually the pipe organ and chant sucked me in for good and for life. But my feet remained simultaneously in many musical worlds.

This taught me to appreciate diverse and sometimes unconventional approaches to the creative process. While insanely passionate about the pipe organ, Gregorian Chant and traditional liturgy, (I don’t apologize for that) my vantage point is disparate; my journey circuitous. Where some draw boundaries and refuse to explore, I encounter multiple vantage points. My hope is that this experience has been somewhat beneficial in serving God.

Saint Paul Warns Us

“I MEAN THAT EACH of you is saying, ‘I belong to Paul,’ or ‘I belong to Apollos,’ or ‘I belong to Cephas,’ or ‘I belong to Christ.’ Is Christ divided? Was Paul crucified for you? Or were you baptized in the name of Paul?” (1 Corinthians 12-13)


Tribalism found its way into the Church from the very beginning, hence a few letters from Saint Paul! Among many controversies in the Church, music is not immune. In principle, we can agree there is no “traditional” vs. “contemporary” in that there is no “versus.” There is only “one Lord, one faith, one baptism.” (Ephesians 4:5)

Keys to the Kingdom

THERE IS A DIFFICULT lesson, and it is one of manipulation. This sadly manifests in music, liturgy, politics, and the Church. It is not prayer or service. It’s rearing us apart, and a cause for great anxiety and sadness. And quite likely, we are being played like a fiddle.

Let me explain with a story I call the “keys to the kingdom.” In 1990 or 1991 I attended the “New Music Seminar” held in Times Square in Manhattan. It was for pop artists, record company executives, song writers, and a lot of “wanna-be” pop-star musicians.

At one session, several artists and song writers expressed their dismay to a panel of radio and record company executives about what they perceived as the poor quality of music being played on mainstream radio. Maybe they were mad their music wasn’t being played. Who knows.

One radio executive on this panel in front of maybe 1,000 people exploded everyone’s minds. He dropped the veil with some harsh truth. And it was one of the most valuable lessons I ever learned. What he said shocked many musicians. But now it’s embarrassingly obvious.

He stated without a trace of compassion: “I need to remind you that in radio, we are not in the music business. We are in the business of selling advertising.”

What sells the most advertising dollars is what gets aired. Nothing personal. It’s business. And this explains much — if not all — of our polarized world, one perhaps divided by design. Division and anger — especially self-righteous anger — is good for business. Very good, especially in our click-bait world. It is also good for control. No middle ground. No Venn diagram. No dialogue. No kindness and courtesy especially. Extremes, once the outliers, become normative.

Thy kingdom come. Thy will be done.

KEEP YOUR EYES wide open. Do not allow yourself to be manipulated. Think for yourself. Be mindful of visceral reactions whether one’s own or of others, especially responses caused by “rooting for laundry.” Do not get sucked into the vortex of tribalism, no matter how ingrained in humanity’s DNA.

More importantly, give oneself over to the service of God. Thy kingdom come. Thy will be done. One must rise above, forgo power, and serve the mission.

I write these things to remind myself. Stay grounded in God. The promise of truth outside of God is all a lie.

I, then, a prisoner for the Lord, urge you to live in a manner worthy of the call you have received,
with all humility and gentleness, with patience, bearing with one another through love,
striving to preserve the unity of the spirit through the bond of peace:
*one body and one Spirit, as you were also called to the one hope of your call;
one Lord, one faith, one baptism;
one God and Father of all, who is over all and through all and in all.
Ephesians 4: 1-6

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 29, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    “Music List” • 26th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 28 September 2025, which is the 26th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a gorgeous melody and extremely powerful text.
    —Jeff Ostrowski
    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • Communion (26th Sn. Ord.)
    This coming Sunday, 28 September 2025, is the 26th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON with Fauxbourdon verses in honor of William Couture sparkles with beauty. It comes Psalm 118 (the lengthiest psalm) which is an “alphabetical acrostic.” That means each verse begins with the successive letter of the Hebrew alphabet.
    —Jeff Ostrowski

Quick Thoughts

    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski
    PDF Download • “Side-By-Side Comparison”
    Pope Urban VIII modified almost all the Church’s ancient hymns in 1632AD. The team responsible for creating the Brébeuf Catholic Hymnal spent years comparing the different versions of each hymn: “Urbanite” vs. “pre-Urbanite.” When it comes to the special hymn for the upcoming feast (9 November)—URBS BEATA JERUSALEM—Dr. Adrian Fortescue pointed out that “the people who changed it in the 17th century did not even keep its metre; so the later version cannot be sung to the old, exceedingly beautiful tune.” Monsignor Hugh Thomas Henry (d. 1946), a professor of Gregorian Chant at Saint Charles Borromeo Seminary (Overbrook, Philadelphia), wrote: “Of this hymn in particular some think that, whereas it did not suffer as much as some others, yet it lost much of its beauty in the revision; others declare that it was admirably transformed without unduly modifying the sense.” You can use this side-by-side comparison chart to compare both versions. When it comes to its meaning, there’s little significant difference between the two versions: e.g. “name of Christ” vs. “love of Christ.”
    —Jeff Ostrowski

Random Quote

“The chapter secretary is authorized to write a letter beseeching a royal pardon for Caspar de Cuevas, cathedral sackbut player, who is imprisoned on a murder charge.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (23 March 1566)

Recent Posts

  • I’m tired of tribalism.
  • “Allow Us to protect your interests, even against your own will.” —Pope Saint Paul VI
  • “Music List” • 26th in Ordinary Time (Year C)
  • Unison • “Deceptively Easy, Relentlessly Unforgiving”
  • “Reminder” — Month of September (2025)

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