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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I’m tired of tribalism.

Richard J. Clark · September 29, 2025

N THE 1970s and 1980s there existed among musicians a distinct tribalism in popular music. As an adolescent, I most definitely sided with the “disco-(stinks)-rock-rules” clan. Forget about rap! That was out of the question. Today I listen to all of it and admire the best of the best — albeit much has been vetted by time and discernment. In sports the mentality is called “rooting for laundry.” It doesn’t matter who is playing for one’s team. As long as they wear the preferred colors, they represent all that is good, right, and worthy. Everyone else is the enemy. Much the same can be said for politics with no room for nuance, moderation, or reason.

Forgive this recounting of my personal background: Difficult to discern from my cherry-picked online profile (never believe everything you read on the internet!), I have an unusually broad background in music. I was heavily involved in pop song writing for decades. It still holds influence. I was deep in jazz, classical, and pop all at once. This is part of what drew me to the Berklee College of Music in the late 1980s. Bach fugues in one class, Thelonius Monk and John Coltrane in another, Stravinsky and Bartok in yet another. Sometimes these topics arose all in the same day. I loved it.

Eventually the pipe organ and Gregorian chant sucked me in for good and for life. But my feet remained simultaneously in many musical worlds.

This taught me to appreciate diverse and sometimes unconventional approaches to the creative process. While insanely passionate about the pipe organ, chant, and traditional liturgy, (I don’t apologize for that) my vantage point is disparate; my journey circuitous. Where some draw boundaries and refuse to explore, I encounter multiple vantage points. My hope is that this experience has been somewhat beneficial in serving God.

Saint Paul Warns Us

“I MEAN THAT EACH of you is saying, ‘I belong to Paul,’ or ‘I belong to Apollos,’ or ‘I belong to Cephas,’ or ‘I belong to Christ.’ Is Christ divided? Was Paul crucified for you? Or were you baptized in the name of Paul?” (1 Corinthians 12-13)


Tribalism found its way into the Church from the very beginning, hence a few letters from Saint Paul! Among many controversies in the Church, music is not immune. In principle, we can agree there is no “traditional” vs. “contemporary” in that there is no “versus.” There is only “one Lord, one faith, one baptism.” (Ephesians 4:5)

Keys to the Kingdom

THERE IS A DIFFICULT lesson, and it is one of manipulation. This sadly manifests in music, liturgy, politics, and the Church. It is not prayer or service. It’s tearing us apart, and a cause for great anxiety and sadness. And quite likely, we are being played like a fiddle.

Let me explain with a story I call the “keys to the kingdom.” In 1990 or 1991 I attended the “New Music Seminar” held in Times Square in Manhattan. It was for pop artists, record company executives, song writers, and a lot of “wanna-be” pop-star musicians.

At one session, several artists and song writers expressed their dismay to a panel of radio and record company executives about what they perceived as the poor quality of music being played on mainstream radio. Maybe they were mad their music wasn’t being played. Who knows.

One radio executive on this panel in front of maybe 1,000 people exploded everyone’s minds. He dropped the veil with some harsh truth. And it was one of the most valuable lessons I ever learned. What he said shocked many musicians. But now it’s embarrassingly obvious.

He stated without a trace of compassion: “I need to remind you that in radio, we are not in the music business. We are in the business of selling advertising.”

What sells the most advertising dollars is what gets aired. Nothing personal. It’s business. And this explains much — if not all — of our polarized world, one perhaps divided by design. Division and anger — especially self-righteous anger — is good for business. Very good, especially in our click-bait world. It is also good for control. No middle ground. No Venn diagram. No dialogue. No kindness and courtesy especially. Extremes, once the outliers, become normative.

Thy kingdom come. Thy will be done.

KEEP YOUR EYES wide open. Do not allow yourself to be manipulated. Think for yourself. Be mindful of visceral reactions whether one’s own or of others, especially responses caused by “rooting for laundry.” Do not get sucked into the vortex of tribalism, no matter how ingrained in humanity’s DNA.

More importantly, give oneself over to the service of God. Thy kingdom come. Thy will be done. One must rise above, forgo power, and serve the mission.

I write these things to remind myself. Stay grounded in God. The promise of truth outside of God is all a lie.

I, then, a prisoner for the Lord, urge you to live in a manner worthy of the call you have received,
with all humility and gentleness, with patience, bearing with one another through love,
striving to preserve the unity of the spirit through the bond of peace:
*one body and one Spirit, as you were also called to the one hope of your call;
one Lord, one faith, one baptism;
one God and Father of all, who is over all and through all and in all.
Ephesians 4: 1-6

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 30, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

— Professor László Dobszay

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