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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Our Own Richard J. Clark Conducts 250 Children in Chant & Polyphony!

Corpus Christi Watershed · March 11, 2025

IXTEEN CHOIRS and over two-hundred fifty (250) children gathered in a cold but sunny morning—8 March 2025—at the Cathedral of the Holy Cross in Boston. The sun illuminated the saints on the stained glass windows from 1875. Ranging from fourth to twelfth grade, many woke up at dawn to travel 3+ hours to Boston for a long day of rehearsals followed by singing at Mass. Under the direction of Maestro Richard J. Clark, choirs from Massachusetts, Connecticut, New Hampshire, Maine, and even New York sang sacred music new and old including Gregorian Chant, works by Mozart, Marier, Ostrowski, Bartlett, and others. The entire Mass was exquisitely chanted by celebrant Bishop Robert P. Reed and dynamically accompanied by organist Kevin Lyczak.

*  PDF Download • VIEW THE MASS PROGRAM

Hope For The Future • Many had not sung much chant—to say nothing of a Latin INTROIT from the Graduale Romanum. But with mutual support, preparation, and opportunity, children are capable of most anything. Never underestimate what children can accomplish! Pueri Cantores is an international organization whose primary mission is evangelization and catechesis through sacred music. They hold such festivals all over the world. Please look for a festival in your area, and keep their great work in your prayers! The following clip is from rehearsal of the mode VI chant Ave Regina Cælorum. This Marian antiphon sung from the Feast of the Presentation of the Lord (a.k.a. “Purification”) to Holy Thursday.

Here’s the direct URL link.

Rehearsing of Mozart’s Ave Verum Corpus:

Here’s the direct URL link.

Notable was the participation of the Saint Paul’s Choir School, Harvard Square. As part of the prelude for Mass, they sang Ralph Vaughan William’s Antiphon from the Five Mystical  Songs under the direction of Maestro Brandon Straub with Mr. Nara Lee, accompanying.

Here’s the direct URL link.

The following clip was part of a filming for the Catholic Television Network of Cantate Domino, by Jesús López Moreno and arranged by Hernán Cortés.

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 11, 2025

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

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