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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Kathleen Pluth discusses hymn writing with National Pastoral Musicians

Richard J. Clark · June 19, 2024

HE ART of writing hymn texts is exceptionally difficult. In this endeavor, Kathleen Pluth, MA, STL has distinguished herself as one of our generation’s premiere writers of hymn texts. As was widely reported in 2023, Kathleen was the winner of the text category for the hymn competition sponsored by the U. S. Conference of Catholic Bishops (USCCB) Secretariat for Evangelization and Catechesis for the upcoming national Eucharistic Congress in Indianapolis. Her winning text is Let the Earth Acclaim Christ Jesus. Recently, Kathleen gave an interview on “Ministry Monday” a podcast with National Pastoral Musicians with Amanda Bruce. They covered a lot of ground in less than thirty minutes. Now that takes some skill! Listen here:

 

KATHLEEN SPOKE OF HER CREATIVE process. One fascinating statement in which she often finds herself “surprised” at what she writes, often taking a direction she did not anticipate but that bore fruit. She uses verse two of Let All the Earth Acclaim as an example, in the line “He stands up and knocks for entry” and evoking psalm 24 “See the King of glory waits!” She thought she might not use that, and instead it’s another moment of encounter with Christ.

Kathleen joyfully describes Let the Earth Proclaim Christ Jesus as “a very doctrinal hymn.” It is infused with scripture references and Roman Catholic theology masterfully crafted in 87 87 D meter in in just a few short verses. Kathleen says of the ideas expressed: “There’s nothing new there…The only fresh thing, I would say is that it ties together the Eucharist and the Resurrection pretty tightly, but Jesus did that in John Chapter 6.”

HER SKILL IN hymnwriting has been cultivated not only by study through a Masters and Licentiate degrees in theology, but also through a life of prayer. She has been immersed in daily Mass and in hymnody “for decades.” She described writing as a person devotion that blossomed into a full-on vocation. She describes her evolution not for self-aggrandizement, but truly as a servant of God and the Church. She is driven to convey the “encounter” with Christ that Pope Francis speaks of in his apostolic letter Desiderio Desideravi.

She also dropped this gem, many pastoral musicians will shout a great “Amen!”:

“Pastoral musicians aren’t just some sort of ecclesiastical jukebox…They are pastoral. They’re delegated by the pastor to nourish everyone.”

Her award-winning hymn is free.

Courtesy of the National Eucharistic Revival website, Let the Earth Proclaim Christ Jesus has been made available for free in English and Spanish, in three different hymn tunes, with guitar chords and for organ or keyboard. There is no copyright restriction and no limitation on time for the use of this hymn.

Lyrics and Sheet Music in English

Download the lyrics in English.

Download the guitar lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍Download the keyboard lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

Lyrics and Sheet Music in Spanish

Download the lyrics in Spanish.

Download the guitar lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍Download the keyboard lead sheets:

  • Set to ”Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Amanda Bruce NPM Last Updated: June 19, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The main place should be given, all things being equal, to gregorian chant, as being proper to the roman Liturgy. Other kinds of sacred music, in particular polyphony, are in no way excluded, provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful.”

— ‘2011 GIRM, §41 (Roman Missal, 3rd Edition)’

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