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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Kathleen Pluth discusses hymn writing with National Pastoral Musicians

Richard J. Clark · June 19, 2024

HE ART of writing hymn texts is exceptionally difficult. In this endeavor, Kathleen Pluth, MA, STL has distinguished herself as one of our generation’s premiere writers of hymn texts. As was widely reported in 2023, Kathleen was the winner of the text category for the hymn competition sponsored by the U. S. Conference of Catholic Bishops (USCCB) Secretariat for Evangelization and Catechesis for the upcoming national Eucharistic Congress in Indianapolis. Her winning text is Let the Earth Acclaim Christ Jesus. Recently, Kathleen gave an interview on “Ministry Monday” a podcast with National Pastoral Musicians with Amanda Bruce. They covered a lot of ground in less than thirty minutes. Now that takes some skill! Listen here:

 

KATHLEEN SPOKE OF HER CREATIVE process. One fascinating statement in which she often finds herself “surprised” at what she writes, often taking a direction she did not anticipate but that bore fruit. She uses verse two of Let All the Earth Acclaim as an example, in the line “He stands up and knocks for entry” and evoking psalm 24 “See the King of glory waits!” She thought she might not use that, and instead it’s another moment of encounter with Christ.

Kathleen joyfully describes Let the Earth Proclaim Christ Jesus as “a very doctrinal hymn.” It is infused with scripture references and Roman Catholic theology masterfully crafted in 87 87 D meter in in just a few short verses. Kathleen says of the ideas expressed: “There’s nothing new there…The only fresh thing, I would say is that it ties together the Eucharist and the Resurrection pretty tightly, but Jesus did that in John Chapter 6.”

HER SKILL IN hymnwriting has been cultivated not only by study through a Masters and Licentiate degrees in theology, but also through a life of prayer. She has been immersed in daily Mass and in hymnody “for decades.” She described writing as a person devotion that blossomed into a full-on vocation. She describes her evolution not for self-aggrandizement, but truly as a servant of God and the Church. She is driven to convey the “encounter” with Christ that Pope Francis speaks of in his apostolic letter Desiderio Desideravi.

She also dropped this gem, many pastoral musicians will shout a great “Amen!”:

“Pastoral musicians aren’t just some sort of ecclesiastical jukebox…They are pastoral. They’re delegated by the pastor to nourish everyone.”

Her award-winning hymn is free.

Courtesy of the National Eucharistic Revival website, Let the Earth Proclaim Christ Jesus has been made available for free in English and Spanish, in three different hymn tunes, with guitar chords and for organ or keyboard. There is no copyright restriction and no limitation on time for the use of this hymn.

Lyrics and Sheet Music in English

Download the lyrics in English.

Download the guitar lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍Download the keyboard lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

Lyrics and Sheet Music in Spanish

Download the lyrics in Spanish.

Download the guitar lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍Download the keyboard lead sheets:

  • Set to ”Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Amanda Bruce NPM Last Updated: June 19, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “7 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article is called: “Professor Bouyer’s Regret.”
    —Jeff Ostrowski
    Cardinal Ranjith on “Active Participation”
    From 2005–2009, Malcolm Cardinal Ranjith served as Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He was considered ‘papabile’ during the last conclave. On 8 December 2008, he wrote this powerful statement concerning Gregorian Chant, participatio actuosa, celebration “ad orientem,” and other subjects. When it comes to the question of what “sacred” means, Monsignor Robert A. Skeris provides a marvelous answer.
    —Jeff Ostrowski
    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

The claim that the bishop or the priest originally celebrated “versus populum” is a legend, which Otto Nussbaum (d. 1999) originally did a great deal to spread.

— Dr. Helmut Hoping (University of Freiburg)

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