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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Kathleen Pluth discusses hymn writing with National Pastoral Musicians

Richard J. Clark · June 19, 2024

HE ART of writing hymn texts is exceptionally difficult. In this endeavor, Kathleen Pluth, MA, STL has distinguished herself as one of our generation’s premiere writers of hymn texts. As was widely reported in 2023, Kathleen was the winner of the text category for the hymn competition sponsored by the U. S. Conference of Catholic Bishops (USCCB) Secretariat for Evangelization and Catechesis for the upcoming national Eucharistic Congress in Indianapolis. Her winning text is Let the Earth Acclaim Christ Jesus. Recently, Kathleen gave an interview on “Ministry Monday” a podcast with National Pastoral Musicians with Amanda Bruce. They covered a lot of ground in less than thirty minutes. Now that takes some skill! Listen here:

 

KATHLEEN SPOKE OF HER CREATIVE process. One fascinating statement in which she often finds herself “surprised” at what she writes, often taking a direction she did not anticipate but that bore fruit. She uses verse two of Let All the Earth Acclaim as an example, in the line “He stands up and knocks for entry” and evoking psalm 24 “See the King of glory waits!” She thought she might not use that, and instead it’s another moment of encounter with Christ.

Kathleen joyfully describes Let the Earth Proclaim Christ Jesus as “a very doctrinal hymn.” It is infused with scripture references and Roman Catholic theology masterfully crafted in 87 87 D meter in in just a few short verses. Kathleen says of the ideas expressed: “There’s nothing new there…The only fresh thing, I would say is that it ties together the Eucharist and the Resurrection pretty tightly, but Jesus did that in John Chapter 6.”

HER SKILL IN hymnwriting has been cultivated not only by study through a Masters and Licentiate degrees in theology, but also through a life of prayer. She has been immersed in daily Mass and in hymnody “for decades.” She described writing as a person devotion that blossomed into a full-on vocation. She describes her evolution not for self-aggrandizement, but truly as a servant of God and the Church. She is driven to convey the “encounter” with Christ that Pope Francis speaks of in his apostolic letter Desiderio Desideravi.

She also dropped this gem, many pastoral musicians will shout a great “Amen!”:

“Pastoral musicians aren’t just some sort of ecclesiastical jukebox…They are pastoral. They’re delegated by the pastor to nourish everyone.”

Her award-winning hymn is free.

Courtesy of the National Eucharistic Revival website, Let the Earth Proclaim Christ Jesus has been made available for free in English and Spanish, in three different hymn tunes, with guitar chords and for organ or keyboard. There is no copyright restriction and no limitation on time for the use of this hymn.

Lyrics and Sheet Music in English

Download the lyrics in English.

Download the guitar lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍Download the keyboard lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

Lyrics and Sheet Music in Spanish

Download the lyrics in Spanish.

Download the guitar lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍Download the keyboard lead sheets:

  • Set to ”Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Amanda Bruce NPM Last Updated: June 19, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

Recent Posts

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  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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