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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Kathleen Pluth discusses hymn writing with National Pastoral Musicians

Richard J. Clark · June 19, 2024

HE ART of writing hymn texts is exceptionally difficult. In this endeavor, Kathleen Pluth, MA, STL has distinguished herself as one of our generation’s premiere writers of hymn texts. As was widely reported in 2023, Kathleen was the winner of the text category for the hymn competition sponsored by the U. S. Conference of Catholic Bishops (USCCB) Secretariat for Evangelization and Catechesis for the upcoming national Eucharistic Congress in Indianapolis. Her winning text is Let the Earth Acclaim Christ Jesus. Recently, Kathleen gave an interview on “Ministry Monday” a podcast with National Pastoral Musicians with Amanda Bruce. They covered a lot of ground in less than thirty minutes. Now that takes some skill! Listen here:

 

KATHLEEN SPOKE OF HER CREATIVE process. One fascinating statement in which she often finds herself “surprised” at what she writes, often taking a direction she did not anticipate but that bore fruit. She uses verse two of Let All the Earth Acclaim as an example, in the line “He stands up and knocks for entry” and evoking psalm 24 “See the King of glory waits!” She thought she might not use that, and instead it’s another moment of encounter with Christ.

Kathleen joyfully describes Let the Earth Proclaim Christ Jesus as “a very doctrinal hymn.” It is infused with scripture references and Roman Catholic theology masterfully crafted in 87 87 D meter in in just a few short verses. Kathleen says of the ideas expressed: “There’s nothing new there…The only fresh thing, I would say is that it ties together the Eucharist and the Resurrection pretty tightly, but Jesus did that in John Chapter 6.”

HER SKILL IN hymnwriting has been cultivated not only by study through a Masters and Licentiate degrees in theology, but also through a life of prayer. She has been immersed in daily Mass and in hymnody “for decades.” She described writing as a person devotion that blossomed into a full-on vocation. She describes her evolution not for self-aggrandizement, but truly as a servant of God and the Church. She is driven to convey the “encounter” with Christ that Pope Francis speaks of in his apostolic letter Desiderio Desideravi.

She also dropped this gem, many pastoral musicians will shout a great “Amen!”:

“Pastoral musicians aren’t just some sort of ecclesiastical jukebox…They are pastoral. They’re delegated by the pastor to nourish everyone.”

Her award-winning hymn is free.

Courtesy of the National Eucharistic Revival website, Let the Earth Proclaim Christ Jesus has been made available for free in English and Spanish, in three different hymn tunes, with guitar chords and for organ or keyboard. There is no copyright restriction and no limitation on time for the use of this hymn.

Lyrics and Sheet Music in English

Download the lyrics in English.

Download the guitar lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍Download the keyboard lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

Lyrics and Sheet Music in Spanish

Download the lyrics in Spanish.

Download the guitar lead sheets:

  • Set to “Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍Download the keyboard lead sheets:

  • Set to ”Hyfrydol”
  • Set to “Hymn to Joy”
  • Set to “Nettleton”

‍

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Amanda Bruce NPM Last Updated: June 19, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— §16, De Musica Sacra (1958)

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