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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musician, Know Thy Theology!

Daniel Tucker · May 22, 2023

T A RECENT GATHERING of parish music directors, I was disappointed to hear how many of my colleagues in church music were perfectly willing to outsource their knowledge of theological orthodoxy – and particularly Eucharistic theology – to various third parties, like publishing companies or composers.

“Well, if it’s in the hymnal, it must be approved, right?”
Wrong.
“Well, if the hymn is written by a Catholic person, then we know it’s good to go, right?”
Not necessarily.
“Well, how am I supposed to know if a hymn is theologically orthodox or not?”
(This is the point where my brain makes a record-scratching sound and all time seems to stop…)

Dear reader, it is up to you – you! whether you are the music director, the liturgist, the cantor, the deacon, the choir member, and (please God) especially if you are the priest – to ensure that the theological content of the music at your parish is faithful to the unchanging teachings of the holy Catholic Church.

Most people in the pews are not theologians. Most people in the pews don’t even bother to study the Faith – whether in groups at the parish or even by themselves. It’s a sad state of affairs, but I think we must conclude that the full extent of the theological education of most people in the pews, the full diet of light and truth on which they feed themselves, is comprised of only two things: 1) the text of the homily, and 2) the text of the liturgical music.

If for no other reason than this, it is essential that those of us who are responsible for deciding which texts these are be certain that we are giving our parishioners the best “foods” possible. Of course, one of the main advantages of using the sung Proper texts at the Introit, Offertory, and Communion is that they are certainly safe, being “drawn chiefly from sacred Scripture,” as Sacrosanctum concilium envisions. But for those parts of the sacred liturgy where hymnody is also employed, I entreat you, dear reader, to know the truths of our Catholic faith well enough to know for yourself that a hymn which speaks of “bread and wine” remaining after the Consecration is making a false claim about reality: they are no longer bread and wine but the Body and Blood of Our Lord. To know for yourself that we do not “sing a new Church into being,” but rather are incorporated through baptism and the succeeding sacraments into the one, holy, catholic, and apostolic Church founded by Christ himself. To know for yourself that we believe in one God in three Persons and the Blessed Trinity does not have “parts” (after all, “that’s partialism, Patrick!”).

Where to begin educating yourself, your staff, or your parishioners on orthodox theology for hymn texts? One excellent place to start would be by reading (and re-reading! and sharing!) the USCCB Committee on Doctrine’s 2020 document Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics. And after you’ve dipped your toes into the waters with that, read the entire section of the Catechism of the Catholic Church on Eucharistic theology (paragraphs 1322-1419). And after that, go plop yourself down in front of the Most Blessed Sacrament and thank the Lord Jesus Himself for the many graces that you have been given: to be His beloved son or daughter. To be a Catholic! And to have a share in leading others to Him.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 23, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Cardinal Ranjith on “Active Participation”
    From 2005–2009, Malcolm Cardinal Ranjith served as Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He was considered ‘papabile’ during the last conclave. On 8 December 2008, he wrote this powerful statement concerning Gregorian Chant, participatio actuosa, celebration “ad orientem,” and other subjects. When it comes to the question of what “sacred” means, Monsignor Robert A. Skeris provides a marvelous answer.
    —Jeff Ostrowski
    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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  • Exec. Director of ICEL weighs in on our series • “PDF comparison chart” included
  • “Music List” • 22nd in Ordinary Time (Year C)
  • Brave Schola Director Posts ‘Live’ Recording

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