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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musician, Know Thy Theology!

Daniel Tucker · May 22, 2023

T A RECENT GATHERING of parish music directors, I was disappointed to hear how many of my colleagues in church music were perfectly willing to outsource their knowledge of theological orthodoxy – and particularly Eucharistic theology – to various third parties, like publishing companies or composers.

“Well, if it’s in the hymnal, it must be approved, right?”
Wrong.
“Well, if the hymn is written by a Catholic person, then we know it’s good to go, right?”
Not necessarily.
“Well, how am I supposed to know if a hymn is theologically orthodox or not?”
(This is the point where my brain makes a record-scratching sound and all time seems to stop…)

Dear reader, it is up to you – you! whether you are the music director, the liturgist, the cantor, the deacon, the choir member, and (please God) especially if you are the priest – to ensure that the theological content of the music at your parish is faithful to the unchanging teachings of the holy Catholic Church.

Most people in the pews are not theologians. Most people in the pews don’t even bother to study the Faith – whether in groups at the parish or even by themselves. It’s a sad state of affairs, but I think we must conclude that the full extent of the theological education of most people in the pews, the full diet of light and truth on which they feed themselves, is comprised of only two things: 1) the text of the homily, and 2) the text of the liturgical music.

If for no other reason than this, it is essential that those of us who are responsible for deciding which texts these are be certain that we are giving our parishioners the best “foods” possible. Of course, one of the main advantages of using the sung Proper texts at the Introit, Offertory, and Communion is that they are certainly safe, being “drawn chiefly from sacred Scripture,” as Sacrosanctum concilium envisions. But for those parts of the sacred liturgy where hymnody is also employed, I entreat you, dear reader, to know the truths of our Catholic faith well enough to know for yourself that a hymn which speaks of “bread and wine” remaining after the Consecration is making a false claim about reality: they are no longer bread and wine but the Body and Blood of Our Lord. To know for yourself that we do not “sing a new Church into being,” but rather are incorporated through baptism and the succeeding sacraments into the one, holy, catholic, and apostolic Church founded by Christ himself. To know for yourself that we believe in one God in three Persons and the Blessed Trinity does not have “parts” (after all, “that’s partialism, Patrick!”).

Where to begin educating yourself, your staff, or your parishioners on orthodox theology for hymn texts? One excellent place to start would be by reading (and re-reading! and sharing!) the USCCB Committee on Doctrine’s 2020 document Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics. And after you’ve dipped your toes into the waters with that, read the entire section of the Catechism of the Catholic Church on Eucharistic theology (paragraphs 1322-1419). And after that, go plop yourself down in front of the Most Blessed Sacrament and thank the Lord Jesus Himself for the many graces that you have been given: to be His beloved son or daughter. To be a Catholic! And to have a share in leading others to Him.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 23, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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