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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“A Mother’s New Missal” • Part 1

Veronica Moreno · November 16, 2022

UR brand new 2022 edition of the Saint Edmund Campion Missal arrived today. Thank you SOPHIA INSTITUTE PRESS for your work! I’m just a mom. Yes, I homeschool. And yes, I am in a great choir at a great parish … but at the heart of who I am, I am just a mother raising her children. Our youngest has just left diapers, and it may be time for us to start seeing our parenting at Mass transform from Cheerios and trips outside to manage tantrums, to actually sitting through the entire Mass. Well, actually, now that he’s out of diapers, bathroom visits are sure to interrupt. So with that disclaimer, here are some thoughts from me (my son and his sisters!) about the new Third Edition of the Campion Missal.

To start, its size. We don’t object to large Missals; Catholic booklovers gladly haul their Missals and Libers to and from Church. But a smaller size is much easier. It will fit better in the purse, or the diaper bag!

It is inevitable to compare this 2022 Third Edition to the earlier 2013 edition. (Has it really been almost a decade! Deo Gratias!) The earlier edition was much bulkier, and had a strange texture on the cover. The 2022 edition feels better to the touch and . . . has a gorgeous cover. The Lamb in the middle alludes to so many similar images, including the Ghent Altarpiece, a personal favorite.

But in our family, the person best suited to offer a review of the new Missal is my son. Our 2013 Campion has fallen apart and been repaired twice. It not only accompanied us on our first pilgrimages in the Traditional Latin Mass, but it is the Missal that my 11-year-old uses to “play Mass”. It is a frequent occurrence in our home to see that boy lugging his tote and that heavy Missal to his room, where he sets up and plays Mass.

So I asked him and his sisters to record some initial thoughts. I won’t transcribe his entire 11 minute recording, but here’s what they said about the size and texture and their initial reaction of the Third Edition.

  • It’s smaller! Smaller than I thought it would be. And lighter.
  • It’s kind of a bit darker than the Issac Jogues, a darker blue.
  • My first reaction was, “Are the familiar faces in this one?” That’s the first thing I looked for! (They searched for the pictures they had seen for years.)
  • I also liked the bubble wrap it came in.
  • It has a lot more picture on the front. It’s definitely fancier. And you can feel the texture. It’s a nice texture.
  • The bookmark is golden and the words are golden.
  • And you can feel the texture. It’s a nice texture.
  • There’s a little bit of information on the back about Father Edmund Campion and it has a picture of him.

(they proceeded to try to figure out the Latin)

We have so much more to say about this exciting book. My husband is proud to know his kids were genuinely excited to open the new Missal we ordered. And I’m grateful to know our weekly lives at Mass matter to them as the approach adolescence.

Our family Missals are the foundation of our faith journey. As we carry them week by week, month by month, and now nearing decade by decade, they become a part of our family. Campion joins our other hand missals on our weekly pilgrimage.

Welcome to the Moreno brood Third Edition.

Link to Sophia Press

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 16, 2022

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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