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Views from the Choir Loft

“A Mother’s New Missal” • Part 1

Veronica Moreno · November 16, 2022

UR brand new 2022 edition of the Saint Edmund Campion Missal arrived today. Thank you SOPHIA INSTITUTE PRESS for your work! I’m just a mom. Yes, I homeschool. And yes, I am in a great choir at a great parish … but at the heart of who I am, I am just a mother raising her children. Our youngest has just left diapers, and it may be time for us to start seeing our parenting at Mass transform from Cheerios and trips outside to manage tantrums, to actually sitting through the entire Mass. Well, actually, now that he’s out of diapers, bathroom visits are sure to interrupt. So with that disclaimer, here are some thoughts from me (my son and his sisters!) about the new Third Edition of the Campion Missal.

To start, its size. We don’t object to large Missals; Catholic booklovers gladly haul their Missals and Libers to and from Church. But a smaller size is much easier. It will fit better in the purse, or the diaper bag!

It is inevitable to compare this 2022 Third Edition to the earlier 2013 edition. (Has it really been almost a decade! Deo Gratias!) The earlier edition was much bulkier, and had a strange texture on the cover. The 2022 edition feels better to the touch and . . . has a gorgeous cover. The Lamb in the middle alludes to so many similar images, including the Ghent Altarpiece, a personal favorite.

But in our family, the person best suited to offer a review of the new Missal is my son. Our 2013 Campion has fallen apart and been repaired twice. It not only accompanied us on our first pilgrimages in the Traditional Latin Mass, but it is the Missal that my 11-year-old uses to “play Mass”. It is a frequent occurrence in our home to see that boy lugging his tote and that heavy Missal to his room, where he sets up and plays Mass.

So I asked him and his sisters to record some initial thoughts. I won’t transcribe his entire 11 minute recording, but here’s what they said about the size and texture and their initial reaction of the Third Edition.

  • It’s smaller! Smaller than I thought it would be. And lighter.
  • It’s kind of a bit darker than the Issac Jogues, a darker blue.
  • My first reaction was, “Are the familiar faces in this one?” That’s the first thing I looked for! (They searched for the pictures they had seen for years.)
  • I also liked the bubble wrap it came in.
  • It has a lot more picture on the front. It’s definitely fancier. And you can feel the texture. It’s a nice texture.
  • The bookmark is golden and the words are golden.
  • And you can feel the texture. It’s a nice texture.
  • There’s a little bit of information on the back about Father Edmund Campion and it has a picture of him.

(they proceeded to try to figure out the Latin)

We have so much more to say about this exciting book. My husband is proud to know his kids were genuinely excited to open the new Missal we ordered. And I’m grateful to know our weekly lives at Mass matter to them as the approach adolescence.

Our family Missals are the foundation of our faith journey. As we carry them week by week, month by month, and now nearing decade by decade, they become a part of our family. Campion joins our other hand missals on our weekly pilgrimage.

Welcome to the Moreno brood Third Edition.

Link to Sophia Press

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 16, 2022

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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