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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Faculty Members on Sacred Music Symposium 2022

Corpus Christi Watershed · August 18, 2022

HE ANNUAL FSSP Sacred Music Symposium has gained a reputation as the sacred music conference par excellence when it comes to Catholic musicians “in the trenches.” In the following Zoom call, several faculty members discuss highlights from this year’s conference. The following faculty members were present: Charles Weaver, William Fritz, Richard Clark, Jeff Ostrowski, Charlotte Lansberg, and Alfred Calabrese.

The Prayer • Before the meeting—and before the recording began—a powerful reflection by John Henry Newman was read. Everything Catholic musicians do should be placed “within the context of eternity.” Every effort, struggle, and joy should be offered to Jesus Christ. Here is the reflection by Saint Newman:

Consider, then, what it is to die; “there is no work, device, knowledge, or wisdom, in the grave.” Death puts an end absolutely and irrevocably to all our plans and works, and it is inevitable. The Psalmist speaks to “high and low, rich and poor, one with another.”   “No man can deliver his brother, nor make agreement unto God for him.” Even “wise men die, as well as the ignorant and foolish, and leave their riches for others.”   Difficult as we may find it to bring it home to ourselves, to realize it, yet as surely as we are here assembled together, so surely will every one of us, sooner or later, one by one, be stretched on the bed of death. We naturally shrink from the thought of death, and of its attendant circumstances; but all that is hateful and fearful about it will be fulfilled in our case, one by one. But all this is nothing compared with the consequences implied in it. Death stops us; it stops our race. Men are engaged about their work, or about their pleasure; they are in the city, or the field; any how they are stopped; their deeds are suddenly gathered in—a reckoning is made—all is sealed up till the great day. What a change is this! In the words used familiarly in speaking of the dead, they are no more. They were full of schemes and projects; whether in a great or humbler rank, they had their hopes and fears, their prospects, their pursuits, their rivalries; all these are now come to an end.

One builds a house, and its roof is not finished; another buys merchandise, and it is not yet sold. And all their virtues and pleasing qualities which endeared them to their friends are, as far as this world is concerned, vanished. Where are they who were so active, so sanguine, so generous? the amiable, the modest and the kind? We were told that they were dead; they suddenly disappeared; that is all we know about it. They were silently taken from us; they are not met in the seat of the elders, nor in the assemblies of the people; in the mixed concourse of men, nor in the domestic retirement which they prized. As Scripture describes it, “the wind has passed over them, and they are gone, and their place shall know them no more.” And they have burst the many ties which held them; they were parents, brothers, sisters, children, and friends; but the bond of the kindred is broken, and the silver cord of love is loosed. They have been followed by the vehement grief of tears, and the long sorrow of aching hearts; but they make no return, they answer not; they do not even satisfy our wish to know that they sorrow for us as we for them.

We talk about them thenceforth as if they were persons we do not know; we talk about them as third persons; whereas they used to be always with us, and every other thought which was within us was shared by them. Or perhaps, if our grief is too deep, we do not mention their names at all.

The entire thing can be read here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 29, 2022

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President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

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