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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Woman of No Distinction” World Premiere

Richard J. Clark · February 22, 2019

HRIS KINSELY wrote a landmark poem in 2006 about the Samaritan woman at the well and her encounter with Jesus. What makes this poem unique is its perspective: written entirely from the point of view of the Samaritan woman. This poem has much to teach us today. (See the poem below.)

Jennifer Lester, Director of The Seraphim Singers, asked me to compose a work When I saw the text, I thought “This is the poem.” It was an honor and privilege to composer on this work and this topic. (Liturgically notable is the role the Samaritan Woman plays in Lent, and in particular the First Scrutiny for Catechumens seeking full reception into the Church.)

In Orthodox and Eastern Catholic traditions, the Samaritan woman at the well is revered as a saint and considered “equal to the apostles.” Witnessing to the truth of Christ, she was martyred during the persecutions of the Emperor Nero.

I ASKED SOPRANO Anna Ward to be the “voice” of the Samaritan Woman. She adds her superlative artistry and perspective to this work!

* *  YouTube • A conversation with Lester, Ward, and Clark about the work and what it has to say to us today.

IF YOU ARE IN THE BOSTON AREA be sure not to miss this premiere as part the Seraphim Singer’s “Women’s Perspectives.” This concert will present works exploring the voices of women as composers, subjects, storytellers, and poets.. There will be two performances:

Friday, Friday, March 1, 2019, 8:00pm
St. Cecilia Parish, 18 Belvidere St., Boston, MA

Sunday, March 3, 2019, 3:00pm
First Church (Congregational) 11 Garden St., Cambridge, MA

Tickets: $22 General Admission / $18 Students & Seniors online or $25/20 at the door
• Tickets are available at the door or purchase online here
• Download the concert poster here

Hope to see you there!

WOMAN OF NO DISTINCTION
By Chris Kinsley

I am a woman of no distinction
of little importance.
I am a woman of no reputation
Save that which is bad.

You whisper as I pass by and cast judgmental glances,
Though you don’t really take the time to look at me,
Or even get to know me.

For to be known is to be loved,
And to be loved is to be known.
Otherwise what’s the point in doing
either one of them in the first place?

I want to be known
I want someone to look at my face
And not just see two eyes,
a nose, a mouth and two ears;
But to see all that I am, and could be
all my hopes, loves and fears.

But that’s too much to hope for,
to wish for,
or pray for
So I don’t, not anymore.

Now I keep to myself
And by that I mean the pain
That keeps me in my own private jail
The pain that’s brought me
Here at midday to this well.

To ask for a drink is no big request
But to ask it of me?
A woman unclean
Ashamed, used and abused
An outcast, a failure
A disappointment, a sinner.

No drink passing from these hands
To your lips could ever be refreshing
Only condemning
As I’m sure you condemn me now
But you don’t.

You’re a man of no distinction;
Though of the utmost importance.
A man with little reputation, at least so far.

You whisper and tell me to my face
What all those glances have been about
And you take the time to really look at me.
But don’t need to get to know me.

For to be known is to be loved and
To be loved is to be known.

And you know me.
You actually know me;
All of me and everything about me.
Every thought inside and hair on top of my head;
Every hurt stored up, every hope, every dread.
My past and my future, all I am and could be.
You tell me everything,
You tell me about me!

And that which is spoken by another
Would bring hate and condemnation.
Coming from you brings love, grace,
Mercy, hope and salvation.

I’ve heard of one to come
Who could save a wretch like me
And here in my presence,
You say, “I am he.”

To be known is to be loved;
And to be loved is to be known.

And I just met you.
But I love you.
I don’t know you,
But I want to get to.

Let me run back to town
This is way too much for just me.
There are others
Brothers, sisters, lovers, haters.
The good and the bad, sinners and saints
Who should hear what you’ve told me;
Who should see what you’ve shown me;
Who should taste what you gave me;
Who should feel how you forgave me.

For to be known is to be loved;
And to be loved is to be known.
And they all need this, too.
We all do
Need it for our own.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

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