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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Saint Thérèse Triduum

Fr. David Friel · September 23, 2018

ARMELITES have a long history in the Commonwealth of Pennsylvania. The historic Carmel in Philadelphia was a major force in publicizing the life of St. Thérèse of Lisieux and spreading devotion to her (see more on this history). Another beautiful Carmel in Elysburg, PA has long been a place a place of prayer and contemplation. Recently, ground was broken for a new Carmel in Fairfield, PA.

Among the great traditions of the Philadelphia Carmel are two annual, public devotions. The first is a novena leading up to the feast of Our Lady of Mt. Carmel. The second is a triduum in honor of the Little Flower.

This year’s triduum begins October 1st and concludes on the feast of St. Thérèse, October 3rd. (Although the Ordinary Form celebrate St. Thérèse on October 1st, her feast day in the Extraordinary Form remains October 3rd.) The services for the triduum include a public rosary at 6:40 PM and Mass celebrated in the Extraordinary Form at 7 PM each night. Mass for the feast day will be a Solemn High Mass. The triduum is open to the public, and clergy and seminarians are welcome to attend in choir.

The Carmelite Monastery of St. Joseph and St. Anne in Philadelphia is located at 1400 66th Avenue, Philadelphia, PA 19126.

The world’s thy ship and not thy home.

– St. Thérèse of the Child Jesus and the Holy Face, O.C.D.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant:

“Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and our Lady working in our lives. The wide range of education—from Gregorian Chant, jazz modes in organ improvisation, to ‘staying sane’ while leading a choir—were certainly first-class knowledge from the best teachers of the art. However, the most powerful lesson was learning how to pray as a choir. The sacrifice of putting songs together, taking time to learn the sacred text, meditating on the church teaching through the chants, and gaining the virtues required to persevere in these duties were not only qualities of a choir but of a saint. The sanctification of the lives of the attendees was a beautiful outcome of this event … and that in itself is worth more than a beautifully-sung Solesmes style chant!”

—Jeff Ostrowski
PDF Download • Trinity Sunday (22 pages)

Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such as Corpus Christi) are likewise organized by mode, and it’s called a “numerical office.”

—Jeff Ostrowski
10 June 2022 • “Official” rhythm of plainsong

I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not an ancient feast, the Introit had to be adapted (perhaps around 750AD). Prior Johner says the adaptation is “not an entirely happy one.”

—Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

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