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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“On a Sacred Note” • Catholic TV Network • 13 Part Series on Sacred Music

Richard J. Clark · June 1, 2018

HE CATHOLIC TV Network is launching its thirteen-part series on sacred music beginning, Monday, June 4th. Hosted by Stephanie Scogna (Artistic Director, Boston Art Song Society), the series explores over a millennium of music history through present-day genres and experiences. A most ambitious series, Scogna tackles subjects from Gregorian Chant to Navigating Vatican II on the parish level.

Based in Boston, the series includes visits to various churches, live performance from The Brookline Consort, and interviews with various music directors.

• The show airs (HD) on Mon. 8:30 A.M., Tue. 8:30 P.M., Fri. 12 A.M., and Sat. 5 P.M. (All Eastern times) Beginning June 4, 2018, there will be a new episode each week.

• Download topics, guests, and broadcast schedule here.

• In addition to cable, Catholic TV is available on several streaming platforms. Chick here for various ways to watch. You can also get more information at CatholicTV.org.

Preview: The Brookline Consort being filmed at Saint Cecilia Church, Boston:

Beautiful music, beautiful churches—what more could you ask for? Only 2 more days until the premiere of On a Sacred Note, hosted by StephScogna</a>! Watch it Monday at 8:30am ET and catch it again Tuesday at 8:30pm ET. <a href="https://t.co/P26jn62qfo">pic.twitter.com/P26jn62qfo</a></p>&mdash; CatholicTV (CatholicTV) June 2, 2018



N AN INTERVIEW IN Catholic TV Magazine (June, 2018) Stephanie Scogna talks about the series and what to expect:

“I am beyond grateful that we’ve been able to pack each episode of the series with so much: educational content, interviews with church Music Directors, and real-time performances of music from throughout the centuries, all filmed in the churches themselves! I consciously chose to feature churches and directors that I believe present coherent and invaluable music programs to the parishes they serve. We have so much amazing talent in the Archdiocese of Boston when it comes to early sacred music, including music directors Richard Clark, John Robinson, Janet Hunt, and Michael Olbash! After watching an episode of On a Sacred Note, viewers will have learned a bit about one of the liturgical music genres and/or time periods, heard an interview with a parish music director about his or her experiences with that music and watched a performance by dedicated musicians who study — and often specialize in — sacred music.

“Just as there is so much respect and awe to be found when we dig deep into the Church’s social history — including the challenges, the codification of doctrine, and the abundance of theological writings — so also can we find depth and meaning in her music. At the end of the series, it is my hope that viewers will feel more connected to the composers and musical traditions that played a role in Catholic life over thousands of years. More specifically, my wish is that our viewers will walk into Sunday Mass with a new attentiveness to this aspect of liturgical experience, and that discussion may continue on the parish level regarding how the music of the Church can move us to prayer, excite our spirits, and call us to greater reverence, grounded in the theology and tradition that it represents.” — Stephanie Scogna

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic TV, On a Sacred Note Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Older priests, therefore, should receive younger priests as true brothers and help them in their first undertakings and priestly duties. The older ones should likewise endeavor to understand the mentality of younger priests, even though it be different from their own, and follow their projects with good will.”

— Pope Saint Paul VI (7 dec 1965)

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