• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

“On a Sacred Note” • Catholic TV Network • 13 Part Series on Sacred Music

Richard J. Clark · June 1, 2018

HE CATHOLIC TV Network is launching its thirteen-part series on sacred music beginning, Monday, June 4th. Hosted by Stephanie Scogna (Artistic Director, Boston Art Song Society), the series explores over a millennium of music history through present-day genres and experiences. A most ambitious series, Scogna tackles subjects from Gregorian Chant to Navigating Vatican II on the parish level.

Based in Boston, the series includes visits to various churches, live performance from The Brookline Consort, and interviews with various music directors.

• The show airs (HD) on Mon. 8:30 A.M., Tue. 8:30 P.M., Fri. 12 A.M., and Sat. 5 P.M. (All Eastern times) Beginning June 4, 2018, there will be a new episode each week.

• Download topics, guests, and broadcast schedule here.

• In addition to cable, Catholic TV is available on several streaming platforms. Chick here for various ways to watch. You can also get more information at CatholicTV.org.

Preview: The Brookline Consort being filmed at Saint Cecilia Church, Boston:

Beautiful music, beautiful churches—what more could you ask for? Only 2 more days until the premiere of On a Sacred Note, hosted by StephScogna</a>! Watch it Monday at 8:30am ET and catch it again Tuesday at 8:30pm ET. <a href="https://t.co/P26jn62qfo">pic.twitter.com/P26jn62qfo</a></p>&mdash; CatholicTV (CatholicTV) June 2, 2018



N AN INTERVIEW IN Catholic TV Magazine (June, 2018) Stephanie Scogna talks about the series and what to expect:

“I am beyond grateful that we’ve been able to pack each episode of the series with so much: educational content, interviews with church Music Directors, and real-time performances of music from throughout the centuries, all filmed in the churches themselves! I consciously chose to feature churches and directors that I believe present coherent and invaluable music programs to the parishes they serve. We have so much amazing talent in the Archdiocese of Boston when it comes to early sacred music, including music directors Richard Clark, John Robinson, Janet Hunt, and Michael Olbash! After watching an episode of On a Sacred Note, viewers will have learned a bit about one of the liturgical music genres and/or time periods, heard an interview with a parish music director about his or her experiences with that music and watched a performance by dedicated musicians who study — and often specialize in — sacred music.

“Just as there is so much respect and awe to be found when we dig deep into the Church’s social history — including the challenges, the codification of doctrine, and the abundance of theological writings — so also can we find depth and meaning in her music. At the end of the series, it is my hope that viewers will feel more connected to the composers and musical traditions that played a role in Catholic life over thousands of years. More specifically, my wish is that our viewers will walk into Sunday Mass with a new attentiveness to this aspect of liturgical experience, and that discussion may continue on the parish level regarding how the music of the Church can move us to prayer, excite our spirits, and call us to greater reverence, grounded in the theology and tradition that it represents.” — Stephanie Scogna

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic TV, On a Sacred Note Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • “Common” Responsorial Psalm?
  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.