Views from the Choir Loft

“Priests of God, bless the Lord!” • Practice Video

Richard J. Clark · May 4, 2018

ITH MANY ordinations taking place this time of year, it is a blessed time for the entire Church.

The Introit chant for the ordination of priests from the Graduale Romanum is Sacerdotes Dei, benedicite (Mode VI). It is a beautiful way to begin the long procession of ordinandi and priests, perhaps followed up by a hymn and organ improvisation. (It doesn’t get any more fun that that.)

Below is a practice video with the Gregorian notation, which may be useful for Diocesan choirs that include additional amateur singers. This was recorded at the 2017 Presbyteral Ordination for the Archdiocese of Boston (audio was taken from the video feed—forgive the initial fade in). You’ll note the Alleluias are included which are sung during the Easter Season.

The text is a beautiful prayer for for all and for the ordinandi:

Daniel 3: 84, 8 • Priests of God, bless the Lord, praise the Lord all who are holy and humble of heart. Alleluia. Ps V 57: Bless the Lord, all you works of the Lord, praise and exalt him above all forever.

* * DOWNLOAD Sacerdotes Dei, benedicite • Gregorian notation

* * DOWNLOAD Sacerdotes Dei, benedicite • Modern notation

I chose to have men and women sing in unison for a brighter sound, to create a more energetic pronouncement, especially in a relatively dry acoustic. Marc Demille beautifully intoned the verses:

Please pray for all ordinandi! What we do is not simply “important” music for an “important” Mass. This is a day that the newly ordained will carry in their hearts for the rest of their lives. Not only what we sing, but how we sing will have spiritual impact beyond a nice memory. It will help shape their formation, and as such shape the Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

“Music List” • 29th in Ordinary Time (Year C)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.

—Jeff Ostrowski

Liturgical Round (“Canon”) in C-Major

Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.

—Jeff Ostrowski

Latin Liturgy Association

We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”

—Corpus Christi Watershed

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

“Canonic” • Ralph Vaughan Williams

Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.

—Jeff Ostrowski

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)