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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Prayers of Preparation and Farewell

Fr. David Friel · November 5, 2017

E HAVE just passed the annual memorial of St. Charles Borromeo (November 4), the liturgical celebration of which includes one of my favorite passages in the Office of Readings. Drawn from a sermon given by the eminent, reforming bishop of Milan during the last synod he attended, the passage is an encouragement to priests to practice what they preach.

At one point, St. Charles asks: “Are you in charge of a parish? If so, do not neglect the parish of your own soul; do not give yourself to others so completely that you have nothing left for yourself. You have to be mindful of your people without becoming forgetful of yourself.”

In another section of the homily, St. Charles describes the situation of priests who wish to lead good lives, but find it difficult. He raises the example of a priest who complains that his mind is filled with a thousand distractions when he goes to pray his Office or to celebrate Mass. In response to this hypothetical priest, the preacher addresses three poignant questions: “But what was he doing in the sacristy before he came out for the Office or for Mass? How did he prepare? What means did he use to collect his thoughts and to remain collected?”

These questions could well figure into an examination of conscience, not only for priests, but for all who desire to pray wholeheartedly.

The question of what a priest is doing in the sacristy before Mass is a particularly penetrating question, and its answer has a direct effect on the fruitfulness of his prayer.

In an appendix of the Roman Missal, one finds a good selection of prayers to be prayed in the sacristy before and after Mass. They include the famous prayers of St. Ambrose and St. Thomas Aquinas, among others. Many saints and faithful Catholics have written similar prayers for the purposes of preparation and thanksgiving.

Two years ago, I posted a series of reflections on the vesting prayers that may be prayed by the priest before Mass. Just last month, NLM posted scans of the Præparatio ad Missam and Gratiarum Actio post Missam cards that traditionally hung in many sacristies.

Today, I would like to share two prayers that I have found personally beneficial. The first is a prayer of Bl. John Henry Cardinal Newman, to be prayed before Mass. It speaks to the Mother of God and asks for her assistance in entering into the sacred mysteries:

Præparatio ad Missam
O Holy Mother,
stand by me now at Mass time,
when Christ comes to me,
as thou didst minister to Thy infant Lord;
as thou didst hang upon His words when He grew up;
as thou wast found under His Cross.

Stand by me, Holy Mother,
that I may gain somewhat
of thy purity, thy innocence, thy faith,
and He may be the one object
of my love and my adoration,
as He was of thine.

The second prayer I would like to share is drawn from the Maronite tradition. This prayer is prayed by the priest at the end of every Divine Liturgy. It uses the literary device of apostrophe to speak directly to the altar:

Maronite Prayer of Farewell to the Altar
Remain in peace, O holy altar of God.
I hope to return to you in peace.
May the offering I have received from you forgive my sins
and prepare me to stand blameless
before the throne of Christ.
I know not whether I shall be able to return to you again to offer sacrifice.
Guard me, O Lord, and protect your holy Church,
that she may be the way to salvation and the light of the world.
Amen.

Following the encouragement of St. Charles Borromeo, may all of us remain solicitous to enter into the liturgy with attentive minds and hearts!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Blessed John Henry Cardinal Newman, Maronite Liturgy, Vesting Prayers Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

[Speaking of those who wish to eliminate Latin from the liturgy.] “One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past; one may well wonder why these things have been fostered.”

— Pope Saint Paul VI (15 August 1966)

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