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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Prayers of Preparation and Farewell

Fr. David Friel · November 5, 2017

E HAVE just passed the annual memorial of St. Charles Borromeo (November 4), the liturgical celebration of which includes one of my favorite passages in the Office of Readings. Drawn from a sermon given by the eminent, reforming bishop of Milan during the last synod he attended, the passage is an encouragement to priests to practice what they preach.

At one point, St. Charles asks: “Are you in charge of a parish? If so, do not neglect the parish of your own soul; do not give yourself to others so completely that you have nothing left for yourself. You have to be mindful of your people without becoming forgetful of yourself.”

In another section of the homily, St. Charles describes the situation of priests who wish to lead good lives, but find it difficult. He raises the example of a priest who complains that his mind is filled with a thousand distractions when he goes to pray his Office or to celebrate Mass. In response to this hypothetical priest, the preacher addresses three poignant questions: “But what was he doing in the sacristy before he came out for the Office or for Mass? How did he prepare? What means did he use to collect his thoughts and to remain collected?”

These questions could well figure into an examination of conscience, not only for priests, but for all who desire to pray wholeheartedly.

The question of what a priest is doing in the sacristy before Mass is a particularly penetrating question, and its answer has a direct effect on the fruitfulness of his prayer.

In an appendix of the Roman Missal, one finds a good selection of prayers to be prayed in the sacristy before and after Mass. They include the famous prayers of St. Ambrose and St. Thomas Aquinas, among others. Many saints and faithful Catholics have written similar prayers for the purposes of preparation and thanksgiving.

Two years ago, I posted a series of reflections on the vesting prayers that may be prayed by the priest before Mass. Just last month, NLM posted scans of the Præparatio ad Missam and Gratiarum Actio post Missam cards that traditionally hung in many sacristies.

Today, I would like to share two prayers that I have found personally beneficial. The first is a prayer of Bl. John Henry Cardinal Newman, to be prayed before Mass. It speaks to the Mother of God and asks for her assistance in entering into the sacred mysteries:

Præparatio ad Missam
O Holy Mother,
stand by me now at Mass time,
when Christ comes to me,
as thou didst minister to Thy infant Lord;
as thou didst hang upon His words when He grew up;
as thou wast found under His Cross.

Stand by me, Holy Mother,
that I may gain somewhat
of thy purity, thy innocence, thy faith,
and He may be the one object
of my love and my adoration,
as He was of thine.

The second prayer I would like to share is drawn from the Maronite tradition. This prayer is prayed by the priest at the end of every Divine Liturgy. It uses the literary device of apostrophe to speak directly to the altar:

Maronite Prayer of Farewell to the Altar
Remain in peace, O holy altar of God.
I hope to return to you in peace.
May the offering I have received from you forgive my sins
and prepare me to stand blameless
before the throne of Christ.
I know not whether I shall be able to return to you again to offer sacrifice.
Guard me, O Lord, and protect your holy Church,
that she may be the way to salvation and the light of the world.
Amen.

Following the encouragement of St. Charles Borromeo, may all of us remain solicitous to enter into the liturgy with attentive minds and hearts!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Blessed John Henry Cardinal Newman, Maronite Liturgy, Vesting Prayers Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

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  • PDF Download • “Quasi Modo Sunday”
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  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)

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