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Views from the Choir Loft

Kids Are Colorblind But Adults Are Not

Dr. Alfred Calabrese · May 3, 2017

AST WEEK in my article, I mentioned my daughter, so I thought this week I’d reference my son. When he was about three years old we lived in Atlanta and he was in a daycare with children of many different races. His best friend there was a Chinese boy. My son never asked about the color of anyone’s skin or the shape of their eyes. To him and all the other kids there, they were just kids—all the same. They didn’t have any prejudices or biases. Here’s a beautiful example of what I’m talking about.


Isn’t this kind of colorblindness always the case? Until, of course, adults and society get involved, and begin to inflict their biases on children. I’ve often thought that this is what happens with music, especially music in the Church.

ANYONE INVOLVED WITH TEACHING music to children, especially very young children, will know that they’ll gladly sing anything you put in front of them. If they know you like it, they’ll like it. If you tell them, “this is what you’re supposed to do,” they’ll gladly do it. It’s been wonderful to hear the first and second graders in our school sing hymns like Jesus, My Lord, My God, My All (SWEET SACRAMENT). They absolutely love it! It’s equally great to know that my choir kids love Panis Angelicus and Fauré’s Ave Maria.

Too often, however, adults (parents, teachers, older children) tell them that’s not the music they’re supposed to like. It’s not cool. And besides, aren’t kids supposed to be cute? What normal kid would like Latin? What modern Catholic kid wouldn’t want to sing something exciting, with fun things like clapping and stamping and raising up their arms? It’s when they experience these prejudices that kids start to think twice, biases set in, and we’ve lost them.

What’s both interesting and sad is when adults with these prejudices hear children joyfully singing traditional music, they dismiss it as an aberration. Further, they often stereotype these kids. They’ll say that the little ones are too young to know better, or that the choir kids are just a little “different” (weird, or worse). “Just wait until they become teenagers,” they say, “then they’ll really rebel.”

I’m convinced that kids and teens have been taught by adults with an agenda to dislike solid hymnody, chant, and anything that smacks of tradition in the Church. So many adults find it necessary to inflict their prejudices on these children instead of just staying out of it. I think I know why. Do you?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

When Christ gave the bread, he did not say, “This is the symbol of my body,” but, “This is my body.” In the same way, when he gave the cup of his blood he did not say, “This is the symbol of my blood,” but, “This is my blood.”

— Theodore, Bishop of Mopsuestia, writing in the 5th Century

Recent Posts

  • Urgent! • We Desperately Need Funds!
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  • “Yahweh” in church songs?

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