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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Sing Everything From the Viewpoint of the Resurrection

Richard J. Clark · April 7, 2017

T IS QUITE POSSIBLE the best thing to happen to me is to understand my own mortality. Birthdays at my age will do that. The physical, mental, and emotional challenge of caring for young children will do that. Failure and uncertainty will do that. We are but dust and to dust we shall return. For me at least, it is way past time to repent and believe in the Gospel. This is a gift of Ash Wednesday.

Facing mortality may wake us up to what God wishes for us: The gift of Christ’s sacrifice is the ultimate show of love, for he wants us to share in his eternal life—where death has no dominion. “…the love of God doesn’t end in death. It goes beyond it. Death is no hindrance to the love of God.” (Peter G. van Breemen, SJ, As Bread That Is Broken, pg.169)

OLY WEEK is upon us. Now, in these last days of Lent, the tension in the daily Gospels is palpable. There is no question Jesus will suffer horrifically and die. Peter van Breemen states, “The Gospel should be read from the viewpoint of the resurrection because that is the way it was written.“ (As Bread That Is Broken, pg.167) Central to our faith is the Resurrection. We know this intellectually. We profess this. But music has has power to describe the indescribable and speak the ineffable. That is what our choirs must do this Holy Week.

Most especially during Holy Week, sacred song and prayer become indistinguishable (although this is always our goal!) How does this happen? The period of Lent prepares us in unexpected ways. Take for example, Jesus’ Transfiguration on the second Sunday of Lent. God shows us as he really is—something beyond our human comprehension. Christ’s revelation in the Transfiguration is echoed in the communion antiphon on August 6th—the Feast of the Transfiguration: “When Christ appears, we shall be like him, for we shall see him as he is.”

This is truly God’s wish for us—to see him as he IS, which in turn reveals just how much God truly loves us. From the familiar text of John 3:16: “For God so loved the world that he gave his only Son, so that everyone who believes in him might not perish but might have eternal life.”

HIS HOLY WEEK especially, we must sing everything from the viewpoint of the resurrection, of God’s overpowering love. This includes the emotional roller coaster of Palm Sunday. This includes the confusion the disciples feel of Christ’s example in washing their feet. This includes the suffering of Good Friday, for Good Friday brings us the greatest hope of all. For death has no power over God, and God wants the same for us.

Your choir’s preparation for Holy Week has been a great prayer. This week, your song and prayer will be indistinguishable. Sing with great joy and hope. Christ’s love is more than you can bear.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

[on Latin] “No change in Mass: people have missals and can read. More vernacular can be useful in the Sacraments: Baptism, Confirmation, Extreme Unction, Matrimony.”

— Cardinal Spellman (one of the Vatican II fathers)

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