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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Triptych on Mercy • Reflection I

Fr. David Friel · November 6, 2016

HE EXTRAORDINARY Jubilee Year of Mercy comes to a close on Sunday, November 20, 2016. This year has been an opportunity for the Church universal to reflect more deeply on what Our Lord revealed to St. Faustina is God’s greatest attribute. One significant thing that the experience of this Jubilee has revealed to me is that many people—in the Church and outside the Church—do not truly understand the meaning of Christian mercy. There is work to be done, in terms of both evangelization and catechesis.

To conclude this Year of Mercy, therefore, I am posting a trilogy of reflections, which I hope will be both spiritual and practical. Today marks the first installment, and the next two reflections will appear on the coming two Sundays.

Without any pretense that these reflections will be exhaustive, I plan to reflect on three topics: the meaning of mercy, the need for mercy, and the beauty of mercy.

My hope is that these thoughts will serve to elucidate the true nature of mercy and help to seal the graces of this Year of Mercy in those who read them.

My life story is not particularly interesting. It follows a rather predictable pattern. I was born & raised Catholic, went to school, entered the seminary, and became a parish priest. There are a few twists and turns, but nothing major.

Sometimes, to be honest, I wish I had a “better” story to tell. Why? Because, like many people, I like listening to stories about terrible sinners who reform their ways and start responding to God’s grace. It’s inspiring to hear about people who were in the grips of addiction before finding God. It’s fascinating to hear about people who left their faith or had no faith before converting to become Catholic.

My story isn’t “interesting” like those kinds of stories, where the person is caught in such an extreme situation that God has to show them incredible mercy. In reality, though, people with “exciting” stories are not the only people who have stories to tell about God’s mercy.

God’s mercy, after all, is not just about bringing wild sinners back from their errant ways. In fact, God’s mercy is just as vibrant in my story as it is in even the wildest story of a sinner come home. How so?

It was the mercy of God by which I was born healthy.

It was by God’s mercy that I have a good family.

It was by God’s mercy that I received a good education.

It was by God’s mercy that I was called to the priesthood.

It is by God’s mercy that I woke up this morning.

It is by God’s mercy that I have a place to live and food to eat and money to spend.

At every step of my life’s journey, the mercy of God has been deeply at work.

This should tell us something about the meaning of mercy. Mercy refers not only to God’s power to forgive. Mercy is broader than that.

In the Old Testament, the Hebrew word that is most often translated as “mercy” is the word hesed. Hesed could also be translated as “loving-kindness,” or even “loyalty.” It is more about kindness than strictly about forgiveness, although forgiveness is certainly part of God’s extraordinary kindness. Hesed is not a mood; it is not a feeling; it is a deep disposition of the heart. This type of loving-kindness is an essential part of Who God is—indeed, it is His greatest attribute.

We see this usage of the word “mercy” at several points throughout the Mass. One of the most beautiful prayers we pray in every Mass is the prayer that immediately follows the Our Father, the Libera Nos, Domine. Read this very familiar prayer again:

Deliver us, Lord, we pray, from every evil, graciously grant peace in our days, that, by the help of Your mercy, we may be always free from sin.

This prayer does not envision God’s mercy simply as a corrective for our sins. Rather, this prayer recognizes that God’s mercy is also at work when we are kept free from sin. This is one of the most important reasons we should go to confession: so that God can not only forgive our sins, but also, in His mercy, preserve us from sin going forward.

Our stories—your story & my story—need not be flashy or dramatic or “interesting.” We do not have to be world-class sinners in order to experience God’s mercy. The simple fact that we exist is a testament to God’s mercy. The fact that we are breathing means that we are experiencing God’s mercy here and now.

The truly “interesting” life story is the story of one who accepts God’s merciful kindness and allows that experience to transform one’s life.

Part 1 • The Meaning of Mercy

Part 2 • The Need for Mercy

Part 3 • The Beauty of Mercy

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

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— Cardinal McIntyre (one of the Vatican II fathers)

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